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Works (?) Thomas Girtin

Caernarfon Castle, from the River Seiont

1798 - 1799

Primary Image: TG1316: (?) Thomas Girtin (1775–1802), Caernarfon Castle, from the River Seiont, 1798–99, watercolour on laid paper, 21.3 × 30.5 cm, 8 ⅜ × 12 in. Williamson Art Gallery & Museum, Birkenhead (BIKGM1975).

Photo courtesy of Williamson Art Gallery & Museum, Birkenhead (All Rights Reserved)

Description
Creator(s)
(?) Thomas Girtin (1775-1802)
Title
  • Caernarfon Castle, from the River Seiont
Date
1798 - 1799
Medium and Support
Watercolour on laid paper
Dimensions
21.3 × 30.5 cm, 8 ⅜ × 12 in
Object Type
Studio Watercolour
Subject Terms
Castle Ruins; North Wales; River Scenery

Collection
Versions
Caernarfon Castle, from the River Seiont (TG1315)
Catalogue Number
TG1316
Girtin & Loshak Number
290ii as 'Caernarvon Castle'
Description Source(s)
Viewed in 2001

Provenance

J. Palser & Sons, c.1900; ... Christie's, 15 April 1932, lot 121; bought by 'Squire', £13 13s; Squire Gallery, London; bought from them by the Gallery, 1932, £29 18s

About this Work

This small studio watercolour is one of two versions of a composition that Girtin presumably sketched on his tour of North Wales in the summer of 1798 (the other being TG1315). The view from the river Seiont shows the south flank of Caernarfon Castle with the Queen’s Tower to the right, and it therefore covers much the same extent of the building that is seen in a pencil drawing made at the same time (TG1308), though more of the estuary is visible as the view is taken from further away. The faded condition of the work perhaps confuses the issue somewhat, but, in comparison with the other version of the composition, which in itself is not one of the artist’s strongest efforts, the execution is so poor as to open up the question of its attribution. The depiction of the water is no more than satisfactory, whilst the handling of the architecture, in particular, is very weak, and there is no sense of a credible structure to the building. Moreover, the application of the washes throughout the drawing is very mechanical, and my first instinct was to suggest that it is a copy of the aquatint (see print after TG1315), presumably by an amateur artist. The fact that the first version of the composition must have been in the possession of the engraver Samuel William Reynolds (1773–1835) suggests another idea, however. Reynolds is the suspected author of a string of more or less convincing copies of works by Girtin that he had in his possession, either in his role as a dealer or in his capacity as an engraver, including the second version of Chelsea Reach, Looking towards Battersea (TG1741). There is of course no way of knowing precisely, but Reynolds seems to have had the means to make a copy of the watercolour now in the collection of the British Museum (TG1315), and, if he found a buyer for the original, it may even be that it was made to facilitate the production of the aquatint rather than to contribute a fraudulent imposture to the market.

1798 - 1799

Caernarfon Castle, from the River Seiont

TG1315

(?) 1798

Caernarfon Castle, from the East

TG1308

1798 - 1799

Caernarfon Castle, from the River Seiont

TG1315

1800 - 1805

Chelsea Reach, Looking towards Battersea

TG1741

1798 - 1799

Caernarfon Castle, from the River Seiont

TG1315

by Greg Smith

Place depicted

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