Bibliography: Published and Manuscript Material Relating to Girtin and His Times
A comprehensive survey of literature relating to the artist’s career, specific works, and literature on the art of watercolour during the period of Girtin’s life.
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Abell, 2009
Mora Abell, Doctor Thomas Monro 1759–1833: Physician, Patron and Painter, Victoria, British Columbia, 2009 -
Adams, 1982
Bernard Adams, 'A Regency Pastime: The Extra-illustration of Thomas Pennant’s London', London Journal, vol.8, no.2, Winter 1982, pp.123–39 -
Adams, 1983
Bernard Adams, London Illustrated 1604–1851: A Survey and Index of Topographical Books and Their Plates, London, 1983 -
Adams, 1986
Pat Adams, ed., With a Poet's Eye: A Tate Gallery Anthology, London, 1986 -
Agnew’s Archive
Thos. Agnew & Sons, Drawing Stock Books, 1856–1988, National Gallery Archive, London, 1856–1988, NGA27/1/2/1–19 -
Aitken, 1797
Arthur Aitken, Journal of a Tour through North Wales and Part of Shropshire; With Observations in Mineralogy, and Other Branches of Natural History, London, 1797 -
Aitkin, 1795
John Aikin, A Description of the Country from Thirty to Forty Miles Round Manchester, London, 1795 -
Alderson, 2007
Brian Alderson, 'From Castle Cottage to Kendal Museum: The Journey of Some Pictures Owned by Mrs Heelis', Beatrix Potter Society Newsletter, no.105, July 2007, pp.14–15 -
Alexander, 1962
Boyd Alexander, 'William Beckford as Patron', Apollo, vol.77, no.5, (July 1962), pp.360-64 -
Alexander, 2021
David Alexander, A Biographical Dictionary of British and Irish Engravers, 1714–1820, Paul Mellon Centre for Studies in British Art, London, 2021 -
Alfrey, 2001
Nicholas Alfrey, Trentside: An Exhibition, exhibition catalogue, Djanogly Art Gallery, Nottingham, 2001 -
Alger, 1904
John Goldworth Alger, Napoleon’s British Visitors and Captives, 1801–1815, London, 1904 -
Alison, 1790
Archibald Alison, Essays on the Nature and Principles of Taste, Edinburgh, 1790 -
Allan, 2001
David G. C. Allan, The Adelphi: Past and Present; A History and a Guide, London, 2001 -
Allen, 1975
Christopher Allen, 'Girtin’s Views of Paris', The Antique Collector, vol.46, no.4, April 1975, pp.22- 24 -
Allen, 2018
Brian Allen, British Watercolours c.1770–1870, from the Collection of BNY Mellon, exhibition catalogue, Royal Academy of Arts, London, 2018 -
Allthorpe-Guyton, 1977
Marjorie Allthorpe-Guyton, John Thirtle 1777–1839: Drawings in Norwich Castle Museum, Norwich, 1977 -
Altick, 1978
Richard D. Altick, The Shows of London, Cambridge, Massachusetts and London, 1978 -
Anderson, 1926
John Anderson, The Unknown Turner: Revelations Concerning the Life and Art of J. M. W. Turner, with an Account of the Discovery of His Hidden Signatures and Dates and the Publication of the Only Known Original Manuscript of Any of His Sketching Tours, New York, 1926 -
Andrew and Robinson, 1993
Patricia R. Andrew and Suzanne Robinson, Durham Cathedral: Artists and Images; Durham Cathedral as a Visual Image, Durham, 1993 -
Andrews, 1989
Malcolm Andrews, The Search for the Picturesque: Landscape Aesthetics and Tourism in Britain, 1760–1800, Aldershot, 1989 -
Andrews, 1994a
Malcolm Andrews, The Picturesque: Literary Sources and Documents, 3 vols., Robertsbridge, 1994 -
Andrews, 1994b
Malcolm Andrews, 'The Metropolitan Picturesque' in Stephen Copley and Peter Garside, eds., The Politics of the Picturesque: Literature, Landscape and Aesthetics since 1770, Cambridge, 1994, pp.282–98 -
Andrews, 1995
Malcolm Andrews, 'A Picturesque Template: The Tourist and Their Guidebooks' in Dana Arnold, ed., The Picturesque in Late Georgian England: Papers Given at the Georgian Group Symposium, London, 1995, pp.3–9 -
Andrews, 2021
Malcolm Andrews, A Sweet View: The Making of an English Idyll, London, 2021 -
Angelo, 1828
Henry Angelo, Reminiscences of Henry Angelo, with Memoirs of His Late Father and Friends, London, 1828 -
Angus, 1787–97
William Angus, The Seats of the Nobility and Gentry, in Great Britain and Wales in a Collection of Select Views, London, 1787–97 -
Anonymous, 1797a
Anonymous, A Collection of Welch Tours; or, A Display of the Beauties of Wales, 2nd edn., London, 1797 -
Anonymous, 1797b
Anonymous, A History of Leeds, Compiled from Various Authors: To Which Is Added an History of Kirkstall Abbey, Leeds, 1797 -
Anonymous, 1800a
Anonymous, Ambulator; or, A Pocket Companion in a Tour Round London, within the Circuit of Twenty-Five Miles: Describing Whatever Is Most Remarkable for Antiquity, Grandeur, Elegance, or Rural Beauty, 9th edn., London, 1800 -
Anonymous, 1800b
Anonymous, A Treatise on Ackermann’s Superfine Water Colours with Directions How to Prepare and Use Them, Including Succinct Hints on Drawing and Painting, London, 1800 -
Anonymous, 1802
Anonymous, A Few Days in Paris; With Remarks Characteristic of Several Distinguished Personages, London, 1802 -
Anonymous, 1803
Anonymous, A Guide to All the Watering and Sea-Bathing Places in England and Wales, London, 1803 -
Anonymous, 1809–12
Anonymous, Ackermann’s New Drawing Book of Light and Shadow, in Imitation of Indian Ink, London, 1809–12 -
Anonymous, 1813
Anonymous, Wharfdale; or, A Description of the Several Delightful Features of That Extensive, Splendid and Fascinating Valley, Otley, 1813 -
Anonymous, 1817
Anonymous, The Tourist’s Companion; Being a Concise Description and History of Ripon, Studley Park …, Ripon, 1817 -
Anonymous, 1839
Anonymous, 'Thomas Girtin', Georgian Era, vol.4, 1839, pp.132–33 -
Anonymous, 1875
Anonymous, 'The Girtin Drawings at the Burlington Club', The Builder, vol.33, no.1687, 5 June 1875, p.499 -
Anonymous, 1875b
Anonymous, 'Thomas Girtin', The Spectator, no.2459, 14 August 1875, pp.1035-36 -
Anonymous, 1948
Anonymous, The British Heritage, London, 1948 -
Anonymous, 2000
Anonymous, 'Maineri to Miró: The Regenstein Collection since 1975', Art Institute of Chicago Museum Studies, vol.26, no.1, Chicago, 2000, pp.62–63 -
Aprile and Lupo, 2015
Marina D’Aprile and Francesco Lupo, 'Spazi del lavoro e della conoscenza: conservazione e valorizzazione dell’ex-Vetreria Ricciardi a Vietri sul Mare', Abitare Insieme: Abitare il Futuro, Giornate Internazionali di Studio, Università di Napoli Federico II - Dipartimento di Architettura, 2015, pp.737-46 -
Armstrong, 1902
Walter Armstrong, Turner, London, 1902 -
Armstrong, 1909
Walter Armstrong, Art in Great Britain and Ireland, New York, 1909 -
Arnhold, 2019
Hermann Arnhold, ed., Turner: Horror and Delight, exhibition catalogue, LWL-Museum für Kunst und Kultur, Münster, 2019 -
Arnold, 1999
Dana Arnold, The Metropolis and Its Image: Constructing Identities for London, c.1750–1950, Oxford, 1999 -
Arnold, 2000
Dana Arnold, Re-presenting the Metropolis: Architecture, Urban Experience and Social Life in London, 1800–1840, Aldershot and Burlington, Vermont, 2000 -
Arscott, 2000
Caroline Arscott, 'The Representation of the City in the Visual Arts' in Peter Clark, D. M. Palliser and M. J. Daunton, eds., The Cambridge Urban History of Britain, vol.3, Cambridge, 2000, pp.811–32 -
Ashmolean Museum, Oxford, 1929
Ashmolean Museum, Oxford, Annual Report of the Visitors, Oxford, 1929 -
Ashmolean Museum, Oxford, 1941
Ashmolean Museum, Oxford, Annual Report of the Visitors, Oxford, 1941 -
Asquith, 2013
Roger Asquith, 'The Life and Times of Buttermere Mill', Journal of the Lorton & Derwent Fells Local History Society, no.52, August 2013, pp.8–16 -
Avery-Quash, 2019
Susanna Avery-Quash and Christian Huemer, eds., London and the Emergence of a European Art Market, 1780–1820, Los Angeles, 2019
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Baetjer, 1992
Katharine Baetjer, ed., Glorious Nature: British Landscape Painting, 1750–1850, exhibition catalogue, Denver Art Museum, 1993 -
Bailey, 2024
Lucy Anne Bailey, 'Walter Fawkes, 1769 – 1825: Patron of the Arts', Ph D dissertation, University of Glasgow, 2024 -
Baker, 1795
James Baker, A Picturesque Guide through Wales and the Marches, 3 vols. 2nd edn., Worcester, 1795 -
Baker, 1980
Rowland G. M. Baker, 'East Molesey Mill', Molesey History, 1980 -
Baker, 2006
Christopher Baker, J. M. W. Turner: The Vaughan Bequest, Edinburgh, 2006 -
Baker, 2011
Christopher Baker, English Drawings & Watercolours 1600–1900, National Gallery of Scotland, Edinburgh, 2011 -
Ball, 1978
Alan W. Ball, Paintings, Prints and Drawings of Harrow on the Hill 1562–1899, Harrow, 1978 -
Barbier, 1963
Carl Paul Barbier, William Gilpin: His Drawings, Teaching, and Theory of the Picturesque, Oxford, 1963 -
Barker, 1796
Robert Barker, 'Specification of the Patent granted to Mr. ROBERT BARKER … for his Invention of an entire new Contrivance or Apparatus, called by him “La Nature à Coup d’Oeil”, for the Purpose of displaying Views of Nature at large', Repertory of Arts and Manufactures, vol.4, 1796, pp.165–67 -
Barker, 2003
Elizabeth E. Barker, 'Recent Acquisitions. A Selection: 2002 – 2003', The Metropolitan Museum of Art Bulletin, vol.61, no.2, Fall 2003, p.27 -
Barker, 2012
Emma Barker, ed., Art and Visual Culture 1600–1850: Academy to Avant-Garde, London, 2012 -
Barlow, 2001
Margaret Barlow, Timothy P. Atkinson and Segundo J. Fernandez, eds., The Melting Touch of Nature: 250 Years of British Landscape Drawings and Watercolours from the Fernandez Collection, exhibition catalogue, Brenau University Galleries, Gainesville, Georgia, 2001 -
Barrell, 2010
John Barrell, 'Paul Sandby', London Review of Books, vol.32, no.9, 13 May 2010 -
Barrell, 2013a
John Barrell, 'Edward Pugh of Ruthin 1763–1813: "A Native Artist"', Cardiff, 2013 -
Barrell, 2013b
John Barrell, 'The Virtues of Topography', London Review of Books, vol.35, no.1, 3 January 2013, pp.9–12 -
Barrow, 1791–93
Joseph Charles Barrow, Picturesque Views of Churches and Other Buildings, from Drawings by J. C. Barrow, with an Account of Each Building, London, 1791–93 -
Barthorp, 1982
Michael Barthorp, British Infantry Uniforms Since 1660, Poole, 1982 -
Batten, 1978
Charles Linwood Batten, Pleasurable Instruction: Form and Convention in Eighteenth-Century Travel Literature, Berkeley, Los Angeles and London, 1978 -
Bauer, 1998
Gérald Bauer, Le siècle d’or de l’aquarelle anglaise, Paris, 1998 -
Baxandall, 1939
D. Kighley Baxandall, The British Water-Colour School: Handbook to the Pyke Thompson Gallery, Cardiff, 1939 -
Bayard, 1981
Jane Bayard, Works of Splendor and Imagination: The Exhibition Watercolor, 1770–1870, exhibition catalogue, Yale Center for British Art, New Haven, 1981 -
Bayard, 1982
Jane Bayard, 'From Drawing to Painting: The Exhibition Watercolor 1770–1870', 2 vols., PhD dissertation, Yale University, New Haven, 1982 -
Bayer, 2011
Thomas M. Bayer and John R. Page, The Development of the Art Market in England: Money as Muse, 1730–1900, London, 2011 -
Beckett, 1970
R. B. Beckett, ed., John Constable’s Discourses, Suffolk Records Society, vol.15, 1970 -
Beckett, 1999
Wendy Beckett, 1000 Masterpieces of Western Art, London, 1999 -
Beckford, 1834
William Beckford, Italy: With Sketches of Spain and Portugal, London, 1834 -
Bell and Girtin, 1935
Charles F. Bell and Thomas Girtin, 'The Drawings and Sketches of John Robert Cozens: A Catalogue with an Historical Introduction', Walpole Society, vol.23, 1935, pp.1–87 -
Bell, 1915–17
Charles F. Bell, 'Fresh Light on Some Water-Colour Painters of the Old British School, Derived from the Collection and Papers of James Moore, F. S. A.', Walpole Society, vol.5, 1915–17, pp.47–83 -
Bell, 1938–39
Charles F. Bell, 'A Postscript Concerning Dr. Thomas Monro, James Moore, F. S. A., and John Henderson and Some of the Artists Who Worked for Them', Walpole Society, vol.27, 1938–39, pp.97–103 -
Bell, 1947
Charles F. Bell, 'The Sketches and Drawings of John Robert Cozens: Some Additions and Notes to the Twenty-Third Volume of the Walpole Society', Walpole Society, no volume number, 1947, pp.1–12 -
Bell, 1995
Patricia Bell, Southill and the Whitbreads 1795–1995: A Collection of Essays to Celebrate Two Centuries of Southill House and Estate in the Hands of the Whitbread Family, Biggleswade, 1995 -
Bell’s Weekly Messenger, 24 October 1802
Anonymous, Bell’s Weekly Messenger, 24 October 1802, p.340 -
Belsey and Spadoni, 2004
Hugh Belsey and Claudio Spadoni, The Great Period of British Watercolours from Turner to Burne-Jones from the Collection of the Williamson Art Gallery and Museum at Birkenhead, exhibition catalogue, Museo d’Arte della Città, Ravenna, 2004 -
Bennett, 2008
Susan Bennett, ‘I awleis admired your talent’: The Artistic Life of Georgiana Jane Henderson (nee Keate) (1771–1850), Saarbrücken, 2008 -
Bermingham, 1995
Ann Bermingham, '“An Exquisite Practice”: The Institution of Drawing as a Polite Art in Britain' in Brian Allen, ed., Towards a Modern Art World: Studies in British Art 1, New Haven and London, 1995, pp.47–66 -
Bermingham, 2000
Ann Bermingham, Learning to Draw: Studies in the Cultural History of a Polite and Useful Art, New Haven and London, 2000 -
Bermingham, 2001
Ann Bermingham, 'Landscape-O-Rama: The Exhibition Landscape at Somerset House and the Rise of Popular Landscape Entertainments' in David H. Solkin, ed., Art on the Line: The Royal Academy Exhibitions at Somerset House 1780–1836, Paul Mellon Centre for Studies in British Art, New Haven and London, 2001, pp.127–43 -
Bermingham, 2005
Ann Bermingham, 'Urbanity and the Spectacle of Art' in James Chandler and Kevin Gilmartin, eds., Romantic Metropolis: The Urban Scene of British Culture, 1780–1840, Cambridge, 2005, pp.151–76 -
Bicknell and Guiterman, 1987
Peter Bicknell and Helen Guiterman, 'The Turner Collector: Elhanan Bicknell', Turner Studies, vol.7, no.1, Summer 1987, pp.34–44 -
Bicknell and Munro, 1988
Peter Bicknell and Jane Munro, Gilpin to Ruskin: Drawing Masters and Their Manuals, 1800–1860, exhibition catalogue, Fitzwilliam Museum, Cambridge, 1988 -
Bicknell and Woof, 1982
Peter Bicknell and Robert Woof, The Discovery of the Lake District 1750–1810: A Context for Wordsworth, exhibition catalogue, Wordsworth Museum, Grasmere, 1982 -
Bicknell, 1947
Peter Bicknell, British Hills and Mountains, London, 1947 -
Bicknell, 1981
Peter Bicknell, Beauty, Horror, and Immensity: Picturesque Landscape in Britain 1750–1850, exhibition catalogue, Fitzwilliam Museum, Cambridge, 1981 -
Bigg, 2007
Charlotte Bigg, 'The Panorama; or, La nature a coup d’oeil' in Erna Fiorentini, ed., Observing Nature: Representing Experience; The Osmotic Dynamics of Romanticism 1800–1850, Berlin, 2007, pp.73–95 -
Bindman, 1989
David Bindman, The Shadow of the Guillotine: Britain and the French Revolution, exhibition catalogue, British Museum, London, 1989 -
Bingley, 1800
William Bingley, A Tour Round North Wales, Performed during the Summer of 1798, 2 vols., London, 1800 -
Bingley, 1804
William Bingley, North Wales: Including Its Scenery, Antiquities, Customs, and Some Sketches of Its Natural History; Delineated from Two Excursions through All the Interesting Parts of That Country, during the Summers of 1798 and 1801, 2 vols., London, 1804 -
Binyon, 1898–1907
Laurence Binyon, Catalogue of Drawings by British Artists and Artists of Foreign Origin Working in Great Britain, 4 vols., London, 1898–1907 -
Binyon, 1900
Laurence Binyon, Thomas Girtin: His Life and Works; An Essay, London, 1900 -
Binyon, 1908
Laurence Binyon, 'The British Water-Colour', Saturday Review, 19 December 1908, pp.753-54 -
Binyon, 1931
Laurence Binyon, Landscape in English Art and Poetry, London, 1931 -
Binyon, 1933
Laurence Binyon, English Water-Colours, London, 1933 -
Binyon, 1939
Laurence Binyon, English Watercolours: From the Work of Turner, Girtin, Cotman, Constable and Bonington, London, 1939 -
Binyon, 1944
Laurence Binyon, English Water-Colours, London, 1944 -
Bishop, 1977
William Bishop, 'Views of Kirkstall Abbey', Leeds Arts Calendar, no.81, 1977, pp.10–18 -
Bishop, 2001
Peter Bishop, 'Vision and Revision: Mountain Scenery in Snowdonia 1750–1880', PhD dissertation, 2 vols., University of Wales, Aberystwyth, 2001 -
Bishop, 2015
Peter Bishop, The Mountains of Snowdonia in Art: The Visualisation of Mountain Scenery from the Mid-Eighteenth Century to the Present Day, Llanrwst, 2015 -
Bishop, 2018–19
Peter Bishop, 'Thomas Pennant (1726–98): The Journey to Snowdon and Its Influence on Artists Visiting North Wales', British Art Journal, vol.19, no.3, Winter 2018–19, pp.87–95 -
Blagdon, 1803
Francis William Blagdon, Paris as It Was and as It Is; or, A Sketch of the French Capital, Illustrative of the Effects of the French Revolution … Written by an English Traveller, during the Years 1801–2, 2 vols., London, 1803 -
Boase, 1959
Thomas Shearer Ross Boase, English Art: 1800–1870, Oxford, 1959 -
Bonehill and Daniels, 2009a
John Bonehill and Stephen Daniels, '“Real Views from Nature in this Country”: Paul Sandby, Estate Portraiture and British Landscape Art', British Art Journal, vol.10, no.1, Spring–Summer 2009, pp.72–77 -
Bonehill and Daniels, 2009b
John Bonehill and Stephen Daniels, eds., Paul Sandby: Picturing Britain, exhibition catalogue, Royal Academy of Arts, London, 2009 -
Bonehill and Daniels, 2017
John Bonehill and Stephen Daniels, 'Designs on the Landscape: Paul and Thomas Sandby in North Britain', Oxford Art Journal, vol.40, no.2, August 2017, pp.223–48 -
Bonehill, 2014
John Bonehill, '“New Scenes Drawn by the Pencil of Truth”: Joseph Banks’ Northern Voyage', Journal of Historical Geography, vol.43, January 2014, pp.9–27 -
Bonehill, Beveridge and Leask, 2021
John Bonehill, Anne Dulau Beveridge and Nigel Leask, eds., Old Ways New Roads: Travels in Scotland 1720–1832, exhibition catalogue, Hunterian Art Gallery, University of Glasgow, 2021 -
Borenius, 1936
Tancred Borenius, Catalogue of the Pictures and Drawings at Harewood House and Elsewhere in the Collection of the Earl of Harewood, Oxford, 1936 -
Bower, 1990
Peter Bower, Turner’s Papers: A Study of the Manufacture, Selection and Use of His Drawing Papers 1787–1820, exhibition catalogue, Tate Gallery, London, 1990 -
Bower, 1996
Peter Bower, 'The Evolution and Development of “Drawing Papers” and the Effect of This Development on Watercolour Artists 1750–1850' in Peter Bower, ed., The Oxford Papers: Proceedings of the British Association of Paper Historians Fourth Annual Conference, Studies in British Paper History 1, London, 1996, pp.92–105 -
Bower, 2002
Peter Bower, 'Tone, Texture and Strength: Girtin’s Use of Paper' in Greg Smith, ed., Thomas Girtin: The Art of Watercolour, exhibition catalogue, Tate Britain, London, 2002, pp.137–41 -
Bower, 2003
Peter Bower, 'Careful and Considered Choice: Thomas Jones’s Use of Paper' in Ann Sumner and Greg Smith, eds., Thomas Jones (1742–1803): An Artist Rediscovered, New Haven and London, 2003, pp.101–7 -
Bower, 2005
Peter Bower, 'Thomas Girtin’s Watercolour of Egglestone Abbey Mill', The Quarterly: The Journal of the British Association of Paper Historians, no.54, April 2005, p.41 -
Bower, Report
Peter Bower, Thomas Girtin: The Art of Watercolours; Report on the Papers Found in the Works in the Exhibition (typescript), Tate, London, 2002 -
Bradbury, 2019
Susan Miller Bradbury, ed., The Boyce Papers: The Letters and Diaries of Joanna Boyce, Henry Wells and George Price Boyce, 2 vols., Woodbridge, 2019 -
Bradley and Pevsner, 1997
Simon Bradley and Nikolaus Pevsner, The Buildings of England: London 1; The City of London, London, 1997 -
Bransgrove, 2023
Jake William Bransgrove, 'Pictures in Time: Temporality and Architecture in Picturesque Theory', Journal for Eighteenth-Century Studies, vol.46, no.2, 2023, pp.239–58 -
Brayley and Britton, 1801–1815
Edward Wedlake Brayley and John Britton, The Beauties of England and Wales; or, Delineations, Topographical, Historical, and Descriptive of Each County, 18 vols., London, 1801–15 -
Breen, 2007
Amanda Breen, 'Wigger Collection of British Watercolors at the Gibbes Museum of Art', MA dissertation, University of South Carolina, Columbia, 2007 -
Breen, 2020
Susan Breen, 'Behind the Scenes: J. M. W. Turner', Tate Etc., no.50, Autumn 2020, pp.100–101 -
Breen, Townsend and Warrell, 2020
Susan Breen, Joyce H. Townsend and Ian Warrell, 'Turner’s unknown portraits' in Mary Kempski, Jo Kirby, Victoria Leanse and Kristina Mandy, eds., 'Tales of the Unexpected' in Paintings Conservation, London, 2020, pp.83–90 -
Brett, 1984
Bernard Brett, A History of Watercolour, London, 1984 -
Brewer, 1997
John Brewer, The Pleasures of the Imagination: English Culture in the Eighteenth Century, London, 1997 -
Brewer, 2007
John Brewer, 'Sensibility and the Urban Panorama', Huntington Library Quarterly, vol.70, no.2, June 2007, pp.229–49 -
Brighton, 2004
Trevor Brighton, The Discovery of the Peak District: From Hades to Elysium, Chichester, 2004 -
Bristed, 1803
John Bristed, Anthrōplanomenos; or, A Pedestrian Tour through Part of the Highlands of Scotland, in 1801, 2 vols., London, 1803 -
British Museum, Collection
British Museum, London, Explore the Collection, British Museum, London -
Britton, 1837
John Britton, The History and Description, with Graphic Illustrations, of Cassiobury Park, Hertfordshire: The Seat of the Earl of Essex, London, 1837 -
Brook and Curzi, 2014
Carolina Brook and Valter Curzi, eds., Hogarth, Reynolds, Turner: British Painting and the Rise of Modernity, exhibition catalogue, Museo Fondazione Roma, Palazzo Sciarra, 2014 -
Brooke, 2002
Sandy Brooke, Drawing as Expression: Techniques and Concepts, Upper Saddle River, New Jersey, 2002 -
Brooks, 1918
Alfred Mansfield Brooks, 'English Drawings and Water Colors at Indiana University', Art in America, vol.6, no.3, 1918, pp.143–50 -
Broster, 1802
John Broster, Circular Tour from Chester through North Wales: Embellished with Plates, Chester, 1802 -
Broughton, 1798
Brian Broughton, Four Picturesque Views in North Wales, Engraved in Aquatint by Alken, from Drawings Made on the Spot by the Rev. Brian Broughton, M. A. Fellow of New College, Oxford; With Poetical Reflections on Leaving That Country, London, 1798 -
Broughton, 1801
Brian Broughton, Six Picturesque Views in North Wales, Engraved in Aquatint by Alken, from Drawings Made on the Spot, 2nd edn., London, 1801 -
Brown, 1982
David Blayney Brown, Catalogue of the Collection of Drawings in the Ashmolean Museum, Vol.4: The Earlier British Drawings – British Artists and Foreigners Working in Britain Born before 1775, Oxford, 1982 -
Brown, 2012
Peter B. Brown, Views of York: Portrait of a City, 1610 to Present Day, York, 2012 -
Brown, 2014
David Brown, ed., Durham Cathedral: History, Fabric, and Culture, New Haven and London, 2014 -
Bryan, 1816
Michael Bryan, A Biographical and Critical Dictionary of Painters and Engravers, 2 vols., London, 1816 -
Bryant, 1996
Julius Bryant, Turner: Painting the Nation; English Heritage Properties as Seen by J. M. W. Turner, London, 1996 -
Bryant, 2005
Julius Bryant, The English Grand Tour: Artists and Admirers of England’s Historic Sites, London, 2005 -
Bucks Gardens Trust, 2016
Buckinghamshire Gardens Trust, Understanding Historic Parks and Gardens in Buckinghamshire: Chalfont Park, Buckinghamshire Gardens Trust Research & Recording Project, Buckinghamshire, 2016 -
Bunt, 1949
Cyril G. E. Bunt, Windsor Castle through Three Centuries: A Description and Catalogue of the Windsor Collection Formed by the Lord Fairhaven, F. S. A. Anglesey Abbey, Cambridgeshire, Leigh-on-Sea, 1949 -
Burke, 1759
Edmund Burke, A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, 2nd edn., London, 1759 -
Bury and Barry, 1953
J. P. T. Bury and J. C. Barry, eds., An Englishman in Paris: 1803; The Journal of Bertie Greatheed, London, 1953 -
Bury, 1934
Adrian Bury, 'Water-colour: The English Medium', Apollo, vol.19, no.110, February 1934, pp.85–89 -
Bury, 1942
Adrian Bury, 'Girtin and His Swan Song', The Connoisseur, vol.110, September 1942, pp.39–44, 80 -
Bury, 1950
Adrian Bury, Two Centuries of British Water-Colour Painting, London, 1950 -
Bury, 1956
Adrian Bury, 'The Fitzwilliam Museum, Cambridge: Some Important English Water-Colours and Drawings', Old Water-Colour Society’s Club Annual Volume, vol.31, 1956, pp.8–17 -
Bury, 1958
Adrian Bury, 'The Ashmolean Museum, Oxford: Some Important English Water-Colours and Drawings', Old Water-Colour Society’s Club Annual Volume, vol.33, 1958, pp.18–33 -
Bury, 1959
Adrian Bury, 'The Hereford Art Gallery: Some Important English Water-Colours and Drawings', Old Water-Colour Society’s Club Annual Volume, vol.34, 1959, pp.10–24 -
Bury, 1960
Adrian Bury, 'The Leeds Art Gallery: Some Important English Water-Colours and Drawings', Old Water-Colour Society’s Club Annual Volume, vol.35, 1960, pp.8–23 -
Bury, 1961
Adrian Bury, 'The Cecil Higgins Museum, Bedford: A Preliminary Survey', Old Water-Colour Society’s Club Annual Volume, vol.36, 1961, pp.30–41 -
Bury, 1962
Adrian Bury, 'The Girtin Collection at the Royal Academy Diploma Gallery', Old Water-Colour Society’s Club Annual Volume, vol.37, 1962, pp.48–50 -
Bury, 1967
Adrian Bury, 'Old English Water-Colours and Drawings in the Collection of Mrs Cecil Keith', Old Water-Colour Society’s Club Annual Volume, vol.42, 1967, pp.8–32 -
Butler, 2010
Patricia Butler, The Silent Companion: An Illustrated History of the Water Colour Society of Ireland, Sudbury, 2010 -
Butlin and Joll, 1984
Martin Butlin and Evelyn Joll, The Paintings of J. M. W. Turner, 2 vols., 2nd edn., New Haven and London, 1984 -
Butlin, 1988
Martin Butlin, Aspects of British Painting 1550–1800: From the Collection of the Sarah Campbell Blaffer Foundation, Houston, 1988
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Campbell, 1989
Mungo Campbell, '“Jedburgh” by Thomas Girtin', National Art-Collections Fund Review, London, 1989, pp.142–43 -
Campbell, 1993
Mungo Campbell, A Complete Catalogue of Works by Turner in the National Gallery of Scotland, Edinburgh, 1993 -
Cardonnel, 1788
Adam de Cardonnel, Picturesque Antiquities of Scotland, London, 1788 -
Carlisle, 1950
Anne Carlisle, English Drawings: XIX Century, New York, 1950 -
Carr, 1803
John Carr, The Stranger in Paris; or, A Tour from Devonshire to Paris: Illustrated by Engravings in Aqua Tinta of Sketches, Taken on the Spot, London, 1803 -
Carr, 1877
Joseph William Comyns Carr, Introduction to the Winter Exhibition of Drawings by the Old Masters, and Water-Colour Drawings by Deceased Artists of the British School, Grosvenor Gallery, London, 1877 -
Carter, 1786–93
John Carter, Views of Ancient Buildings in England, 6 vols., London, 1786–93 -
Carter, 1795–1814
John Carter, The Ancient Architecture of England, 2 vols., London, 1795–1814 -
Carter, Lindfield and Townshend, 2017
Michael Carter, Peter N. Lindfield and Dale Townshend, eds., Writing Britain’s Ruins, London, London, 2017 -
Casati, 2009
Matilde Casati, 'La Landscape art nella vita del collezionista Herbert Percy Home' in Elisabetta Nardinocchi and Matilde Casati eds., II Paesaggio Disegnato: John Constable e i Maestri Inglesi nella Raccolta Horne, exhibition catalogue, Horne Museum, Florence, 2009, pp.11-34 -
Castle Studies Group
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Collobi, 1963
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Cumberland, 1793
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Dibdin, 1802
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Edwards, 1803
Edward Edwards, A Practical Treatise of Perspective, on the Principles of Dr Brook Taylor, London, 1803 -
Edwards, 1808
Edward Edwards, Anecdotes of Painters Who Have Resided or Been Born in England with Critical Remarks on Their Productions, London, 1808 -
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Egerton, 1979
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Ann Kristine Eriksen, 'The early panorama as aesthetic producer', Nineteenth-Century Contexts, January 2024, pp.1–17 -
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European Magazine, January 1823
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Everett, 1994
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Farington, 1789
Joseph Farington, Views of the Lakes, etc., in Cumberland and Westmorland, London, 1789 -
Farington, 1790
Joseph Farington, Views of Cities and Towns in England and Wales, London, 1790 -
Farington, 1794–96
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Farington, Diary
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Farr and Bradford, 1986
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Farr, 1987
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Farrant, 2001
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Farries and Mason, 1966
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Farries, 1981–88
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Feltham 1802
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Field, 1835
George Field, Chromatography; or, A Treatise on Colours and Pigments, and of Their Powers in Painting, &c., London, 1835 -
Field, 2020
Marcus Field, 'A Romantic Architectural View', Art Quarterly, Winter 2020, pp.66–67 -
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Finberg, 1905
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Finberg, 1906
Alexander Joseph Finberg, 'Some So-Called Turners in the Print Room', Burlington Magazine, vol.9, no.39, June 1906, pp.191–93, 195 -
Finberg, 1909
Alexander Joseph Finberg, A Complete Inventory of the Drawings of the Turner Bequest, 2 vols., London, 1909 -
Finberg, 1910a
Alexander Joseph Finberg, Turner’s Sketches and Drawings, London, 1910 -
Finberg, 1910b
Alexander Joseph Finberg, 'Edward Dayes and Thomas Girtin', The Art Journal, vol.72, October 1910, pp.300–1 -
Finberg, 1913
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Finberg, 1919
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Finberg, 1932
Hilda F. Finberg, 'Joseph Baudin, Imitator of Canaletto', Burlington Magazine, vol.60, no.349, April 1932, pp.204–5, 207 -
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Finch, 1991
Christopher Finch, Nineteenth-Century Watercolours, New York, 1991 -
Finley, 1965
Gerald Finley, 'Interpretation of Topographical Views by English Artists during the Late Eighteenth and Early Nineteenth Centuries', PhD dissertation, John Hopkins University, Baltimore, 1965 -
Finley, 2019
William Alexander Finley, 'Making an Impression: An Assessment of the Role of Print Surfaces within the Technological, Commercial, Intellectual and Cultural Trajectory of Book Illustration, c.1780–c.1860', PhD dissertation, University of Sheffield, 2019 -
Fino, 1995
Lucio Fino, La Costa d’Amalfi e il Golfo di Salerno (da Scafati a Cava da Amalfi a Vietri da Salerno a Paestum): Disegni acquerelli stampe e ricordi di viaggio di tre secoli, Naples, 1995 -
Fisher, 1970
Stanley W. Fisher, English Water-Colours, London, 1970 -
Fittler, 1804
James Fittler, Scotia Depicta; or, The Antiquities, Castles, Public Buildings, Noblemen and Gentlemen’s Seats, Cities, Towns, and Picturesque Scenery of Scotland – Etchings by James Fittler after Accurate Drawings Made on the Spot by John Claude Nattes, London, 1804 -
Fitzwilliam Museum, Cambridge, 1992
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Fordham, 2019
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Forsyth, 1805–8
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Foster, 2022
Richard Foster, ed., Views of Nature: Four Centuries of Watercolours from Winchester College, Winchester, 2022 -
Fox, 1987
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Fox, 1992
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Fox, 2009
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Francia, 1810
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Freeman, 2006
Julian Freeman, British Art: A Walk Round the Rusty Pier, London, 2006 -
Freeman, 2015–
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Gage, 1965
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Galassi, 1981
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Galbally, 1987
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Gatrell, 2013
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Gilpin, 1782
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Gilpin, 1786
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Girtin, 1837
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Girtin, 1952
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Gisborne, 1799
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Goodall, 2006
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Gowing, 1995
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Graves, 1918–21
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Greenacre, 2005
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Greene, 2005
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Greenwood, 1794
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Gregory, 1798
George Gregory, The Economy of Nature Explained and Illustrated on the Principles of Modern Philosophy, 3 vols., London, 1798 -
Grigson, 1955
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Grindle, 2015
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Grundy, 1933–38
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Hackney, 1982
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Halliday, 1983
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Hamburg, 1974
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Hamerton, 1887
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Hamilton, 1971
Jean Hamilton, The Sketching Society 1799–1851, exhibition catalogue, Victoria and Albert Museum, London, 1971 -
Hamilton, 1997
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Hamilton, 1998
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Harrison, 2000
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Hauptman, 1991
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Hauptman, 1999
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Hawes, 1982
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Hazan, 2011
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Hearn, 1994
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Heath, 1796
Charles Heath, The Excursion Down the Wye, from Ross to Monmouth, Monmouth, 1796 -
Heath, 1801
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Hebron, 2006
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Hebron, 2008
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Hedley, 1982
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Herrmann and Owen, 1973
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Herrmann, 1967
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Herrmann, 1968
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Herrmann, 1986
Luke Herrmann, Paul and Thomas Sandby, London, 1986 -
Herrmann, 1990
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Hill, 1984a
David Hill, '“A Taste for the Arts”: Turner and the Patronage of Edward Lascelles of Harewood House (1)', Turner Studies, vol.4, no.2, Winter 1984, pp.24–33 -
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David Hill, In Turner’s Footsteps: Through the Hills and Dales of Northern England, London, 1984 -
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David Hill, Turner on the Thames: River Journeys in the Year 1805, New Haven and London, 1993 -
Hill, 1995
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Hill, 1996
David Hill, Turner in the North: A Tour through Derbyshire, Durham, Northumberland, the Scottish Borders, the Lake District, Lancashire and Lincolnshire in the Year 1797, New Haven and London, 1996 -
Hill, 1999
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Hill, 2005
David Hill, Cotman in the North: Watercolours of Durham and Yorkshire, New Haven and London, 2005 -
Hill, 2008
David Hill, Turner and Leeds: Image of Industry, Leeds, 2008 -
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David Hill, Sublime Sites: Explorations in the Footsteps of Turner, Cotman, Ruskin and Others, 2013 – -
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Charles Lewis Hind, Landscape Painting: From Giotto to the Present Day, London, 1923 -
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Holcomb, 1978
Adele M. Holcomb, John Sell Cotman, London, 1978 -
Holcomb, 1980
Adele M. Holcomb, John Sell Cotman in the Cholmeley Archive, North Yorkshire County Record Office 22, Northallerton, 1980 -
Holcroft, 1804
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Holcroft, 1816
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Holloway and Errington, 1978
James Holloway and Lindsay Errington, The Discovery of Scotland: The Appreciation of Scottish Scenery through Two Centuries of Painting, exhibition catalogue, National Gallery of Scotland, Edinburgh, 1978 -
Holme, 1902
Charles Holme, ed., English Water-Colour: With Reproductions of Drawings by Eminent Painters, London, 1902 -
Holme, 1903
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Holmes and others, 2002
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Holmes, 1902
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Holmes, 1903
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Holmes, 1908
Charles John Holmes, 'Rembrandt and Girtin', Burlington Magazine, vol.13, no.66, September 1908, pp.374–76 -
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Peter Howard, Landscapes: The Artists’ Vision, London and New York, 1991 -
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Bartholomew Howlett, A Selection of Views in the County of Lincoln: Comprising the Principal Towns and Churches, the Remains of Castles and Religious Houses, and Seats of the Nobility and Gentry; with Topographical and Historical Accounts of Each View, London, 1805 -
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Joseph Hucks, A Pedestrian Tour through North Wales, in a Series of Letters, London, 1795 -
Hughes and Mayne, 1950
Cecil Eldred Hughes, revised and edited by Jonathan Mayne, Early English Water-Colour, 3rd edn., London, 1950 -
Hughes, 1913
Cecil Eldred Hughes, Early English Water-Colour, London, 1913 -
Hughes, 1931
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