Copies after Professional Artists:
British and Continental Masters
In Copies after Professional Artists:
British and Continental Masters
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Windsor Castle, Viewed from the South West
Royal Collection Trust (Windsor)
London, from Greenwich Hill
Victoria and Albert Museum, London
The Gateway Leading to the Sulaimani Tomb Complex at Churnargarh
Tate, London
Newark Castle, from the River Trent
Private Collection
Ripon Minster, from the River Skell
British Museum, London
Lanercost Priory Church: An Interior View of the Ruins from the South Transept
British Museum, London
Melrose Abbey: The View to the South Transept
British Museum, London
The Gatehouse, Bury St Edmunds Abbey
British Museum, London
Melrose Abbey: The View to the South Transept
Private Collection
Great Yarmouth: The South Gate
Fitzwilliam Museum, University of Cambridge
A Riverside Cottage, Said to Be a Watermill
Private Collection
London: The Mansion House
British Museum, London
London: St George’s, Hanover Square
British Museum, London
London: The Royal Exchange
British Museum, London
London: The Bank from the Mansion House, with St Christopher-le-Stocks
British Museum, London
The Gateway of Great Malvern Priory
Courtauld Gallery, London
Dogs Hesitating about the Pluck
British Museum, London
Part of the Ruins of Hadrian’s Villa at Tivoli: The West Belvedere
British Museum, London
Narcissus: A Landscape Adapted from a Composition by Claude Lorrain
Private Collection
Italianate Buildings next to a River
Private Collection
The Temple of Vesta, Tivoli, Drawn from a Cork Model
Tate, London
The Temple of Augustus at Pula in Istria
British Museum, London
The Bridge of Augustus at Rimini
British Museum, London
Rome: The Capitol from the South East
British Museum, London
The Dark Prison (Carcere Oscura)
British Museum, London
Rome: The Temple of Saturn, Known as the Temple of Concord
British Museum, London
Rome: Study of the Entablature of the Temple of Saturn
Private Collection
The Temple of Augustus at Pula in Istria
British Museum, London
Venice: The Rialto Bridge
British Museum, London
Venice: The Doge’s Palace
British Museum, London
Venice: The Grand Canal, from Santa Maria della Carità, Looking to San Marco Basin
British Museum, London
Venice: The Grand Canal, Looking East from the Palazzo Flangini to San Marcuola
British Museum, London
Venice: The Grand Canal, Looking North East from near to the Palazzo Corner to the Palazzo Contanari degli Scrigni
British Museum, London
A Venetian Building with Figures: A Detail from Canaletto's 'A Portico with a Lantern'
Private Collection
A Grand Garden Terrace
Victoria and Albert Museum, London
Imprint
- Imprint
-
- Article title
- Copies after Professional Artists:
British and Continental Masters
- Date
- 19/04/2021
- Cite as
- Greg Smith, "Copies after Professional Artists:
British and Continental Masters--", Thomas Girtin (1775–1802): An Online Catalogue, Archive and Introduction to the Artist, (London: Paul Mellon Centre for Studies in British Art, 2022)
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Contents
Thomas Monro and John Henderson:
Making Creative Copies, 1794–98
-
Monro School Copies:
Drawings Made with Joseph Mallord William Turner from the Sketches of John Robert Cozens’ First Trip to the Continent, 1776–79
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Monro School Copies:
Italian Views after Drawings by John Robert Cozens Made on the Second Italian Trip, 1782–83
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Monro School Copies:
British Views, Including Works after the Outlines of John Henderson
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Copies after Professional Artists:
British and Continental Masters