- Description
-
- Creator(s)
- (?) Thomas Girtin (1775-1802)
- Title
-
- Tynemouth Priory, from the Coast
- Date
- 1797 - 1798
- Medium and Support
- Watercolour on paper
- Dimensions
- 21.6 × 31.8 cm, 8 ½ × 12 ½ in
- Object Type
- Studio Watercolour
- Subject Terms
- Coasts and Shipping; Durham and Northumberland; Monastic Ruins
-
- Collection
- Versions
-
Tynemouth Priory, from the Coast
(TG1086)
- Catalogue Number
- TG1085
- Description Source(s)
- Girtin and Loshak, 1954
Provenance
'Hogarth'; bought from him by Dr John Percy (1817–89), 1880; his posthumous sale, Christie's, 17 April 1890, lot 506, with a mezzotint; bought by 'Legge' for £10 10s; ... Christie's, 1 December 1900, lot 126; bought by 'Agnew', 18 gns; Thos. Agnew & Sons (stock no.3203); their sale, Christie's, 9 March 1903, lot 48 as 'Teignmouth'; bought by Tooth & Ward, £11 0s 6d
Exhibition History
Agnew’s, 1901, no.27
Bibliography
Girtin and Loshak, 1954, p.210 as 'Untraced ... Tynemouth'
Place depicted
Other entries in The 1796 Northern Tour to Yorkshire, the North East and the Scottish Borders:
Sketches and Subsequent Watercolours
Bamburgh Castle, from the South
Cragside House, Northumberland (National Trust)
Durham Cathedral, from the South West
British Museum, London
The Ouse Bridge, York, from the North Shore
British Museum, London
The Ouse Bridge, York, from Skeldergate Postern
York Art Gallery
York: The New Walk on the Banks of the Ouse
Yale Center for British Art, New Haven
York Minster, from the South West
Private Collection
York Minster, from the South West
Private Collection
York Minster, from the Ouse, with St Mary’s Abbey
Harewood House, Yorkshire
The South Side of York Minster, Showing the Transept and the Western Towers
Private Collection, Yorkshire
York Minster, from the South East, Layerthorpe Bridge and Postern to the Right
British Museum, London
Unidentified Gothic Ruins, Said to Be St Mary’s Abbey, York
Birmingham Museums & Art Gallery
A Distant View of Ripon Minster, from the River Skell
Private Collection
A Distant View of Ripon Minster, from the River Skell
Harewood House, Yorkshire
A Distant View of Rievaulx Abbey
Yale Center for British Art, New Haven
Easby Abbey, from the River Swale
Private Collection
Easby Abbey, from the River Swale
Manchester Art Gallery
Easby Abbey, from the River Swale
Metropolitan Museum of Art, New York
Richmond, Yorkshire: The Seventeenth-Century House Known as St Nicholas
British Museum, London
Richmond Castle and Bridge, from the River Swale
The Huntington Library, Art Museum and Botanical Gardens, San Marino
Richmond Castle and Bridge, from the River Swale
Victoria Gallery and Museum, University of Liverpool
Richmond Castle and Town, from the South East
Private Collection
Barnard Castle, from the River Tees
British Museum, London
Egglestone Abbey, from the River Tees
Gallery Oldham
Egglestone Abbey, on the River Tees
British Museum, London
Durham Cathedral and Castle, from the River Wear
Museum of Fine Arts, Boston
Durham Cathedral and Castle, from the River Wear
The Whitworth, The University of Manchester
Durham Cathedral and Castle, from the River Wear
J. Paul Getty Museum, Los Angeles
Durham Castle and Cathedral, from below the Weir
Private Collection, Norfolk
Durham Castle and Cathedral, from below the Weir
Victoria and Albert Museum, London
Durham Castle and Cathedral, from below the Weir; Dryburgh Abbey with the Eildon Hills Beyond
Birmingham Museums & Art Gallery
Durham Cathedral, from the South West
Private Collection
St Nicholas’ Church, Newcastle upon Tyne
Private Collection
Tynemouth Priory, from the Coast
Cleveland Museum of Art
Bothal Castle, from the River Wansbeck
Private Collection
A River Scene with a Tower, Said to Be the Tyne near Hexham
Leeds Art Gallery
Warkworth Castle, from the River Coquet
Yale Center for British Art, New Haven
Warkworth Castle, from the River Coquet
Private Collection, Norfolk
The Bridge at Warkworth, with the Castle Beyond
Untraced Works
Dunstanburgh Castle, Viewed from a Distance
Yale Center for British Art, New Haven
Dunstanburgh Castle: The Lilburn Tower
Laing Art Gallery, Newcastle upon Tyne
Lindisfarne: An Interior View of the Ruins of the Priory Church
The Whitworth, The University of Manchester
Lindisfarne: An Interior View of the Ruins of the Priory Church
Fitzwilliam Museum, University of Cambridge
An Interior View of the Ruins of Lindisfarne Priory Church
Yale Center for British Art, New Haven
Lindisfarne: The Nave and Crossing of the Priory Church
British Museum, London
An Exterior View of the Ruins of Lindisfarne Priory Church
Ashmolean Museum, University of Oxford
An Exterior View of the Ruins of Lindisfarne Priory Church
Private Collection
Dryburgh Abbey: The South Transept Looking North
Private Collection
Dryburgh Abbey: The South Transept from the Cloister
Private Collection
Melrose Abbey: The Ruined Presbytery and the East Window
Clark Art Institute, Williamstown
Melrose Abbey: The Ruined Presbytery and the East Window
Cooper Gallery, Barnsley
Melrose Abbey, from the North East
The Morgan Library & Museum, New York
Jedburgh Abbey, from the North East
Private Collection
Jedburgh Abbey, from Jed Water
Yale Center for British Art, New Haven
The Village of Jedburgh, with the Abbey Ruins
British Museum, London
The Village of Jedburgh, with the Abbey Ruins
Private Collection, Bedfordshire
The West Front of Jedburgh Abbey
British Museum, London
Jedburgh Abbey, from the South East
Blickling Hall, Norfolk (National Trust)
The Ruins of the Lady Chapel, near Bothal
Rhode Island School of Design Museum, Providence
Bamburgh Castle, from the Village
Guy Peppiatt Fine Art Ltd
St Nicholas’ Church, Newcastle upon Tyne
Victoria Gallery and Museum, University of Liverpool
Richmond, Yorkshire: The Seventeenth-Century House Known as St Nicholas
Private Collection
An Interior View of Fountains Abbey: The East Window from the Presbytery
Graves Gallery, Sheffield
St Mary’s, Old Malton, on the River Derwent
Untraced Works
York: Pavement, Looking towards All Saints
Private Collection
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About this Work
This work has not been seen in public since it was sold at auction in 1903, but, although it does not appear to have been photographed, it is at least possible to say that it is a version of the composition depicted in Tynemouth Priory, from the Coast (TG1086). Thomas Girtin (1874–1960) and David Loshak listed it in their catalogue of Girtin’s works in the section ‘Recorded Drawings, at Present Untraced’, suggesting that it formed the basis for a mezzotint by Samuel William Reynolds (1773–1835) that was executed around 1823–24 but not actually published until 1883 (see print after TG1086) (Girtin and Loshak, 1954, p.210). Tom Girtin (1913–94) thought that the other version of this composition was by John Henderson (1764–1843) and that Henderson copied the mezzotint (Girtin Archive, 12), but this view is surely incorrect, and, given that the other version seems to be the basis for the print, rather than the other way around, it is this missing, smaller work that, if it reappears, is likely to come under suspicion.
1797 - 1798
Tynemouth Priory, from the Coast
TG1086
1797 - 1798
Tynemouth Priory, from the Coast
TG1086