- Description
-
- Creator(s)
- (?) Thomas Girtin (1775-1802) after (?) Edward Dayes (1763-1804)
- Title
-
- Tynemouth Priory, from the Coast
- Date
- (?) 1791
- Medium and Support
- Graphite and watercolour on paper, squared up for transfer
- Dimensions
- 13 × 20 cm, 5 ⅛ × 7 ⅞ in
- Inscription
‘T. Girtin’ lower left, by (?) Thomas Girtin
- Object Type
- Copy from an Unknown Source
- Subject Terms
- Coasts and Shipping; Durham and Northumberland; Monastic Ruins
-
- Catalogue Number
- TG0055
- Description Source(s)
- Gallery Website
Provenance
Possibly Greenwood, 10 June 1791, lot 39 as ‘Three ditto, Tynemouth priory’; ... Mr and Mrs Quinto Maganini; presented, 1956
Place depicted
Other entries in Master and Pupil:
Edward Dayes and the Industrious Apprentice
An Icelandic Woman in Her Riding Dress
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Lava as It Has Run Over the Ridge of a Hill, Iceland
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The House of Thorstein Jonsson at Hvaleyri, Iceland
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The Basalt Pillars near Laugarnes, Iceland
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An Icelandic Woman in Her Bridal Dress
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Durham Cathedral, from the River Wear
The Hermitage Museum, St Petersburg
Eton College, from the River
Yale Center for British Art, New Haven
London: Interior of St Stephen Walbrook, Looking East
Private Collection
Rochester, from the River Medway
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St Mary’s Church, Battersea
Blackburn Museum and Art Gallery
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The Monument to Anthony and Anne Forster, Cumnor Church
Private Collection
The Interior of Buildwas Abbey Church
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Somerset House: The Strand Front and the Royal Academy
Untraced Works
An Exterior View of Henry VII’s Chapel, Westminster Abbey
The Huntington Library, Art Museum and Botanical Gardens, San Marino
Westminster Bridge, from the North East
Untraced Works
The Oxford Street Facade of the Pantheon
Untraced Works
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Untraced Works
The Queen’s Palace, or Buckingham House
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The King’s Mews, Charing Cross
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The East Front of St Paul’s Church, Covent Garden
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The West Front of St Martin-in-the-Fields
Untraced Works
The Banqueting House, Whitehall
Victoria and Albert Museum, London
The Interior of St Paul’s Cathedral: The Nave Looking East
Untraced Works
St Paul’s Cathedral, from the South West
Untraced Works
The West Front of St Paul’s Cathedral
Ashmolean Museum, University of Oxford
The West Front of Westminster Abbey
Untraced Works
Interior of St Stephen Walbrook, Looking East
Untraced Works
A French Lady of Quality in 1581
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Edward VI in 1550
Yale Center for British Art, New Haven
A Noble Virgin of Bologna in 1581
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A Persian Lady in 1568
Yale Center for British Art, New Haven
An English Nobleman in 1559
Yale Center for British Art, New Haven
Henry VIII in 1520
Yale Center for British Art, New Haven
Marlow, from across the River Thames
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Tynemouth Priory, from the Coast
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
The River Wensum at Norwich
Metropolitan Museum of Art, New York
Rochester Castle, from the River Medway
The Museum of Fine Arts, Houston
Tintern Abbey, from the River Wye
Courtauld Gallery, London
All Saints' Church, Fulham, from the Seven Bells, Putney
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London from Highgate Hill
Yale Center for British Art, New Haven
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'First Regiment of Foot Guards, 1660': Sergeant and Private
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First Regiment of Foot Guards, 1660: Drummer and Private
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British Museum, London
'Coldstream Regiment of Foot Guards, 1650': Sergeant and Private
British Museum, London
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Brown University Library, Providence, Anne S. K. Brown Military Collection
'Third Regiment of Foot Guards, 1660': Officer and Sergeant
British Museum, London
'Third Regiment of Foot Guards, 1660': Grenadier and Private
British Museum, London
Third Regiment of Foot Guards, 1660: Drummer and Private
Brown University Library, Providence, Anne S. K. Brown Military Collection
Christ Church, Southwark
Yale Center for British Art, New Haven
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Ashmolean Museum, University of Oxford
Rochester, from the North
Yale Center for British Art, New Haven
The View from the Great Boathouse, Lake Windermere
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Westminster Abbey and Bridge, from Lambeth
Private Collection
The Dover Mail, Dover Castle in the Distance
Private Collection
Rochester Cathedral and Castle, from the North East
Eton College, Windsor
Worcester, from the River Severn
Indianapolis Museum of Art at Newfields
Lake Windermere and Belle Isle
Wordsworth Grasmere (Dove Cottage and Wordsworth Museum)
London Bridge, from the South Bank
Private Collection
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Private Collection
Dover Castle: The Constable's Tower
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A Cottage on the Solent
Birmingham Museums & Art Gallery
Hereford Cathedral, from the River Wye
Hereford Museum and Art Gallery
Chepstow Castle, on the River Wye
Victoria and Albert Museum, London
Warehouse and Shipping at Wapping
Leicester Museum & Art Gallery
A Distant View of Hereford Cathedral
Private Collection
The Gatehouse and Barbican, Warwick Castle
Fine Arts Museums of San Francisco
Chepstow Castle, from the River Wye
Ashmolean Museum, University of Oxford
The Interior of a Ruined Abbey Church
Private Collection
The Head of Ullswater, from Goborrow Park
Private Collection
Part of the Ruins of Roche Abbey
Private Collection
The Transept of St Saviour’s, Southwark
Yale Center for British Art, New Haven
Part of the Ruins of the Savoy Palace, Westminster Bridge Beyond
Yale Center for British Art, New Haven
Durham Cathedral, from the River Wear
Laing Art Gallery, Newcastle-upon-Tyne
All Saints' Church, Marlow
The Whitworth, The University of Manchester
Caesar’s Tower, Warwick Castle
Ashmolean Museum, University of Oxford
An Interior View of the Ruins of the Savoy Hospital
Yale Center for British Art, New Haven
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All Saints' Church, Marlow
Yale Center for British Art, New Haven
Unidentified Monastic Ruins next to a River
Private Collection
Westminster, from the Ruins of the Savoy
National Gallery of Scotland, Edinburgh
Manchester: Chetham’s College from Hunt’s Bank, with the Bridge over the River Irwell
Untraced Works
Part of the Ruins of the Savoy Palace, Westminster Bridge Beyond
Private Collection
The Oriel Window of the Great Hall of Eltham Palace
Ashmolean Museum, University of Oxford
An Exterior View of Part of the Ruins of the Savoy Hospital
Private Collection
A Distant View of Marlow, from the River Thames
The Huntington Library, Art Museum and Botanical Gardens, San Marino
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Private Collection
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Ashmolean Museum, University of Oxford
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Private Collection
Buildings in the Process of Demolition, Said to Be the Ruins of the Savoy Palace
Tate, London
An Exterior View of Part of the Ruins of the Savoy Hospital
Tate, London
An Interior View of the Ruins of the Savoy Hospital
Tate, London
St Mary’s Church, Monken Hadley
Tate, London
An Exterior View of the Great Hall of Eltham Palace
Victoria and Albert Museum, London
The Interior of the Great Hall of Eltham Palace
Private Collection
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Private Collection
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About this Work
This watercolour, hitherto mysteriously titled ‘Hadrian’s Villa at Tivoli’, can be identified as a view of the ruined east end of Tynemouth Priory, with the lighthouse behind, looking from the south. As with another coastal view (TG0017), though the quality of the work is poor, an attribution to a very young Girtin cannot be ruled out. What initially appears to be an unlikely conclusion is again supported by the signature, which is consistent with a number of other examples where the ‘T’ of Thomas appears close to the form of a ‘J’. The crude application of the monochrome washes suggests that if the work is by Girtin, it would have to date from his earliest days as an apprentice to Edward Dayes (1763–1804), and the grid of lines would indicate that it was a copying exercise rather than being created as a saleable commodity, as in the case of the best of his apprentice works, such as Rochester Castle, from the River Medway (TG0057).
There is no question of the young apprentice travelling north to make a sketch of the coastal view and the work must have been copied from another source, presumably one by Girtin’s master. Dayes visited the north-east coast in 1789 and made finished watercolours from his sketches showing the ruins of Tynemouth Priory from both close to (see figure 1) and further away (see TG1086 figure 1), though Girtin’s specific source has not been discovered. It is possible that the work was made after a print by another artist, but the survival rate for Dayes’ sketches is very low and the lack of a model for this watercolour is not necessarily significant. The chance that Dayes was the model here is increased by the recent discovery that Girtin’s master sent a number of his apprentice’s drawings to auction and that amongst the lots sold at Greenwood’s on 10 June 1791 were ‘Three ditto, Tynemouth priory, &c’ (Greenwood, 10 June 1791, lot 39). It is hard to believe that such a crude exercise as this would have been sent for sale, but the reference suggests that if this is Girtin’s work then Dayes provided the source material.
1791
Unidentified Coastal Village, Said to Be Clovelly
TG0017
(?) 1791
Rochester Castle, from the River Medway
TG0057