- Description
-
- Creator(s)
- (?) Thomas Girtin (1775-1802) after (?) Edward Dayes (1763-1804)
- Title
-
- Tynemouth Priory, from the Coast
- Date
- (?) 1791
- Medium and Support
- Graphite and watercolour on paper, squared up for transfer
- Dimensions
- 13 × 20 cm, 5 ⅛ × 7 ⅞ in
- Inscription
‘T. Girtin’ lower left, by (?) Thomas Girtin
- Object Type
- Copy from an Unknown Source
- Subject Terms
- Coasts and Shipping; Durham and Northumberland; Monastic Ruins
-
- Catalogue Number
- TG0055
- Description Source(s)
- Gallery Website
Provenance
Possibly Greenwood, 10 June 1791, lot 39 as ‘Three ditto, Tynemouth priory’; ... Mr and Mrs Quinto Maganini; presented, 1956
Bibliography
Johnson Museum Online as 'Hadrian's Villa, Tivoli' (accessed 02/09/2022)
Place depicted
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Edward Dayes and the Industrious Apprentice
An Icelandic Woman in Her Riding Dress
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An Icelandic Woman in Her Bridal Dress
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The Hermitage Museum, St Petersburg
Eton College, from the River
Yale Center for British Art, New Haven
London: Interior of St Stephen Walbrook, Looking East
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The Interior of Buildwas Abbey Church
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The Queen’s Palace, or Buckingham House
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The East Front of St Paul’s Church, Covent Garden
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Untraced Works
The Banqueting House, Whitehall
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Untraced Works
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Untraced Works
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Untraced Works
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An English Nobleman in 1559
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Tynemouth Priory, from the Coast
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
The River Wensum at Norwich
Metropolitan Museum of Art, New York
Rochester Castle, from the River Medway
The Museum of Fine Arts, Houston
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'First Regiment of Foot Guards, 1660': Sergeant and Private
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Brown University Library, Providence, Anne S. K. Brown Military Collection
'Third Regiment of Foot Guards, 1660': Officer and Sergeant
British Museum, London
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British Museum, London
Third Regiment of Foot Guards, 1660: Drummer and Private
Brown University Library, Providence, Anne S. K. Brown Military Collection
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Ashmolean Museum, University of Oxford
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Yale Center for British Art, New Haven
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Private Collection
The Dover Mail, Dover Castle in the Distance
Private Collection
Rochester Cathedral and Castle, from the North East
Eton College, Windsor
Worcester, from the River Severn
Indianapolis Museum of Art at Newfields
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Private Collection
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Private Collection
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Hereford Museum and Art Gallery
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Victoria and Albert Museum, London
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Leicester Museum & Art Gallery
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Private Collection
The Gatehouse and Barbican, Warwick Castle
Fine Arts Museums of San Francisco
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The Head of Ullswater, from Goborrow Park
Private Collection
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Private Collection
The Transept of St Saviour’s, Southwark
Yale Center for British Art, New Haven
Part of the Ruins of the Savoy Palace, Westminster Bridge Beyond
Yale Center for British Art, New Haven
Durham Cathedral, from the River Wear
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All Saints' Church, Marlow
The Whitworth, The University of Manchester
Caesar’s Tower, Warwick Castle
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Private Collection
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National Gallery of Scotland, Edinburgh
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Part of the Ruins of the Savoy Palace, Westminster Bridge Beyond
Private Collection
The Oriel Window of the Great Hall of Eltham Palace
Ashmolean Museum, University of Oxford
An Exterior View of Part of the Ruins of the Savoy Hospital
Private Collection
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Private Collection
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Private Collection
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Tate, London
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About this Work
This watercolour, hitherto mysteriously titled ‘Hadrian’s Villa at Tivoli’, can be identified as a view of the ruined east end of Tynemouth Priory, with the lighthouse behind, looking from the south. As with another coastal view (TG0017), though the quality of the work is poor, an attribution to a very young Girtin cannot be ruled out. What initially appears to be an unlikely conclusion is again supported by the signature, which is consistent with a number of other examples where the ‘T’ of Thomas appears close to the form of a ‘J’. The crude application of the monochrome washes suggests that if the work is by Girtin, it would have to date from his earliest days as an apprentice to Edward Dayes (1763–1804), and the grid of lines would indicate that it was a copying exercise rather than being created as a saleable commodity, as in the case of the best of his apprentice works, such as Rochester Castle, from the River Medway (TG0057).
There is no question of the young apprentice travelling north to make a sketch of the coastal view and the work must have been copied from another source, presumably one by Girtin’s master. Dayes visited the north-east coast in 1789 and made finished watercolours from his sketches showing the ruins of Tynemouth Priory from both close to (see figure 1) and further away (see TG1086 figure 1), though Girtin’s specific source has not been discovered. It is possible that the work was made after a print by another artist, but the survival rate for Dayes’ sketches is very low and the lack of a model for this watercolour is not necessarily significant. The chance that Dayes was the model here is increased by the recent discovery that Girtin’s master sent a number of his apprentice’s drawings to auction and that amongst the lots sold at Greenwood’s on 10 June 1791 were ‘Three ditto, Tynemouth priory, &c’ (Exhibitions: Greenwood, 10 June 1791, lot 39). It is hard to believe that such a crude exercise as this would have been sent for sale, but the reference suggests that if this is Girtin’s work then Dayes provided the source material.
1791
Unidentified Coastal Village, Said to Be Clovelly
TG0017
(?) 1791
Rochester Castle, from the River Medway
TG0057