- Description
-
- Creator(s)
- Thomas Girtin (1775-1802) and (?) Joseph Mallord William Turner (1775-1851) after John Robert Cozens (1752-1797)
- Title
-
- The Lake of Geneva, from Divonne
- Date
- 1794 - 1797
- Medium and Support
- Graphite and watercolour on wove paper
- Dimensions
- 23 × 36.5 cm, 9 × 14 ⅜ in
- Inscription
'Lake Geneva from Divone in Franche Compte' on the back, by (?) Thomas Girtin
- Object Type
- Collaborations; Monro School Copy
- Subject Terms
- French View: The Alps; Lake Scenery
-
- Collection
- Catalogue Number
- TG0451
- Description Source(s)
- Auction Catalogue
Provenance
Dr Thomas Monro (1759–1833); his posthumous sale, possibly Christie’s, 28 June 1833, lot 80 as 'A scrap-book, containing 66 sketches in Switzerland, in blue and Indian ink' by 'Turner'; bought 'Hixon', £21 11s 6d; ... Herbert Horne (1864–1916) (lent to London, 1916); bought from him by Sir Edward Marsh (1872–1953), May 1904; bought by Thos. Agnew & Sons (stock no.9692), 3 May 1920; bought by Asa Lingard (1869–1956), 4 May 1920 (lent to London, 1922); his sale, Sotheby's, 8 March 1944, lot 38 as 'A Landscape' by Joseph Mallord William Turner; bought by Thos. Agnew & Sons, £105; ... Bonhams, 6 February 2007, no.65 as 'Monro School, Lake of Geneva from Divone in France Compte', unsold; Bonhams, 18 September 2007, lot 16, unsold
Exhibition History
London, 1916, no.71 as by Joseph Mallord William Turner; Agnew’s, 1921, no.128; London, 1922, no.69 as ’Copy by J. M. W. Turner of J. R. Cozens’; Agnew’s, 1945, no.41, £250
Bibliography
Bell and Girtin, 1935, p.28; Wilton, 1980a, p.39
Place depicted
Other entries in Monro School Copies:
Drawings Made with Joseph Mallord William Turner from the Sketches of John Robert Cozens’ First Trip to the Continent, 1776–79

The Lake of Geneva, from Divonne
Private Collection

A View of Geneva, from Cologny
British Museum, London

A View of Geneva, from Cologny
Private Collection

Mont Blanc, from the Banks of the Arve, near Sallanches in Savoy
British Museum, London

A Footbridge between Rocks, near Chamonix
Tate, London

Between Chamonix and Martigny, the Aiguille Verte
Birmingham Museums & Art Gallery

La Bâtiaz Castle, near Martigny (Caesar’s Tower)
Victoria and Albert Museum, London

The Rhône, Looking North from the Junction with the Salanfe River, near the Pissevache Fall
Tate, London

The Valley of the Rhône, with a View of Sion from the East
Tate, London

The Lake of Thun, near the Village of Spiez
Private Collection

Interlaken, on the Road between the Lake of Thun and Unterseen
Private Collection

The View from the Bridge at Unterseen
Birmingham Museums & Art Gallery

Unterseen, from the Lake of Thun
Indianapolis Museum of Art at Newfields

A River View near Grindelwald, Looking towards the Wetterhorn
Yale Center for British Art, New Haven

Along the River Schwarze Lütschine, between Lauterbrunnen and Grindelwald
Private Collection

Second View on the Reichenbach Falls, near Meiringen, in the Valley of Oberhasli
Private Collection, Norfolk

The Reichenbach Falls, the Fourth View
Private Collection

The Reichenbach Falls, the Fifth View
Tate, London

The Reichenbach Falls, the Sixth View, in a Rocky Gorge
Tate, London

The Reichenbach Falls, the Seventh Stage
Tate, London

The Reichenbach Falls, the Eighth View
Tate, London

The Reichenbach Falls, the Ninth View and Final Stage
Tate, London

The Lesser Valley of Oberhasli, the Upper Part from the North
Private Collection

The Benedictine Convent of Engelberg
Private Collection

Lake Lucerne, the View from near Brunnen
Yale Center for British Art, New Haven

Lake Lucerne, the View from near Altdorf
Gallery Oldham

Tell’s Chapel, Lake Lucerne, with the Fronalpstock Beyond
British Museum, London

Tell’s Chapel, Lake Lucerne, with the Frohnalpstock Beyond
Private Collection

Lake Lucerne, from Weggis, with the Bürgenstock Beyond
Eton College, Windsor

A Narrow Gorge on the River Linth, near the Pantenbrücke
Tate, London

Lake Klöntal
Rhode Island School of Design Museum, Providence

Lake Klöntal, the View Looking West
Leeds Art Gallery

The Junction of the Two Rhines at Reichenau
Tate, London

A Waterfall in a Rocky Defile, near Chur
Tate, London

Waterside Buildings beneath a Sheer Cliff, near Chur
Tate, London

Sargans Castle
Indianapolis Museum of Art at Newfields

Bondo, with the House of the Count de Salis and Castelmur Castle in the Distance
Private Collection

A Ruined Tower in a Valley, near Chur
Tate, London

The Lake of Mezzola, near Chiavenna, Lake Como in the Distance
National Museum of Wales, Cardiff

Lake Walen, Looking East
British Museum, London

Castelmur Castle, in the Village of Bondo
Ashmolean Museum, University of Oxford

A Ravine In the Viamala, between Chur and Chiavenna
Yale Center for British Art, New Haven

A Ravine with a Bridge, Located on the Banks of Lake Como
Yale Center for British Art, New Haven

A Bridge over a Waterfall, near Chiavenna
Yale Center for British Art, New Haven

Chiavenna, with the Bell Tower of the College of San Lorenzo
Tate, London

The Town of Como, from the Lake
Private Collection

Lake Como, from the Villa Giulia, near Bellagio
Gallery Oldham

Lake Como
British Museum, London

Lake Como: Looking South, Possibly from the Foot of the Cliffs at Ca' Bianca
Private Collection

Lake Como, Looking North to the Village of Bellagio
Private Collection

Lake Como, Looking South, Possibly from the Foot of the Cliffs at Ca' Bianca
Private Collection

An Unidentified Lakeside Town, Possibly on Lake Como
Private Collection

The Bank of a Lake or River, with Hills Beyond
Tate, London

An Unidentified Waterside Town
Cooper Gallery, Barnsley

The Village of Bramans in the Haute Maurienne in Savoy
Private Collection

An Unidentified Lake Scene
The Huntington Library, Art Museum and Botanical Gardens, San Marino

A Covered Bridge with a Mountain Beyond, Possibly in Switzerland
The Huntington Library, Art Museum and Botanical Gardens, San Marino

A Wooden Bridge over a River, Said to Be in the Pass of St Gotthard
Tate, London

A River amongst Rocks, with a Castle on a Hill
Tate, London

An Alpine Valley, near Chiavenna
Birmingham Museums & Art Gallery

Rome: A Road under a Ruined Archway on the Palatine Hill
Tate, London

Rome: Unidentified Ruins on the Palatine Hill
Tate, London

Rome: The Ruins of Tiberius' Villa on the Palatine Hill, with the Wall of the Farnese Gardens
Tate, London

Rome: The Ruins of Tiberius' Villa on the Palatine Hill, from the Forum
Tate, London

Rome: A Monumental Ruin on the Palatine Hill
Tate, London

Rome: Ruins on the Palatine Hill
Tate, London

Rome: The View from the Palatine Hill, with the Palace of Augustus in the Foreground
Tate, London

An Ancient Ruin, Probably near Rome
Tate, London

Rome: Part of the Ruins of Nero's Golden House, the Domus Aurea
Tate, London

Rome: The Monumental Ruins of Nero's Golden House, the Domus Aurea
Tate, London

Rome: The Ruins of Nero's Golden House, the Domus Aurea
Tate, London

Rome: Part of the Extension to the Claudian Aqueduct, Known as the Arcus Neroniani
Tate, London

The Mausoleum of Caecilia Metella, Rome
Private Collection

An Unidentified Mausoleum, Probably near Rome
Private Collection

The Pyramid of Gaius Cestius, Rome
Ashmolean Museum, University of Oxford

Rome: The Castle of St Angelo
Victoria and Albert Museum, London

Rome: The Temple of Vesta
Tate, London

A Detail of the Portico of an Ancient Temple
Tate, London

An Imaginary Composition with Antique Ruins and Figures
Tate, London

Rome: The Ruined Nymphaeum of Alexander Severus, Known as the Temple of Minerva Medica
Tate, London

Rome: The Colosseum, from the Caelian Hill
Private Collection

Rome: The Colosseum, with a Rider on a Track
The Morgan Library & Museum, New York

Rome: Part of the Extension to the Claudian Aqueduct, Known as the Arcus Neroniani
Private Collection

An Architectural Composition, Based on the Milvian Bridge over the River Tiber
Tate, London

Rome: Part of the Milvian Bridge over the River Tiber (The Ponte Molle)
Tate, London

Rome: The Fortified Northern End of the Milvian Bridge (The Ponte Molle)
Tate, London

The Ripa Grande, Site of the Ancient Port of Rome, in an Imaginary Setting
Tate, London

The Chapel of San Giuliano, Overlooking the River Tiber, near the Milvian Bridge
Tate, London

Rome: The River Tiber, with the Aventine Hill to the Left
National Gallery of Scotland, Edinburgh

An Unidentified Villa, Possibly in Rome
Yale Center for British Art, New Haven

Rome: A Wall with Trees Overhanging a Road, near the Porta Pinciana
Tate, London

An Unidentified Building and Column Set amongst Trees, Probably the Villa Negroni in Rome
Victoria and Albert Museum, London

Rome: A View in the Farnese Gardens
Yale Center for British Art, New Haven

Rome: The Ludovisi Gardens
Private Collection

Rome: The View from the Corsini Gardens
Private Collection

Rome: A Distant View of the Basilica of St John Lateran
The Whitworth, The University of Manchester

Rome: St Peter’s, from a Nearby Terrace
Tate, London

Rome: St Peter's Square from the Colonnade
Tate, London

The Vatican: The Belvedere Viewed from the East beyond a High Wall
Tate, London

The Vatican: The Wall of the Giardino della Pigna and the Belvedere
Tate, London

Rome: St Peter's from Monte Mario
Harewood House, Yorkshire

St Peter's and the Vatican, from above the Arco Oscuro
Private Collection

Rome: The River Tiber from Monte Mario, Looking towards the Sabine Hills
Private Collection

The Roman Campagna, from the Villa Madama
Private Collection

Unidentified Fortifications on a Rocky Outcrop, Possibly on the Island of Capri
Tate, London

Tivoli, with the Falls of the River Aniene: The Grand Cascade
Victoria and Albert Museum, London

Tivoli: The 'Villa of Maecenas' and Part of the Town
Private Collection

Tivoli: The Grand Cascade Seen from a Terrace
Private Collection

Tivoli: The 'Temple of the Sibyl' Seen across the Gorge of the Aniene
Laing Art Gallery, Newcastle-upon-Tyne

Tivoli: The ‘Temple of the Sibyl’ and the Cascades Seen from Below
Yale Center for British Art, New Haven

Tivoli: The Rocca Pia, from the North West
Tate, London

Tivoli: The Rocca Pia, from the South West
Tate, London

An Archway through a Building, with a Round Tower
Tate, London

Tivoli: A Bridge and Gateway
Tate, London

Tivoli: A View through an Arch to the Cascade
Tate, London

Tivoli: Ancient Ruins, Known as the Temple of Bacchus, with the Tower of Santa Maria Maggiore
Tate, London

Tivoli: 'The Temple of the Sibyl'
Queensland Art Gallery, Brisbane

Tivoli: 'The Temple of the Sibyl', the Broken Side
Leeds Art Gallery

Tivoli: 'The Temple of the Sibyl', Seen from Below
Harvard Art Museums / Fogg Museum

Tivoli: 'The Temple of the Sibyl', Seen from Below
Tate, London

Tivoli: 'The Temple of the Sibyl'
Tate, London

Tivoli: The River Aniene, with 'The Temple of the Sibyl' Seen Above
Victoria and Albert Museum, London

Tivoli: The 'Villa of Maecenas’, Seen from an Elevated Viewpoint
The Huntington Library, Art Museum and Botanical Gardens, San Marino

Tivoli: The 'Villa of Maecenas' with Part of the Cascades
National Gallery of Canada, Ottawa

Tivoli: The 'Villa of Maecenas' and Part of the Cascades, Seen from Below
Metropolitan Museum of Art, New York

Tivoli: The View from the Gardens of the Villa d'Este, Looking towards Montecelio
Tate, London

Tivoli: The Villa d'Este, Looking South West
Yale Center for British Art, New Haven

Tivoli: The Gran Loggia of the Villa d'Este
Tate, London

Tivoli: A Mausoleum, Known as the Temple of Tosse
Tate, London

The Tomb of Plautus, near Tivoli
Tate, London

A Wooded Valley near Bex in Switzerland
Private Collection

Rocca di Papa, from Monte Cavo
Yale Center for British Art, New Haven

The Passionist Monastery on Monte Cavo
Tate, London

A Distant View of the Passionist Monastery on Monte Cavo
Tate, London

A Ruined Ancient Building, Probably a Mausoleum on the Appian Way
Tate, London

The Ruined Mausoleum of the Emperor Gallienus on the Appian Way
Tate, London

The Ruins of the Mausoleum of the Emperor Gallienus on the Appian Way
Tate, London

Unidentified Ruins, Possibly the Aqua Anio Novus Aqueduct, near Tivoli, Known as Pompey’s Tomb
Tate, London

Albano: A Ruined Building by a Stream
Tate, London

Albano: Part of the Ruins of the Ancient Baths of Caracalla, Known as Cellomaio
Tate, London

A Hermitage at Albano on the Appian Way
Tate, London

Albano: The Ruins of the Ancient Baths of Caracalla, Known as Cellomaio
Tate, London

Lake Albano, Viewed from the Bergantino
Private Collection

Albano: A Mausoleum, Known as the Tomb of the Horatii and Curatii
Tate, London

Albano: The Ruins of a Mausoleum, Known as the Tomb of the Horatii and Curatii
Tate, London

Lake Albano with Castel Gandolfo
Harvard Art Museums / Fogg Museum

Lake Albano, from Palazzolo
National Gallery of Scotland, Edinburgh

Ariccia: The Church of Santa Maria Assunta
Tate, London

Ariccia: Looking Up to the Church of Santa Maria Assunta
Tate, London

A Distant View of Ronciglione, near Lake Vico
Private Collection

An Unidentified View, Formerly Known as 'L'Arriccia'
Yale Center for British Art, New Haven

Ariccia: The Church of Santa Maria Assunta and the Chigi Palace
Birmingham Museums & Art Gallery

An Unidentified Convent at Nemi
Tate, London

Nemi: Unidentified Buildings Overlooking a Stream
Tate, London

An Unidentified Building, Known as 'The Capuchin Convent near Nemi'
Tate, London

Genzano: The Palazzo Sforza Cesarini
Tate, London

Lake Nemi, with Genzano and the Palazzo Sforza Cesarini
Victoria and Albert Museum, London

The Town of Nemi Overlooking the Lake
Tate, London

The Town of Nemi, from the Banks of the Lake
Leeds Art Gallery

Lake Nemi and the Town of Genzano
Walker Art Gallery, National Museums Liverpool

The Lake and Town of Nemi
Hereford Museum and Art Gallery

Lake Nemi, with Genzano in the Distance
Art Gallery of Ontario, Toronto

An Unidentified Castle by a River, Known as 'Orte'
Brighton Museum and Art Gallery

Lake Vico
British Museum, London

Lake Vico, from the Hill of Viterbo
Tate, London

Lake Bolsena
Tate, London

A River View with a Hill Town Beyond, Possibly Showing Tivoli
Tate, London

A Distant View of Radicofani in Tuscany
Private Collection

Lake Trasimeno
Tate, London

Lake Trasimeno
Private Collection

An Unidentified Waterfall, Possibly in Switzerland, Known as 'The Velino Falls'
National Gallery of Ireland, Dublin

The Ascent to the Marmore Falls (The Cascade of Terni)
Private Collection

The Bridge of Augustus, near Narni
Private Collection

A Distant View of Civita Castellana
Tate, London

An Unidentified View, Possibly at Civita Castellana
Tate, London

On the River Tiber, at Acqua Acetosa
Tate, London

A View on the River Tiber, North of Rome
Tate, London

Terracina, on the Coast between Rome and Naples, with the Temple of Jupiter Anxur
Tate, London

Gaeta, Seen across the Gulf from Formia
Tate, London

Buildings on the Coast at Posillipo, near Naples
British Museum, London

Naples: Santa Maria del Parto, Mergellina
Tate, London

Naples: Looking across the Bay towards Vesuvius from Mergellina
Tate, London

Baia Castle
Tate, London

The Temple of Venus at Baia
Tate, London

The Temple of Venus at Baia
Blanton Museum of Art, The University of Texas at Austin

The Bay of Baia, with Naples and Vesuvius in the Distance
Tate, London

An Unidentified Fortress, Probably Baia Castle
Tate, London

Naples: Castel Sant'Elmo and the Convent of San Martino
Tate, London

Naples: View over the City from the Royal Palace at Capodimonte
Tate, London

Vesuvius, from Torre Greco
National Gallery of Scotland, Edinburgh

An Unidentified Fort on a Cliff by the Sea
Tate, London

Capri: A View over the Eastern Promontory to the Bay of Salerno, with Steps Leading to the Castello Barbarossa
Tate, London

A Group of Buildings on a Low Cliff, near Naples
Tate, London

Lake Avernus
Private Collection

Solfatara, near Naples
British Museum, London

The Norman Tower at Maiori on the Coast near Salerno
Tate, London

An Entrance to the Roman Amphitheatre at Capua
Ashmolean Museum, University of Oxford

Vallombrosa Abbey
Tate, London

A Mill and a Two-Arched Bridge on the Road between Florence and Rome
Tate, London

A Five-Arched Bridge, on the Road between Florence and Rome
Tate, London

Florence: The Arno, with the Ponte alla Carraia
Private Collection

The Arno, Seen from the Pisa to Florence Road
Tate, London

The Lighthouse at Livorno (Leghorn)
The Huntington Library, Art Museum and Botanical Gardens, San Marino

On the Coast South of Genoa, near Lerici
Tate, London

A Coastal View of Sestri Levante, near Genoa
Private Collection
Footnotes
- 1 The full diary entry, giving crucial details of the artists’ work at Monro’s house, is transcribed in the Documents section of the Archive (1798 – Item 2).
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About this Work
This view of the Lake of Geneva displays many of the signs that mark the unique collaboration between Girtin and his contemporary Joseph Mallord William Turner (1775–1851) at the home of Dr Thomas Monro (1759–1833). Here they were employed across three winters, probably between 1794 and 1797, to make ‘finished drawings’ from the ‘Copies’ of the ‘outlines or unfinished drawings of Cozens’ and other artists, amateur and professional, either from Monro’s collection or lent for the purpose. As the two young artists later recalled, Girtin generally ‘drew in outlines and Turner washed in the effects’. ‘They went at 6 and staid till Ten’, which may account for the generally monochrome appearance of the works, and, as the diarist Joseph Farington (1747–1821) reported, Turner received ‘3s. 6d each night’, though ‘Girtin did not say what He had’ (Farington, Diary, 12 November 1798).1
The view shows the Lake of Geneva from Divonne in France and it was copied from a composition by John Robert Cozens (1752–97) (see figure 1; Bell and Girtin, 1935, no.2), one of the fifty-seven works that he appears to have executed for Richard Payne Knight (1751–1824) in 1776. It is highly unlikely that Monro had access to Cozens’ finished watercolours, however, and the work was presumably copied either from the on-the-spot drawing he made on 18 August 1776 or from one of the tracings that the artist was in the habit of producing from his own compositions. Cozens’ sketches from 1776 have not survived, but they were probably large in scale and little more than summary outlines, and that would explain why this Monro School copy is roughly the same size as the watercolour but differs significantly in the distribution of lighter and darker areas as this would have been a matter of interpretation for an artist working from a simple drawing. In all, there are as many as sixty Monro School views of the Alpine scenery of France, Switzerland and northern Italy that can, with varying degrees of certainty, be associated with Cozens’ first trip to the Continent in 1776.
The exact division of labour in the Monro School watercolours is rarely straightforward. This work was exhibited with the Cozens watercolour it is related to in 1916 and 1922, when it was attributed to Turner on both occasions. At its sale in 2007, however, Andrew Wilton suggested that the outlines were by Girtin, and to my eye the watercolour is rather crudely applied and if anything a question mark therefore hangs over Turner’s contribution. It has not been possible to plot any meaningful changes in style across the three or four years that the artists worked for Monro, and all these works are therefore dated to 1794–97.