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Works Thomas Girtin

Studies of Women and Men, Including an Advocate Pleading

1801 - 1802

Primary Image: TG1902: Thomas Girtin (1775–1802), Studies of Women and Men, Including an Advocate Pleading, 1801–02, graphite on laid paper, 22 × 19 cm, 8 ⅝ × 7 ½ in. Private Collection.

Photo courtesy of Sotheby's (All Rights Reserved)

Description
Creator(s)
Thomas Girtin (1775-1802)
Title
  • Studies of Women and Men, Including an Advocate Pleading
Date
1801 - 1802
Medium and Support
Graphite on laid paper
Dimensions
22 × 19 cm, 8 ⅝ × 7 ½ in
Inscription

‘Ls. Francia’s respects to Mr Girtin / gratefully returns the picture / & wished Mr Gs remarks on / the drawing of H [illegible]’ lower right, by François Louis Thomas Francia

Object Type
Outline Drawing
Subject Terms
Figure Studies

Collection
Catalogue Number
TG1902
Girtin & Loshak Number
484e as 'Three studies of women, and an advocate pleading'
Description Source(s)
Auction Catalogue

Provenance

Thomas Calvert Girtin (1801–74); then by descent to Thomas Girtin (1874–1960); given to Tom Girtin (1913–94), c.1938; his sale, Sotheby’s, 14 November 1991, lot 99 as 'Figure of women and an advocate preaching'

About this Work

Thomas Girtin (1874–1960) and David Loshak thought that this sheet of figure studies was related to a group ‘sketched in Paris’ during Girtin’s stay there in the winter and early spring of 1801–2 that includes TG1899 and TG1900 (Girtin and Loshak, 1954, p.201). Certainly, it is logical to expect that the artist made a number of other studies of figures with which to populate his twenty Picturesque Views in Paris, a publication that, as its prospectus announced, was aimed at the ‘Fashionable World’ and for which the ‘Costume … has been particularly attended to’ (Girtin, Paris Prospectus, 1802).1 None of the studies seen here appear to have been used for the prints, however, and it is far from clear that they were made on the spot in France, not least because they are on a piece of paper that contains a note sent to Girtin by his colleague François Louis Thomas Francia (1772–1839). The artist, who is not known to have left London at this time, wrote: ‘Ls. Francia’s respects to Mr Girtin / gratefully returns the picture / & wishes Mr Gs remarks on / the drawing of H [illegible]’. This may have been sent in relation to a drawing by Girtin that Francia published as a soft-ground etching (see TG1779 figure 2), whilst the ‘drawing of H…’ may refer to the artist John Hoppner (1758–1810), whose sketches were included in the same publication, Studies of Landscapes … from the Originals (Francia, 1810). However, whilst Francia’s message might suggest that the sketches were made in London, on balance, I still favour the idea that they were produced with the Paris publication in mind, and, specifically, that they were copied from a secondary source, perhaps French in origin. The male figure, at the top right, which was interpreted by Girtin and Loshak as showing a legal ‘advocate pleading’ his case, in particular appears to have been copied from a print where the pose would have been understandable from its original context.

1801 - 1802

A Sheet of Figure Studies

TG1899

1801 - 1802

A Sheet of Figure Studies Relating to ‘Picturesque Views in Paris’

TG1900

by Greg Smith

Other entries in Picturesque Views in Paris and Other French Subjects

Thomas Girtin

The Tuileries Palace and the Pont Royal, Taken from the Quai d’Orsay: Pencil Study for Plate One of Picturesque Views in Paris

British Museum, London

The Tuileries Palace and the Pont Royal, Taken from the Quai d’Orsay: Pencil Study for Plate One of Picturesque Views in Paris
Thomas Girtin

The Tuileries Palace and the Pont Royal, Taken from the Quai d’Orsay: Colour Study for Plate One of Picturesque Views in Paris

Private Collection

The Tuileries Palace and the Pont Royal, Taken from the Quai d’Orsay: Colour Study for Plate One of Picturesque Views in Paris
Thomas Girtin

The Louvre and the Pont Royal, Taken from the Pont Neuf: Pencil Study for Plate Two of Picturesque Views in Paris

British Museum, London

The Louvre and the Pont Royal, Taken from the Pont Neuf: Pencil Study for Plate Two of Picturesque Views in Paris
Thomas Girtin

The Louvre and the Pont Royal, Taken from the Pont Neuf: Colour Study for Plate Two of Picturesque Views in Paris

Fitzwilliam Museum, University of Cambridge

The Louvre and the Pont Royal, Taken from the Pont Neuf: Colour Study for Plate Two of Picturesque Views in Paris
Thomas Girtin

The Ile de la Cité, with the Louvre and the Pont Neuf in the Distance, Taken from the Pont Marie: Pencil Study for Plate Three of Picturesque Views in Paris

British Museum, London

The Ile de la Cité, with the Louvre and the Pont Neuf in the Distance, Taken from the Pont Marie: Pencil Study for Plate Three of Picturesque Views in Paris
Thomas Girtin, Unknown Artist

Paris with the Louvre, Taken from the Pont Marie: Copy of Plate Three of Picturesque Views in Paris

Private Collection

Paris with the Louvre, Taken from the Pont Marie: Copy of Plate Three of Picturesque Views in Paris
Thomas Girtin

The Ile de la Cité, with the Louvre and the Pont Neuf in the Distance, Taken from the Pont Marie: Colour Study for Plate Three of Picturesque Views in Paris

Chazen Museum of Art, University of Wisconsin – Madison

The Ile de la Cité, with the Louvre and the Pont Neuf in the Distance, Taken from the Pont Marie: Colour Study for Plate Three of Picturesque Views in Paris
Thomas Girtin

Pont Saint Michel, from the Pont Neuf: Pencil Study for Plate Four of 'Picturesque Views in Paris'

British Museum, London

Pont Saint Michel, from the Pont Neuf: Pencil Study for Plate Four of 'Picturesque Views in Paris'
Thomas Girtin

Pont Saint Michel, from the Pont Neuf: Colour Study for Plate Four of 'Picturesque Views in Paris'

Private Collection

Pont Saint Michel, from the Pont Neuf: Colour Study for Plate Four of 'Picturesque Views in Paris'
Thomas Girtin

Paris: The Isle de la Cité and the River Seine, Taken from the Pont Neuf

Private Collection

Paris: The Isle de la Cité and the River Seine, Taken from the Pont Neuf
Thomas Girtin

A Panoramic View of Paris from Chaillot, Looking up the Seine with the Dome of Les Invalides: Pencil Study for Plate Five of Picturesque Views in Paris

British Museum, London

A Panoramic View of Paris from Chaillot, Looking up the Seine with the Dome of Les Invalides: Pencil Study for Plate Five of Picturesque Views in Paris
Thomas Girtin

Panoramic View of Paris from Chaillot, Looking up the Seine with the Dome of Les Invalides: Colour Study for Plate Five of Picturesque Views in Paris

Private Collection

Panoramic View of Paris from Chaillot, Looking up the Seine with the Dome of Les Invalides: Colour Study for Plate Five of Picturesque Views in Paris
Thomas Girtin

The Banks of the Seine, with the Dome of Les Invalides

Private Collection

The Banks of the Seine, with the Dome of Les Invalides
Thomas Girtin

The Tuileries Palace and the Pont Royal: Pencil Study for Plate Six of Picturesque Views in Paris

Private Collection

The Tuileries Palace and the Pont Royal: Pencil Study for Plate Six of Picturesque Views in Paris
Thomas Girtin

The Tuileries Palace and the Pont Royal, Taken from the Pont de la Concorde: Pencil Study for Plate Six of Picturesque Views in Paris

British Museum, London

The Tuileries Palace and the Pont Royal, Taken from the Pont de la Concorde: Pencil Study for Plate Six of Picturesque Views in Paris
Thomas Girtin

The Tuileries Palace and the Pont Royal, Taken from the Pont de la Concorde: Colour Study for Plate Six of Picturesque Views in Paris

Private Collection

The Tuileries Palace and the Pont Royal, Taken from the Pont de la Concorde: Colour Study for Plate Six of Picturesque Views in Paris
Thomas Girtin

The Pont Neuf, Part of the Louvre, Notre Dame and the College of the Four Nations: Pencil Study for Plate Seven of Picturesque Views in Paris

British Museum, London

The Pont Neuf, Part of the Louvre, Notre Dame and the College of the Four Nations: Pencil Study for Plate Seven of Picturesque Views in Paris
Thomas Girtin

The Pont Neuf, Part of the Louvre, Notre Dame and the College of the Four Nations: Colour Study for Plate Seven of Picturesque Views in Paris

Private Collection

The Pont Neuf, Part of the Louvre, Notre Dame and the College of the Four Nations: Colour Study for Plate Seven of Picturesque Views in Paris
Thomas Girtin

The Pont Neuf and the Mint: Pencil Study for Plate Eight of Picturesque Views in Paris

British Museum, London

The Pont Neuf and the Mint: Pencil Study for Plate Eight of Picturesque Views in Paris
Thomas Girtin

The Pont Neuf and the Mint: Colour Study for Plate Eight of Picturesque Views in Paris

National Gallery of Art, Washington

The Pont Neuf and the Mint: Colour Study for Plate Eight of Picturesque Views in Paris
Thomas Girtin

Part of the Pont Neuf, with the Mint: Pencil Study for Plate Eight of Picturesque Views in Paris

Private Collection

Part of the Pont Neuf, with the Mint: Pencil Study for Plate Eight of Picturesque Views in Paris
Thomas Girtin

The Pont au Change, the Théâtre de la Cité, the Pont Neuf and the Conciergerie Prison, Taken from the Pont Notre Dame: Pencil Study for Plate Nine of Picturesque Views in Paris

British Museum, London

The Pont au Change, the Théâtre de la Cité, the Pont Neuf and the Conciergerie Prison, Taken from the Pont Notre Dame: Pencil Study for Plate Nine of Picturesque Views in Paris
Thomas Girtin

The Pont au Change, the Théâtre de la Cité, the Pont Neuf and the Conciergerie Prison, Taken from the Pont Notre Dame: Colour Study for Plate Nine of Picturesque Views in Paris

Aberdeen Art Gallery

The Pont au Change, the Théâtre de la Cité, the Pont Neuf and the Conciergerie Prison, Taken from the Pont Notre Dame: Colour Study for Plate Nine of Picturesque Views in Paris
Thomas Girtin

The Porte Saint-Denis, Viewed from the Suburbs: Possible Colour Study for Plate Ten of Picturesque Views in Paris

Musée Carnavalet, Histoire de Paris

The Porte Saint-Denis, Viewed from the Suburbs: Possible Colour Study for Plate Ten of Picturesque Views in Paris
Thomas Girtin

The Porte Saint-Denis, Viewed from the Suburbs: Possible Colour Study for Plate Ten of Picturesque Views in Paris

Tate, London

The Porte Saint-Denis, Viewed from the Suburbs: Possible Colour Study for Plate Ten of Picturesque Views in Paris
Thomas Girtin

The Pont de la Tournelle and Notre Dame, Taken from the Arsenal: Pencil Study for Plate Eleven of Picturesque Views in Paris

British Museum, London

The Pont de la Tournelle and Notre Dame, Taken from the Arsenal: Pencil Study for Plate Eleven of Picturesque Views in Paris
Thomas Girtin

The Pont de la Tournelle and Notre Dame, Taken from the Arsenal: Colour Study for Plate Eleven of Picturesque Views in Paris

Private Collection

The Pont de la Tournelle and Notre Dame, Taken from the Arsenal: Colour Study for Plate Eleven of Picturesque Views in Paris
Thomas Girtin

The Pantheon, from the Arsenal, Looking across the Seine: Pencil Study for Plate Twelve of Picturesque Views in Paris

British Museum, London

The Pantheon, from the Arsenal, Looking across the Seine: Pencil Study for Plate Twelve of Picturesque Views in Paris
Thomas Girtin

The Pantheon, from the Arsenal, Looking across the Seine: Colour Study for Plate Twelve of Picturesque Views in Paris

Yale Center for British Art, New Haven

The Pantheon, from the Arsenal, Looking across the Seine: Colour Study for Plate Twelve of Picturesque Views in Paris
Thomas Girtin

The Pantheon, from the Arsenal, Looking across the Seine: Pencil Study for Plate Twelve of Picturesque Views in Paris

Private Collection

The Pantheon, from the Arsenal, Looking across the Seine: Pencil Study for Plate Twelve of Picturesque Views in Paris
Thomas Girtin

Bellevue and the Pont de Sèvres, Taken from near the Pont de Saint-Cloud: Pencil Study for Plate Thirteen of Picturesque Views in Paris

British Museum, London

Bellevue and the Pont de Sèvres, Taken from near the Pont de Saint-Cloud: Pencil Study for Plate Thirteen of Picturesque Views in Paris
Thomas Girtin

Bellevue and the Pont de Sèvres, Taken from the Terrace near the Pont de Saint-Cloud: Colour Study for Plate Thirteen of Picturesque Views in Paris

Private Collection

Bellevue and the Pont de Sèvres, Taken from the Terrace near the Pont de Saint-Cloud: Colour Study for Plate Thirteen of Picturesque Views in Paris
Thomas Girtin

The Palace and Village of Choisy from the Banks of the Seine: Pencil Study for Plate Fourteen of Picturesque Views in Paris

British Museum, London

The Palace and Village of Choisy from the Banks of the Seine: Pencil Study for Plate Fourteen of Picturesque Views in Paris
Thomas Girtin

The Palace and Village of Choisy from the Banks of the Seine: Colour Study for Plate Fourteen of Picturesque Views in Paris

Private Collection

The Palace and Village of Choisy from the Banks of the Seine: Colour Study for Plate Fourteen of Picturesque Views in Paris
Thomas Girtin

The Water Works at Marly, Saint-Germain-en-Laye in the Distance: Pencil Study for Plate Fifteen of Picturesque Views in Paris

British Museum, London

The Water Works at Marly, Saint-Germain-en-Laye in the Distance: Pencil Study for Plate Fifteen of Picturesque Views in Paris
Thomas Girtin

The Water Works at Marly, Saint-Germain-en-Laye in the Distance: Colour Study for Plate Fifteen of Picturesque Views in Paris

Yale Center for British Art, New Haven

The Water Works at Marly, Saint-Germain-en-Laye in the Distance: Colour Study for Plate Fifteen of Picturesque Views in Paris
Thomas Girtin

The View from the Palace Terrace at Saint-Germain-en-Laye, the Aqueduct of Marly in the Distance: Pencil Study for Plate Sixteen of Picturesque Views in Paris

British Museum, London

The View from the Palace Terrace at Saint-Germain-en-Laye, the Aqueduct of Marly in the Distance: Pencil Study for Plate Sixteen of Picturesque Views in Paris
Thomas Girtin

The View from the Palace Terrace at Saint-Germain-en-Laye, the Aqueduct of Marly in the Distance: Colour Study for Plate Sixteen of Picturesque Views in Paris

Rhode Island School of Design Museum, Providence

The View from the Palace Terrace at Saint-Germain-en-Laye, the Aqueduct of Marly in the Distance: Colour Study for Plate Sixteen of Picturesque Views in Paris
Thomas Girtin

The Village of Chaillot, Taken from the Pont de la Concorde: Pencil Study for Plate Seventeen of Picturesque Views in Paris

British Museum, London

The Village of Chaillot, Taken from the Pont de la Concorde: Pencil Study for Plate Seventeen of Picturesque Views in Paris
Thomas Girtin

The Village of Chaillot, Taken from the Pont de la Concorde: Colour Study for Plate Seventeen of Picturesque Views in Paris

Smith College Museum of Art, Northampton

The Village of Chaillot, Taken from the Pont de la Concorde: Colour Study for Plate Seventeen of Picturesque Views in Paris
Thomas Girtin

Saint-Cloud and Mont Calvaire, Taken from the Pont de Sèvres: Pencil Study for Plate Eighteen of Picturesque Views in Paris

British Museum, London

Saint-Cloud and Mont Calvaire, Taken from the Pont de Sèvres: Pencil Study for Plate Eighteen of Picturesque Views in Paris
Thomas Girtin

Saint-Cloud and Mont Calvaire, Taken from the Pont de Sèvres: Colour Study for Plate Eighteen of Picturesque Views in Paris

Private Collection

Saint-Cloud and Mont Calvaire, Taken from the Pont de Sèvres: Colour Study for Plate Eighteen of Picturesque Views in Paris
Thomas Girtin

The Banks of the Marne below the Bridge at Charenton: Pencil Study for Plate Twenty of Picturesque Views in Paris

British Museum, London

The Banks of the Marne below the Bridge at Charenton: Pencil Study for Plate Twenty of Picturesque Views in Paris
Thomas Girtin

The Banks of the Marne below the Bridge at Charenton: Colour Study for Plate Twenty of Picturesque Views in Paris

Untraced Public Collection, Israel

The Banks of the Marne below the Bridge at Charenton: Colour Study for Plate Twenty of Picturesque Views in Paris
Thomas Girtin

The Champ de Mars, Seen from the Trocadéro, with Sèvres in the Distance: Unused Pencil Study for Picturesque Views in Paris

British Museum, London

The Champ de Mars, Seen from the Trocadéro, with Sèvres in the Distance: Unused Pencil Study for Picturesque Views in Paris
Thomas Girtin

The Watermill above the Bridge at Charenton, near Paris

British Museum, London

The Watermill above the Bridge at Charenton, near Paris
Thomas Girtin

The Watermill above the Bridge at Charenton: Pencil Study for Plate Nineteen of Picturesque Views in Paris

British Museum, London

The Watermill above the Bridge at Charenton: Pencil Study for Plate Nineteen of Picturesque Views in Paris
Thomas Girtin

The Watermill above the Bridge at Charenton: Colour Study for Plate Nineteen of Picturesque Views in Paris

Private Collection

The Watermill above the Bridge at Charenton: Colour Study for Plate Nineteen of Picturesque Views in Paris
Thomas Girtin

La Rue Saint-Denis, Paris: A Scene for Thomas Dibdin's Pantomime Harlequin's Habeas

Private Collection, Norfolk

La Rue Saint-Denis, Paris: A Scene for Thomas Dibdin's Pantomime Harlequin's Habeas
Thomas Girtin

Paris: Porte Saint-Denis and the Boulevard Saint-Denis

Victoria and Albert Museum, London

Paris: Porte Saint-Denis and the Boulevard Saint-Denis
Thomas Girtin

Part of the Tuileries Palace with the Louvre (Place du Carrousel)

The Higgins, Bedford

Part of the Tuileries Palace with the Louvre (Place du Carrousel)
Thomas Girtin

Part of the Tuileries Palace with the Louvre (Place du Carrousel)

Blanton Museum of Art, The University of Texas at Austin

Part of the Tuileries Palace with the Louvre (Place du Carrousel)
Thomas Girtin

Paris: View over the Rooftops towards Montmartre

British Museum, London

Paris: View over the Rooftops towards Montmartre
Thomas Girtin, Jean-Baptiste-François Génillion

Paris: The Ruins of the Roman Baths, Hôtel de Cluny

Tate, London

Paris: The Ruins of the Roman Baths, Hôtel de Cluny
Thomas Girtin, Jean-Baptiste-François Génillion

Paris: The Ruins of the Roman Baths, Hôtel de Cluny

The Whitworth, The University of Manchester

Paris: The Ruins of the Roman Baths, Hôtel de Cluny
Thomas Girtin

A Sheet of Figure Studies

Ashmolean Museum, University of Oxford

A Sheet of Figure Studies
Thomas Girtin

A Sheet of Figure Studies Relating to Picturesque Views in Paris

Ashmolean Museum, University of Oxford

A Sheet of Figure Studies Relating to Picturesque Views in Paris
Thomas Girtin

A Sheet of Figure Studies: Women Washing Clothes at a River

Ashmolean Museum, University of Oxford

A Sheet of Figure Studies: Women Washing Clothes at a River
Thomas Girtin

Studies of Women and Men, Including an Advocate Pleading

Private Collection

Studies of Women and Men, Including an Advocate Pleading
Thomas Girtin

A Cleric Preaching from a Pulpit

Private Collection

A Cleric Preaching from a Pulpit
Thomas Girtin, Jean-Baptiste Lallemand

Paris: The Hôtel de Ville and the Church of Saint-Jean-en-Grève

Private Collection, Norfolk

Paris: The Hôtel de Ville and the Church of Saint-Jean-en-Grève
Thomas Girtin, Jean-Baptiste Lallemand

Lyon Cathedral

British Museum, London

Lyon Cathedral
Thomas Girtin, Tavernier de Jonquières

The Church of Saint Corneille at Compiègne

Ashmolean Museum, University of Oxford

The Church of Saint Corneille at Compiègne
Thomas Girtin, Tavernier de Jonquières

The Porte Chapelle, Compiègne

Victoria and Albert Museum, London

The Porte Chapelle, Compiègne
Thomas Girtin, Jacques Swebach-Desfontaines

Paris: The Entrance to the Hôtel du Grand Prieur du Temple

British Museum, London

Paris: The Entrance to the Hôtel du Grand Prieur du Temple
Thomas Girtin, Tavernier de Jonquières

An Interior View of the Nave of Laon Cathedral

British Museum, London

An Interior View of the Nave of Laon Cathedral
Thomas Girtin, Herman van Swanevelt

A Wooded River in an Extensive Landscape

Private Collection

A Wooded River in an Extensive Landscape
Thomas Girtin, Herman van Swanevelt

A River Scene with a Castle on a Cliff

Yale Center for British Art, New Haven

A River Scene with a Castle on a Cliff
Thomas Girtin, Herman van Swanevelt

A Wooded Landscape with a Hermit

Victoria and Albert Museum, London

A Wooded Landscape with a Hermit
Thomas Girtin

Buildings by a Road, with Passing Figures

Private Collection

Buildings by a Road, with Passing Figures
Thomas Girtin

A Village Scene

Victoria and Albert Museum, London

A Village Scene

Footnotes

  1. 1 The prospectus for Picturesque Views in Paris, presumably drafted by John Girtin, is transcribed in the Documents section of the Archive (1802 – Item 4).

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