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Works (?) Thomas Girtin

St Nicholas’ Church, Newcastle upon Tyne

1797 - 1798

Print after: John Greig (c.1779–1861 or later), after John Linell Bond (c.1766–1837) 'from a drawing ... after a Sketch by T. Girtin', etching and engraving, 'View in Newcastle (with the Tower of St. Nicholas's Church) Northumberland' for the Beauties of England and Wales, vol.12, part 1, p.54, 1 February 1808, 10 × 15 cm, 4 × 5 ⅞ ins. Yale Center for British Art, Paul Mellon Collection Library.

Photo courtesy of Yale Center for British Art (Public Domain)

Description
Creator(s)
(?) Thomas Girtin (1775-1802)
Title
  • St Nicholas’ Church, Newcastle upon Tyne
Date
1797 - 1798
Medium and Support
Watercolour on paper
Dimensions
52.7 × 39.4 cm, 20 ¾ × 15 ½ in
Object Type
Studio Watercolour
Subject Terms
City Life and Labour; Durham and Northumberland; Gothic Architecture: Parish Church

Collection
Versions
St Nicholas’ Church, Newcastle-upon-Tyne (TG1460)
Catalogue Number
TG1083
Description Source(s)
Girtin and Loshak, 1954

Provenance

Charles James Pooley (1836–1900); his sale, Christie’s, 6 March 1880, lot 93, unsold; Capes & Dunn, Manchester, 28 February 1882, lot 41; bought by 'Rowbotham', £17; Christie's, 30 June 1916, lot 79; bought by 'Spencer', £27 6s; Christie’s, 6 May 1918, lot 24; bought by 'Hart', £11 11s; Christie's, 13 July 1934, lot 73; bought by 'Blane', £7 17s 6d

Bibliography

Girtin and Loshak, 1954, p.209

About this Work

This work has not been seen in public since it was sold at auction in 1934, but, although it does not appear to have been photographed, it is at least possible to say that it is a version of the composition depicted in TG1460. Tom Girtin (1913–94) had a particularly low opinion of that smaller watercolour, now part of the collection of Liverpool University, describing it as ‘dreadfully feeble’, and, in consequence he speculated that it was the untraced version that was the work exhibited at the Royal Academy in 1798 as ‘St. Nicholas’s church, Newcastle’ and not TG1460 (Exhibitions: Royal Academy, London, 1798, no.703; Girtin Archive, 35). With not even a photograph to work from, it is difficult to be sure about this or, indeed, to comment with any confidence about the authenticity of the watercolour. However, although its size might indicate that it was the exhibited watercolour, the work only realised £7 17s 6d at the 1934 sale, suggesting that Tom Girtin’s confidence in the attribution was not generally shared, and it may consequently have been a poor copy, perhaps worked up from the engraving published in 1808 (see print after TG1083). Looking at the print again suggests another possibility, however, since it is clear that it is not after TG1460 after all, though it follows the composition closely. The credit line thus records that it was made ‘from a drawing by J. L. Bond after a Sketch by T. Girtin’, and TG1460 is by no stretch of the imagination a sketch. It is just possible, therefore, that the missing watercolour fetched so little in 1934 because it is an insubstantial study, though the more likely explanation is surely that the untraced view of St Nicholas is the finished drawing made by ‘J. L. Bond’ for engraving. Little is known about the architect John Linnell Bond (1764–1837), but his work as an architectural draughtsman seems to have equipped him with the necessary skills to realise a sketch of a scene such as this into a convincing watercolour suited to reproduction.

(?) 1798

St Nicholas’ Church, Newcastle-upon-Tyne

TG1460

(?) 1798

St Nicholas’ Church, Newcastle-upon-Tyne

TG1460

1797 - 1798

St Nicholas’ Church, Newcastle-upon-Tyne

TG1083

(?) 1798

St Nicholas’ Church, Newcastle-upon-Tyne

TG1460

(?) 1798

St Nicholas’ Church, Newcastle-upon-Tyne

TG1460

by Greg Smith

Place depicted

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