- Description
-
- Creator(s)
- Thomas Girtin (1775-1802)
- Title
-
- Spofforth, with the Tower of All Saints Church
- Date
- 1799 - 1800
- Medium and Support
- Graphite and watercolour on wove paper (possibly with a discoloured fixative)
- Dimensions
- 11.4 × 17.3 cm, 4 ½ × 6 ¾ in
- Inscription
'Spofforth' on the back, by (?) Thomas Girtin
- Part of
- Object Type
- On-the-spot Colour Sketch
- Subject Terms
- Yorkshire View; Gothic Architecture: Parish Church
-
- Collection
- Catalogue Number
- TG1586
- Description Source(s)
- Viewed in March 2022
Provenance
Possibly George Hibbert (1757–1837); then by descent
Place depicted
Footnotes
- 1 Details are transcribed in the Documents section of the Archive (1804 – Item 1).
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About this Work
This sketch showing a distant view of the village of Spofforth, between Harrogate and Wetherby, is one of a significant group of sketches that Girtin executed in the vicinity of Harewood House, probably on his visit to Yorkshire in the summer of 1799 or 1800. The subjects include seven views taken along the river Nidd at Knaresborough (TG1509, TG1510, TG1511, TG1512, TG1539, TG1542 and TG1589), three views made in or near Wetherby (TG1641, TG1645 and TG1646) and another view of Spofforth showing the fourteenth-century fortified manor house (TG1538). Each of the drawings was executed on a piece of wove paper of roughly the same vertical dimensions, and there is some evidence that they were removed from a sketchbook, though when, and by whom, is not clear. Two other drawings on the same paper have matching holes, which suggests that they had been bound into a book (TG1508a and TG1525). One of these sketches – Chelsea Reach, Looking towards Battersea (TG1525) – is missing a small section, which, as a later copy indicates (TG1601), must have strayed onto the opposite page. It seems that on just this one occasion Girtin did execute his sketches in a book, though, as the paper historian Peter Bower has argued, it is unlikely that this was made commercially, and it may be that the artist himself assembled sheets of paper into a convenient gathering, which would account for slight variations in their size (Bower, 2002, p.141). Whatever the case, this sheet is likely to have featured amongst the ‘180 Sketches’ or ‘4 little Books partly of sketches and partly blank paper’ that the artist’s brother, John Girtin (1773–1821), recorded taking possession of following the artist’s death in November 1802 and that he subsequently sold on (Chancery, Income and Expenses, 1804).1
This sketch does not seem to have been used as the basis for a finished watercolour, though others from the group were, including Buildings on the River Nidd, near Knaresborough (TG1589) and Wetherby: Looking through the Bridge to the Mills (TG1536), and Girtin may have employed the book to show his compositions to potential clients. Prime amongst these was Edward Lascelles (1764–1814), who in all probability hosted Girtin during his stay in Yorkshire at nearby Harewood House and who is said to have had a room put aside for the artist to work in (Roget, 1891, vol.1, p.96). Spofforth is just a few kilometres away, and Girtin could easily have visited on a short excursion from Harewood, perhaps at the behest of Lascelles himself, since, apart from the ruined manor house seen in Girtin’s companion sketch (TG1538), the village was neither a popular tourist destination nor replete with any obvious pictorial interest for an artist. The tower of All Saints’ Church is viewed from the Harrogate road to the north and, as Professor David Hill has noted, the medieval causeway over Crimple Beck water meadows can be seen centre left (email dated 15 January 2022), much as it is today, when the fundamentally unchanged view makes for no more picturesque a composition.
1799 - 1800
Grimbald Bridge, near Knaresborough
TG1509
1799 - 1800
A Crag on the River Nidd
TG1510
1799 - 1800
Knaresborough Castle, from the High Bridge
TG1511
1799 - 1800
Bilton Banks, on the River Nidd, near Knaresborough
TG1512
1799 - 1800
Knaresborough, from the North West
TG1539
1799 - 1800
Knaresborough, Looking across Bilton Banks
TG1542
1799 - 1800
Buildings on the River Nidd, near Knaresborough
TG1589
1799 - 1800
Wetherby Bridge and Mills, Looking across the Weir
TG1641
1799 - 1800
Wetherby Mills
TG1645
1799 - 1800
Kirk Deighton, near Wetherby
TG1646
1799 - 1800
The Ruins of Spofforth Castle, near Harewood
TG1538
1799 - 1800
Cottages at Hawes, from Gayle Beck
TG1508a
1799 - 1800
Chelsea Reach, Looking towards Battersea
TG1525
1799 - 1800
Chelsea Reach, Looking towards Battersea
TG1525
(?) 1801
Chelsea Reach, Looking towards Battersea
TG1601
1799 - 1800
Buildings on the River Nidd, near Knaresborough
TG1589
1799 - 1800
Wetherby: Looking through the Bridge to the Mills
TG1536
1799 - 1800
The Ruins of Spofforth Castle, near Harewood
TG1538