- Description
-
- Creator(s)
- Thomas Girtin (1775-1802)
- Title
-
- Shipping on the River Medway
- Date
- 1801
- Medium and Support
- Graphite and watercolour on paper
- Dimensions
- 25.4 × 64.8 cm, 10 × 25 ½ in
- Inscription
‘Girtin 1801’ lower left, by Thomas Girtin
- Object Type
- Studio Watercolour
- Subject Terms
- Coasts and Shipping; Dover and Kent; Panoramic Format
-
- Collection
- Catalogue Number
- TG1754
- Girtin & Loshak Number
- 424 as 'Devonport'
- Description Source(s)
- Museum Website
Provenance
E. C. Daintry; bought by the Fine Art Society, London, 1946; Mark Hanan, New Zealand; bought by the Museum, 1955
Bibliography
Morris, 1990, p.59; Museum Website as 'The docks, Plymouth'
Place depicted
Other entries in Late Watercolours:
Samuel William Reynolds and Painting for the Art Market

An Imaginary City, with Antique Buildings
Rhode Island School of Design Museum, Providence

Ancient Ruins, with an Obelisk
Yale Center for British Art, New Haven

Ancient Ruins, with a Gothic Church
National Gallery of Scotland, Edinburgh

A Classical Composition, with a Church and Column
Walker Art Gallery, National Museums Liverpool

The Arch of Janus, Rome
Yale Center for British Art, New Haven

The Temple of Clitumnus
Yale Center for British Art, New Haven

Rome: The Temple of Antoninus and Faustina
Yale Center for British Art, New Haven

Rome: The Temple of Saturn, with the Arch of Septimius Severus
Private Collection

A Town on an Estuary
Rhode Island School of Design Museum, Providence

A Lagoon Capriccio
Birmingham Museums & Art Gallery

An Unidentified Coastal Landscape with a Windmill
Lady Lever Art Gallery, Port Sunlight

Barnard Castle, from the River Tees
Bowes Museum, Barnard Castle

A Farmhouse, Said to Be near Newcastle upon Tyne
Yale Center for British Art, New Haven

An Exterior View of the Ruins of Lindisfarne Priory Church
Lindisfarne Priory, Northumberland (English Heritage)

Kelso Abbey: The West Front
The Whitworth, The University of Manchester

Jedburgh Abbey, from the Riverbank
The Higgins, Bedford

On the River Medway, with a Boatyard, Beached Vessels and Hulks
Private Collection

Bisham Abbey, on the River Thames
Private Collection

A Classical Composition, with Figures Admiring the Sculptures
The Whitworth, The University of Manchester

An Unidentified Ruin next to a Bridge over a Stream, Said to Be Furness Abbey
Touchstones Rochdale

The Gatehouse of Morpeth Castle
Yale Center for British Art, New Haven

Buildings on the River Nidd, near Knaresborough
British Museum, London

Kirkstall Abbey, from Kirkstall Hill
British Museum, London

Kirkstall Abbey, from Kirkstall Bridge, Morning
Victoria and Albert Museum, London

Kirkstall Abbey, from the Canal, Evening
Private Collection

A Distant View of Kirkstall Abbey
Williamson Art Gallery & Museum, Birkenhead

Wetherby Bridge and Mills, Looking across the Weir
The Museum of Fine Arts, Houston

Wetherby: Looking through the Bridge to the Mills
British Museum, London

Wetherby: Looking through the Bridge to the Mills
Leeds Art Gallery

Kirk Deighton, near Wetherby
The Whitworth, The University of Manchester

York: The New Walk on the Banks of the River Ouse
Victoria and Albert Museum, London

York: The Layerthorpe Bridge and Postern
The Whitworth, The University of Manchester

York: The Layerthorpe Bridge and Postern
Private Collection

York Minster from the South East, Layerthorpe Bridge and Postern to the Right
Private Collection

A Farmyard with Barns, Ladder and Figures; A Sky Study
Courtauld Gallery, London

Ripon Minster, with Skellgate Bridge
Yale Center for British Art, New Haven

Ripon Minster, with Skellgate Bridge
Leeds Art Gallery

Ripon Minster, with Skellgate Bridge
Blackburn Museum and Art Gallery

A Distant View of Ripon Minster, from the River Skell
Private Collection

Ripon Minster, from the South East
National Gallery of Scotland, Edinburgh

Ripon Minster, from the South West
Private Collection

The Abbey Mill, near Knaresborough
Yale Center for British Art, New Haven

A Mountain Stream in Spate, Possibly the River Wharfe
Private Collection

Bolton Abbey: The East End of the Priory Church from across the River Wharfe
Eton College, Windsor

Bolton Abbey: The East End of the Priory Church, from across the River Wharfe
National Museum of Wales, Cardiff

Bolton Abbey: The East End of the Priory Church, from across the River Wharfe
Leeds Art Gallery

Bolton Abbey, from the River Wharfe
Private Collection

Bolton Abbey, from the River Wharfe
Private Collection

The Banks of the River Wharfe, with Bolton Abbey in the Distance
Private Collection

Stepping Stones on the River Wharfe, near Bolton Abbey
National Gallery of Scotland, Edinburgh

Stepping Stones on the River Wharfe, near Bolton Abbey
National Gallery of Victoria, Melbourne

An Upland Landscape, Identified as Storiths Heights, near Bolton Abbey
Fitzwilliam Museum, University of Cambridge

Richmond Castle, from the River Swale
Leeds Art Gallery

A Farmhouse in Malhamdale, Known as 'Kirkby Priory, near Malham'
British Museum, London

An Ancient Oak, Said to Be on the River Ure
Private Collection

Cottages at Hawes, from Gayle Beck
Birmingham Museums & Art Gallery

Cottages at Hawes, from Gayle Beck
Private Collection, Norfolk

Cottages at Hawes, from Gayle Beck
Private Collection

Cottages at Hawes, from Gayle Beck
Ashmolean Museum, University of Oxford

Guisborough Priory: The Ruined East End
Tate, London

A Distant View of Guisborough Priory; The Tithe Barn, Abbotsbury
Private Collection, Norfolk

A Distant View of Guisborough Priory
Yale Center for British Art, New Haven

A Distant View of Guisborough Priory
Yale Center for British Art, New Haven

A Farmhouse, Said to Be near Newcastle upon Tyne
Private Collection

Warkworth Castle, from the River Coquet
Yale Center for British Art, New Haven

An Upland Landscape, Said to Show Etal Castle
Victoria and Albert Museum, London

The River Tweed at Kelso, Looking Upstream
Courtauld Gallery, London

The Eildon Hills, from the River Tweed at Dryburgh
Fitzwilliam Museum, University of Cambridge

A Distant View of Dryburgh Abbey, with the Eildon Hills Beyond
Private Collection

The Valley of the Tweed, with Melrose Abbey in the Distance
Private Collection

Jedburgh Abbey, from Jed Water
Fitzwilliam Museum, University of Cambridge

Jedburgh Abbey, from the South East
Yale Center for British Art, New Haven

The Village of Jedburgh
National Gallery of Scotland, Edinburgh

Southampton: The South Gate and Old Gaol
Private Collection

Bristol Harbour, with St Mary Redcliffe in the Distance
Bristol Museum & Art Gallery

A Wharf with Shipping, Possibly at Bristol
Art Institute of Chicago

A Rainbow over the River Exe
National Gallery of Ireland, Dublin

A Rainbow over the River Exe
The Huntington Library, Art Museum and Botanical Gardens, San Marino

A Rainbow over the River Exe
Graves Gallery, Sheffield

Lydford Castle, from the River Lyd
Clark Art Institute, Williamstown

St Vincent’s Rocks and the Avon Gorge
The Whitworth, The University of Manchester

On the River Taw, North Devon, Looking from Braunton Marsh towards Instow and Appledore
National Gallery of Art, Washington

Conwy Castle, from the River Gyffin
Private Collection, Norfolk

Chelsea Reach, Looking towards Battersea (The White House, Chelsea)
Tate, London

Chelsea Reach, Looking towards Battersea
Private Collection, Norfolk

A Panoramic Landscape, with Figures Trawling a Pond
Private Collection

Landscape with a Distant Ridge, Possibly Hampstead Heath
Yale Center for British Art, New Haven

An Inn Yard, Edgware Road, Paddington
British Museum, London

The Thames from a Window of the Old Toy Inn, Hampton Court
British Museum, London

The Old Cottage, Widmore, near Bromley
British Museum, London

Shipping on the River Medway
Museum of New Zealand, Wellington

A Farmyard with Cattle, Poultry and Labourers Unloading Hay, Possibly Pinckney's Farm, Radwinter
Art Institute of Chicago

Farmhouse and Outbuildings, Possibly in Essex
Aberdeen Art Gallery

An Unidentified Village Street with a Church Tower in the Distance
British Museum, London

A Panoramic Landscape, Possibly Showing Primrose Hill, London
Private Collection

A Mountain Stream with a Watermill and Bridge
Eton College, Windsor

Unidentified Landscape with a Distant Rain Shower
National Museum of Wales, Cardiff

Warkworth Church, with the Bridge Beyond
Victoria and Albert Museum, London

An Italianate Landscape with Two Monks
Private Collection
Footnotes
- 1 Pyne's ‘Rise and Progress of Painting in Water Colours’ includes a wealth of detail on Girtin’s working practice, much of it the result of watching the artist. It is transcribed in full in the Documents section of the Archive (1823 – Item 1).
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About this Work
This distressingly faded panoramic view of shipping has hitherto been titled ‘Devonport’, and Susan Morris has suggested that it was the outcome of a second West Country trip that she thought Girtin made in 1800 or 1801 (Girtin and Loshak, 1954, p.192; Morris, 1990, p.59). If this is the case, the work would make a fine pair with Plymouth (TG1753), which is similarly dated 1801 and shares the same format and dimensions. However, it seems that earlier writers either were unaware of the sketch on which this studio watercolour appears to be based (TG1425) or discounted the significance of the inscription on it, which reads ‘On the Medway’. Neither the sketch, which may actually have been copied from the work of another artist, nor this studio watercolour includes enough topographical detail to establish the location of the scene beyond doubt, but equally there is no reason to question the accuracy of the inscription, which appears to be in Girtin’s hand. Indeed, the presence in the middle ground of what seem to be hulks, the decommissioned ships that were used at the time as prisons, suggests that we are looking at a scene near Chatham. This is supported by a view of the Medway port attributed to the amateur Sir George Bulteel Fisher (1764–1834) (see TG1425 figure 1), which includes the same combination of hulks, larger moored vessels and wooden buildings on the shore, together with a similar long, low line of distant hills.
The very poor condition of this watercolour is sadly far from untypical of Girtin’s late watercolours, though few examples combine the same degree of fading with a simple composition that does nothing to compensate for the loss of colour. The poor condition of many of the artist’s watercolours is often down to their subsequent display at high light levels, but in this case we can be sure that it was the result of Girtin’s choice of materials. Of the fifteen pigments Girtin is recorded as having used by William Henry Pyne (1770–1843), at least four are very fugitive: a blue, indigo; two yellows, gamboge and brown pink; and a purple, brown lake (Pyne, 1823a, p.67).1 In this case, the probable use of those pigments in combination, and individually as thin washes, is enough to account for the loss of the blues and greys in the sky, the reflections in the water, the reds in the building materials, and all of the greens in the vegetation, and only the earth colour used in the middle ground has been left relatively unaffected.
1801
Plymouth
TG1753
1799 - 1800
A View on the River Medway with a Boatyard, Beached Vessels and Hulks
TG1425