Works
At the core of this website are the approximately 1,550 illustrated entries that catalogue the pencil drawings and watercolours produced by Thomas Girtin (1775–1802) during his short but highly productive career, together with the prints that were executed after his work. These include the substantial body of work Girtin produced in collaboration with his almost exact contemporary Joseph Mallord William Turner (1775–1851) at the home of their patron Dr Thomas Monro (1759–1833).
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The Tuileries Palace and the Pont Royal, Taken from the Pont de la Concorde: Pencil Study for Plate Six of Picturesque Views in Paris
1802
British Museum, London
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The Tuileries Palace and the Pont Royal, Taken from the Pont de la Concorde: Colour Study for Plate Six of Picturesque Views in Paris
1802
Private Collection
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The Pont Neuf, Part of the Louvre, Notre Dame and the College of the Four Nations: Pencil Study for Plate Seven of Picturesque Views in Paris
1802
British Museum, London
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The Pont Neuf, Part of the Louvre, Notre Dame and the College of the Four Nations: Colour Study for Plate Seven of Picturesque Views in Paris
1802
Private Collection
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The Pont Neuf and the Mint: Pencil Study for Plate Eight of Picturesque Views in Paris
1802
British Museum, London
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The Pont Neuf and the Mint: Colour Study for Plate Eight of Picturesque Views in Paris
1802
National Gallery of Art, Washington
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Part of the Pont Neuf, with the Mint: Pencil Study for Plate Eight of Picturesque Views in Paris
1802
Private Collection
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The Pont au Change, the Théâtre de la Cité, the Pont Neuf and the Conciergerie Prison, Taken from the Pont Notre Dame: Pencil Study for Plate Nine of Picturesque Views in Paris
1802
British Museum, London
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The Pont au Change, the Théâtre de la Cité, the Pont Neuf and the Conciergerie Prison, Taken from the Pont Notre Dame: Colour Study for Plate Nine of Picturesque Views in Paris
1802
Aberdeen Art Gallery
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The Porte Saint-Denis, Viewed from the Suburbs: Possible Colour Study for Plate Ten of Picturesque Views in Paris
1802
Musée Carnavalet, Histoire de Paris
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The Porte Saint-Denis, Viewed from the Suburbs: Possible Colour Study for Plate Ten of Picturesque Views in Paris
1802
Tate, London
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The Pont de la Tournelle and Notre Dame, Taken from the Arsenal: Pencil Study for Plate Eleven of Picturesque Views in Paris
1802
British Museum, London
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The Pont de la Tournelle and Notre Dame, Taken from the Arsenal: Colour Study for Plate Eleven of Picturesque Views in Paris
1802
Private Collection
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The Pantheon, from the Arsenal, Looking across the Seine: Pencil Study for Plate Twelve of Picturesque Views in Paris
1802
British Museum, London
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The Pantheon, from the Arsenal, Looking across the Seine: Colour Study for Plate Twelve of Picturesque Views in Paris
1802
Yale Center for British Art, New Haven
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The Pantheon, from the Arsenal, Looking across the Seine: Pencil Study for Plate Twelve of Picturesque Views in Paris
1802
Private Collection
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Bellevue and the Pont de Sèvres, Taken from near the Pont de Saint-Cloud: Pencil Study for Plate Thirteen of Picturesque Views in Paris
1802
British Museum, London
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Bellevue and the Pont de Sèvres, Taken from the Terrace near the Pont de Saint-Cloud: Colour Study for Plate Thirteen of Picturesque Views in Paris
1802
Private Collection
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The Palace and Village of Choisy from the Banks of the Seine: Pencil Study for Plate Fourteen of Picturesque Views in Paris
1802
British Museum, London
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The Palace and Village of Choisy from the Banks of the Seine: Colour Study for Plate Fourteen of Picturesque Views in Paris
1802
Private Collection
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The Water Works at Marly, Saint-Germain-en-Laye in the Distance: Pencil Study for Plate Fifteen of Picturesque Views in Paris
1802
British Museum, London
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The Water Works at Marly, Saint-Germain-en-Laye in the Distance: Colour Study for Plate Fifteen of Picturesque Views in Paris
1802
Yale Center for British Art, New Haven
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The View from the Palace Terrace at Saint-Germain-en-Laye, the Aqueduct of Marly in the Distance: Pencil Study for Plate Sixteen of Picturesque Views in Paris
1802
British Museum, London
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The View from the Palace Terrace at Saint-Germain-en-Laye, the Aqueduct of Marly in the Distance: Colour Study for Plate Sixteen of Picturesque Views in Paris
1802
Rhode Island School of Design Museum, Providence