This slight sketch of mountain scenery has been described as showing a scene near Beddgelert in Snowdonia, on the basis of its proximity in the Whitworth Book of Drawings (TG1323, TG1324 and TG1600–TG1625) to The Valley of the Glaslyn (TG1324) and because of the inscription on the back, and, moreover, that it dates from 1800 (Girtin and Loshak, 1954, p.183). However, the word ‘Bedgellert’ probably refers to the next image in the book and the paper on which it is drawn appears to be part of a gathering of sheets that includes a ‘1801’ watermark (TG1601), which is actually a copy of an earlier sketch made on the spot (TG1525). Such are the complexities of the make-up and function of the Book of Drawings that it is rarely possible to be sure about anything, but in this case I think it is safe to assume that this drawing was not, as Thomas Girtin (1874–1960) and David Loshak suggested, ‘Done on the spot’ in 1800, and that it is not evidence for a second visit to Wales in that year (Girtin and Loshak, 1954, p.183).

To understand why a sketch of a Welsh subject in a gathering of drawings from later in Girtin’s career is not indicative of an otherwise undocumented return trip to North Wales we need to know a little more about the complex, hybrid nature of the Book of Drawings. The book, which I have deliberately not referred to as a sketchbook, contains a number of different papers that, from their watermarks and arrangement within the binding, indicate that it includes a mix of copies from earlier works as well as sketches made on the spot at different times. Girtin executed the latter on a gathering of sheets of paper that he appears to have made up himself, probably around 1800, but also on separate pieces, which, given the fact that the end paper has a watermark of ‘1803’, must have been bound in after the artist’s death. This, I suspect, was done at the behest of the artist’s brother John Girtin (1773–1821) who appropriated material from the artist’s studio after his death including ‘4 little Books partly of sketches and partly blank paper’, a combination that accords with the unusual makeup of the book (Chancery, Income and Expenses, 1804).¹

It follows from this that this sketch could indeed be a Welsh subject drawn on the spot in 1798 and that the sheet was added to others by Girtin in an informal gathering that had not assumed its final form. However, the more likely scenario given the sheet’s position within the Book of Drawings is that Girtin around 1800 made a partial copy of an earlier Welsh view and did not develop it to the same degree as The Valley of the Glaslyn (TG1324). The frustrating thing with our current state of knowledge about the ‘book’ is that although the second option is the likelier explanation for a Welsh subject, it is equally possible that the drawing actually depicts a Yorkshire scene and that its incomplete state is indicative of a rapid sketch made on the spot around 1800.

1800 - 1801

Mountain Scenery, Said to Be near Beddgelert

TG1323

1800 - 1801

The Valley of the Glaslyn, near Beddgelert

TG1324

1798 - 1799

John Raphael Smith: ‘Waiting for the Mail Coach’

TG1600

(?) 1800

The Ruins of Old Mulgrave Castle

TG1625

1800 - 1801

The Valley of the Glaslyn, near Beddgelert

TG1324

(?) 1801

Chelsea Reach, Looking towards Battersea

TG1601

1799 - 1800

Chelsea Reach, Looking towards Battersea

TG1525

1800 - 1801

The Valley of the Glaslyn, near Beddgelert

TG1324