- Description
-
- Creator(s)
- Thomas Girtin (1775-1802) after Unknown Artist
- Title
-
- Loch Lomond
- Date
- 1795 - 1796
- Medium and Support
- Graphite and watercolour on laid paper (card)
- Dimensions
- 7.5 × 12 cm, 3 × 4 ¾ in
- Object Type
- Colour Sketch: Studio Work
- Subject Terms
- Lake Scenery; Scottish View
-
- Collection
- Catalogue Number
- TG0873
- Description Source(s)
- Auction Catalogue
Provenance
Dr Thomas Monro (1759–1833); his posthumous sale, possibly Christie's, 26 June 1833, lot 80 or lot 83 as 'Views and ruins, in colours, on cards 10' by 'Turner'; ... Charles Morland Agnew (1855–1931); his widow, Evelyn Mary Agnew (d.1932); her posthumous sale, Christie’s, 24 March 1933, lot 18 as 'Loch Lomond; Kelso Abbey; and Corfe Castle, three in one frame'; bought by 'T. Agnew', £3 13s 6d; Thos. Agnew & Sons; ... Sotheby's, 9 March 1989, lot 59, £770; Ewbank's, 2 December 2021, lot 2273, £200; Dowle Fine Art
Place depicted
Other entries in Topography without Travel:
The British Landscape at Second Hand
Thomas Girtin, Jan Peeter Verdussen
Windsor Castle, from the River Thames
Windsor Castle, from the River Thames
Untraced Works
Thomas Girtin, William Henry Wood
Windsor Castle: The Norman Gateway and the Round Tower, with Part of the Queen's Lodge
Windsor Castle: The Norman Gateway and the Round Tower, with Part of the Queen's Lodge
Clark Art Institute, Williamstown
Thomas Girtin, Unknown Artist
The Interior of Tintern Abbey, Showing the Choir and North Transept
The Interior of Tintern Abbey, Showing the Choir and North Transept
Blackburn Museum and Art Gallery
Thomas Girtin
A View in Windsor Great Park with Deer
A View in Windsor Great Park with Deer
Metropolitan Museum of Art, New York
Thomas Girtin, James Moore
An Ancient House, Possibly in Sussex
An Ancient House, Possibly in Sussex
Private Collection
Thomas Girtin, Edward Dayes
The Interior of Tintern Abbey, Looking towards the West Window from the Choir
The Interior of Tintern Abbey, Looking towards the West Window from the Choir
Norwich Castle Museum and Art Gallery
Thomas Girtin, James Moore
The Ruins of Newark Priory Church
The Ruins of Newark Priory Church
Tate, London
Thomas Girtin, Edward Dayes
Lancaster Castle and Priory Church, Seen with the Old Bridge over the River Lune
Lancaster Castle and Priory Church, Seen with the Old Bridge over the River Lune
Private Collection
Thomas Girtin, Edward Dayes
Barnard Castle and Bridge, from the River Tees
Barnard Castle and Bridge, from the River Tees
Tate, London
Thomas Girtin, Paul Sandby
The Ruined West Front of Dunbrody Abbey Church, County Wexford, Ireland
The Ruined West Front of Dunbrody Abbey Church, County Wexford, Ireland
Tate, London
Thomas Girtin
The Refectory of Walsingham Priory
The Refectory of Walsingham Priory
British Museum, London
Thomas Girtin
The Ruined East End of Walsingham Priory Church
The Ruined East End of Walsingham Priory Church
Tate, London
Thomas Girtin, James Moore
The West Tower of Rumburgh Priory Church
The West Tower of Rumburgh Priory Church
Tate, London
Thomas Girtin, James Moore
Dumbarton Rock, from the North
Dumbarton Rock, from the North
Tate, London
Thomas Girtin, James Moore
Part of the Ruins of Middleham Castle
Part of the Ruins of Middleham Castle
Tate, London
Thomas Girtin, James Moore
Kidwelly Church, with the Castle Beyond
Kidwelly Church, with the Castle Beyond
Tate, London
Thomas Girtin, Thomas Hearne
Kelso Abbey, from the North West
Kelso Abbey, from the North West
Ashmolean Museum, University of Oxford
Thomas Girtin, Edward Dayes
The Keep, Portchester Castle, from the North East
The Keep, Portchester Castle, from the North East
Tate, London
Thomas Girtin, Edward Dayes
The Keep of Rochester Castle, from the South East
The Keep of Rochester Castle, from the South East
Tate, London
Thomas Girtin
Part of the Ruins of Middleham Castle
Part of the Ruins of Middleham Castle
Tate, London
Thomas Girtin, Edward Dayes
Margam Abbey Church, from the North West
Margam Abbey Church, from the North West
Tate, London
Thomas Girtin, James Moore
The Ruined East End of Walsingham Priory Church
The Ruined East End of Walsingham Priory Church
Tate, London
Thomas Girtin, James Moore
The Ruins of the Holy Ghost Chapel, Basingstoke
The Ruins of the Holy Ghost Chapel, Basingstoke
Tate, London
Thomas Girtin
The Medieval Kitchen, Stanton Harcourt
The Medieval Kitchen, Stanton Harcourt
Tate, London
Thomas Girtin, Thomas Hearne
Part of the Ruins of Lewes Castle, from the West
Part of the Ruins of Lewes Castle, from the West
Tate, London
Thomas Girtin, Thomas Hearne
Glasgow High Street, Looking towards the Cathedral
Glasgow High Street, Looking towards the Cathedral
Tate, London
Thomas Girtin, Edward Dayes
The Keep of Hedingham Castle, from the East
The Keep of Hedingham Castle, from the East
Tate, London
Thomas Girtin, Paul Sandby
The South Transept, Much Wenlock Priory Church
The South Transept, Much Wenlock Priory Church
Tate, London
Thomas Girtin, James Moore
Newport Castle, Monmouthshire
Newport Castle, Monmouthshire
Private Collection
Thomas Girtin, Edward Dayes
Portchester Castle, from the Outer Bailey
Portchester Castle, from the Outer Bailey
Tate, London
Thomas Girtin, James Moore
The Refectory of Walsingham Priory
The Refectory of Walsingham Priory
Tate, London
Thomas Girtin, James Moore
An Unidentified Church close to a Road
An Unidentified Church close to a Road
British Museum, London
Thomas Girtin, Edward Dayes
The Keep of Hedingham Castle, from the South West
The Keep of Hedingham Castle, from the South West
Tate, London
Thomas Girtin
Kirkstall Abbey, from the North West
Kirkstall Abbey, from the North West
Tate, London
Thomas Girtin, James Moore
Kirkstall Abbey, from the North West
Kirkstall Abbey, from the North West
Tate, London
Thomas Girtin, James Moore
The Ruined Gateway of Mettingham Castle
The Ruined Gateway of Mettingham Castle
Tate, London
Thomas Girtin, Edward Dayes
The Keep of Rochester Castle, Seen from outside the Walls
The Keep of Rochester Castle, Seen from outside the Walls
Tate, London
Thomas Girtin, Samuel Ireland
Tintern Abbey, from the River Wye
Tintern Abbey, from the River Wye
Private Collection
Thomas Girtin, Samuel Ireland
Tintern Abbey: The View from the Nave
Tintern Abbey: The View from the Nave
Private Collection
Thomas Girtin, Samuel Ireland
The Market at Aberystwyth
The Market at Aberystwyth
Victoria and Albert Museum, London
Thomas Girtin, Edward Dayes
Lancaster Castle, from the River Lune
Lancaster Castle, from the River Lune
Tate, London
Thomas Girtin
Lancaster Castle, from the River Lune
Lancaster Castle, from the River Lune
Tate, London
Thomas Girtin, Edward Dayes
Lancaster Priory Church, Seen with the Old Bridge over the River Lune
Lancaster Priory Church, Seen with the Old Bridge over the River Lune
Tate, London
Thomas Girtin, Edward Dayes
Buttermere Bridge, from the Fish Inn
Buttermere Bridge, from the Fish Inn
Tate, London
Thomas Girtin, Edward Dayes
The Medieval Kitchen, Stanton Harcourt
The Medieval Kitchen, Stanton Harcourt
Private Collection, Norfolk
Thomas Girtin, Edward Dayes
Rochester Cathedral, from the North East, with the Castle Beyond
Rochester Cathedral, from the North East, with the Castle Beyond
Tate, London
Thomas Girtin
Glasgow High Street: Looking towards the Cathedral
Glasgow High Street: Looking towards the Cathedral
Tate, London
Thomas Girtin, Edward Dayes
A Distant View of Corfe Castle
A Distant View of Corfe Castle
Tate, London
Thomas Girtin, Edward Dayes
Chichester Cathedral, from the South West
Chichester Cathedral, from the South West
Tate, London
Thomas Girtin, James Moore
The Gatehouse of Amberley Castle
The Gatehouse of Amberley Castle
Tate, London
Thomas Girtin, Edward Dayes
A Lake and Mountains, Possibly in the Lake District
A Lake and Mountains, Possibly in the Lake District
Tate, London
Thomas Girtin
A Lake and Mountains, Possibly in the Lake District
A Lake and Mountains, Possibly in the Lake District
Tate, London
Thomas Girtin, Edward Dayes
An Unidentified View across a Lake, or along a Coast
An Unidentified View across a Lake, or along a Coast
Tate, London
Thomas Girtin, Edward Dayes
A Road by a Pond, with a Church in the Distance
A Road by a Pond, with a Church in the Distance
Tate, London
Thomas Girtin
A Road by a Pond, with a Church in the Distance
A Road by a Pond, with a Church in the Distance
British Museum, London
Thomas Girtin, Edward Dayes
A Church Tower amongst Trees, with a Cart in the Foreground
A Church Tower amongst Trees, with a Cart in the Foreground
British Museum, London
Thomas Girtin, Edward Dayes
An Unidentified Landscape, with a Church amongst Trees
An Unidentified Landscape, with a Church amongst Trees
Tate, London
Thomas Girtin
Trees near a Lake or River, at Twilight
Trees near a Lake or River, at Twilight
Tate, London
Thomas Girtin
A Hilly Landscape, with a Two-Arched Bridge
A Hilly Landscape, with a Two-Arched Bridge
Private Collection
Thomas Girtin
A Distant View of Tynemouth Priory, from the Sea
A Distant View of Tynemouth Priory, from the Sea
Tate, London
Thomas Girtin
An Upland Landscape, Possibly in Northumberland
An Upland Landscape, Possibly in Northumberland
Private Collection
Thomas Girtin, Edward Dayes
A Bridge in the Lake District, Possibly Grange Bridge, Borrowdale
A Bridge in the Lake District, Possibly Grange Bridge, Borrowdale
Private Collection
Thomas Girtin
Bridgnorth, on the River Severn
Bridgnorth, on the River Severn
The Huntington Library, Art Museum and Botanical Gardens, San Marino
Joseph Mallord William Turner
Knaresborough, from the River Nidd
Knaresborough, from the River Nidd
Private Collection
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About this Work
This view of Loch Lomond in west Scotland is likely to have been amongst the sixty ‘Coloured Drawings on Cards’ sold from the collection of Dr Thomas Monro (1759–1833) (Exhibitions: Christie’s, 7 May 1808, lots 60 and 61; Christie’s, 26 June 1833, lots 80–83). A group of the cards was bought by Girtin’s collaborator at Monro’s home, Joseph Mallord William Turner (1775–1851), and they now form part of the Turner Bequest at Tate Britain, where the majority of them are attributed to Girtin. The watercolours, all painted on paper measuring roughly 3 × 4 ¾ in (7.6 × 12.1 cm), were mainly executed around 1795–96 after a set of outline drawings of antiquarian subjects that Girtin copied from the sketches of his first significant patron, the amateur artist and antiquarian James Moore (1762–99). This example, however, is one of a group of landscape views that, though painted in the same format, seem to date from a year or so later. Girtin certainly did not visit this part of Scotland, and, given that Moore’s views of the region concentrated exclusively on antiquarian subjects, we need to look elsewhere for the watercolour’s source. We know that Monro owned a framed drawing titled ‘Loch Lomond’ by Girtin’s master, Edward Dayes (1763–1804), as it featured in a sale in 1800 (Exhibitions: Christie’s, 19 May 1800, lot 57), and Girtin therefore probably came across the subject at his patron’s home. But Dayes too is not known to have visited this part of Scotland, and he may also have worked from a view by another artist. Loch Lomond was not a particularly popular destination for artists at this time, and the only comparable views that I have been able to trace are a set of six aquatints by Archibald Robertson (active 1777–96) after drawings by Robert Andrew Riddell (unknown dates), published in 1795. None of these match Girtin’s watercolour, though they are close enough to confirm that the subject is indeed Loch Lomond.
The lake view was once framed with two other small watercolours, depicting Kelso Abbey (TG0270a) and Corfe Castle (TG0365a), and all three appear to have been made for Monro. Any doubts about the attribution of this watercolour on the grounds of quality are substantially allayed by the fact that the views of both Kelso and Corfe are based on pencil drawings that are clearly by Girtin himself (TG0270 and TG0365).
1795 - 1796
Kelso Abbey, from the North West
TG0270a
1795 - 1796
A Distant View of Corfe Castle
TG0365a
(?) 1795
Kelso Abbey, from the North West
TG0270
1794 - 1795
A Distant View of Corfe Castle
TG0365