- Description
-
- Creator(s)
- Thomas Girtin (1775-1802)
- Title
-
- Hulne Priory in Alnwick Park
- Date
- (?) 1796
- Medium and Support
- Graphite on paper (watermark: IV)
- Dimensions
- 14.6 × 23.5 cm, 5 ¾ × 9 ¼ in
- Object Type
- Outline Drawing
- Subject Terms
- Durham and Northumberland; Monastic Ruins
-
- Collection
- Catalogue Number
- TG1091
- Description Source(s)
- Viewed in 2011
Provenance
John Postle Heseltine (1843–1929); his posthumous sale, Sotheby’s, 29 May 1935, lot 313; volume bought by Bernard Squire, £32; Crispin Warmington; Tring Market Auctions, 27 September 2008, lot 309 as 'A landscape with a dwelling and a ruined church in the distance' (catalogue untraced); W/S Fine Art Ltd / Andrew Wyld, London, 2011; Christie's, 10 July 2012, lot 68 as 'Hulne Priory in the Duke of Northumberland's Park at Alnwick', £1,875
Exhibition History
Andrew Wyld, 2011, no.20
Place depicted
Other entries in The 1796 Northern Tour to Yorkshire, the North East and the Scottish Borders:
Sketches and Subsequent Watercolours
Bamburgh Castle, from the South
Cragside House, Northumberland (National Trust)
Durham Cathedral, from the South West
British Museum, London
The Ouse Bridge, York, from the North Shore
British Museum, London
The Ouse Bridge, York, from Skeldergate Postern
York Art Gallery
York: The New Walk on the Banks of the Ouse
Yale Center for British Art, New Haven
York Minster, from the South West
Private Collection
York Minster, from the South West
Private Collection
York Minster, from the Ouse, with St Mary’s Abbey
Harewood House, Yorkshire
The South Side of York Minster, Showing the Transept and the Western Towers
Private Collection, Yorkshire
York Minster, from the South East, Layerthorpe Bridge and Postern to the Right
British Museum, London
Unidentified Gothic Ruins, Said to Be St Mary’s Abbey, York
Birmingham Museums & Art Gallery
A Distant View of Ripon Minster, from the River Skell
Private Collection
A Distant View of Ripon Minster, from the River Skell
Harewood House, Yorkshire
A Distant View of Rievaulx Abbey
Yale Center for British Art, New Haven
Easby Abbey, from the River Swale
Private Collection
Easby Abbey, from the River Swale
Manchester Art Gallery
Easby Abbey, from the River Swale
Metropolitan Museum of Art, New York
Richmond, Yorkshire: The Seventeenth-Century House Known as St Nicholas
British Museum, London
Richmond Castle and Bridge, from the River Swale
The Huntington Library, Art Museum and Botanical Gardens, San Marino
Richmond Castle and Bridge, from the River Swale
Victoria Gallery and Museum, University of Liverpool
Richmond Castle and Town, from the South East
Private Collection
Barnard Castle, from the River Tees
British Museum, London
Egglestone Abbey, from the River Tees
Gallery Oldham
Egglestone Abbey, on the River Tees
British Museum, London
Durham Cathedral and Castle, from the River Wear
Museum of Fine Arts, Boston
Durham Cathedral and Castle, from the River Wear
The Whitworth, The University of Manchester
Durham Cathedral and Castle, from the River Wear
J. Paul Getty Museum, Los Angeles
Durham Castle and Cathedral, from below the Weir
Private Collection, Norfolk
Durham Castle and Cathedral, from below the Weir
Victoria and Albert Museum, London
Durham Castle and Cathedral, from below the Weir; Dryburgh Abbey with the Eildon Hills Beyond
Birmingham Museums & Art Gallery
Durham Cathedral, from the South West
Private Collection
St Nicholas’ Church, Newcastle upon Tyne
Private Collection
Tynemouth Priory, from the Coast
Cleveland Museum of Art
Bothal Castle, from the River Wansbeck
Private Collection
A River Scene with a Tower, Said to Be the Tyne near Hexham
Leeds Art Gallery
Warkworth Castle, from the River Coquet
Yale Center for British Art, New Haven
Warkworth Castle, from the River Coquet
Private Collection, Norfolk
The Bridge at Warkworth, with the Castle Beyond
Untraced Works
Dunstanburgh Castle, Viewed from a Distance
Yale Center for British Art, New Haven
Dunstanburgh Castle: The Lilburn Tower
Laing Art Gallery, Newcastle upon Tyne
Lindisfarne: An Interior View of the Ruins of the Priory Church
The Whitworth, The University of Manchester
Lindisfarne: An Interior View of the Ruins of the Priory Church
Fitzwilliam Museum, University of Cambridge
An Interior View of the Ruins of Lindisfarne Priory Church
Yale Center for British Art, New Haven
Lindisfarne: The Nave and Crossing of the Priory Church
British Museum, London
An Exterior View of the Ruins of Lindisfarne Priory Church
Ashmolean Museum, University of Oxford
An Exterior View of the Ruins of Lindisfarne Priory Church
Private Collection
Dryburgh Abbey: The South Transept Looking North
Private Collection
Dryburgh Abbey: The South Transept from the Cloister
Private Collection
Melrose Abbey: The Ruined Presbytery and the East Window
Clark Art Institute, Williamstown
Melrose Abbey: The Ruined Presbytery and the East Window
Cooper Gallery, Barnsley
Melrose Abbey, from the North East
The Morgan Library & Museum, New York
Jedburgh Abbey, from the North East
Private Collection
Jedburgh Abbey, from Jed Water
Yale Center for British Art, New Haven
The Village of Jedburgh, with the Abbey Ruins
British Museum, London
The Village of Jedburgh, with the Abbey Ruins
Private Collection, Bedfordshire
The West Front of Jedburgh Abbey
British Museum, London
Jedburgh Abbey, from the South East
Blickling Hall, Norfolk (National Trust)
The Ruins of the Lady Chapel, near Bothal
Rhode Island School of Design Museum, Providence
Bamburgh Castle, from the Village
Guy Peppiatt Fine Art Ltd
St Nicholas’ Church, Newcastle upon Tyne
Victoria Gallery and Museum, University of Liverpool
Richmond, Yorkshire: The Seventeenth-Century House Known as St Nicholas
Private Collection
An Interior View of Fountains Abbey: The East Window from the Presbytery
Graves Gallery, Sheffield
St Mary’s, Old Malton, on the River Derwent
Untraced Works
York: Pavement, Looking towards All Saints
Private Collection
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About this Work
This rapidly executed pencil sketch shows a distant view of the ruins of Hulne Priory, near Alnwick, on the estate of the 2nd Duke of Northumberland (1742–1817). The ruin is situated above the river Aln opposite to Brizlee Hill, which provided the viewpoint for Girtin’s fine watercolour of Alnwick Castle looking east towards the sea (TG1092). What may have been the sketch for that work last appeared on the art market in 1883 (Exhibitions: Phillips, 12 June 1883, lot 117), so it has not been possible to confirm that both drawings were done at the same time in 1796 or, as has been claimed for this sketch when it was sold at auction in 2012, that it was made on Girtin’s later trip to the Scottish Borders in 1800. However, given that Alnwick would have been easily accessible to Girtin during his visits to nearby Bamburgh and Dunstanburgh on the coast, I suspect that they were both made in 1796 and not at the later date, which would have required the artist to make a considerable detour from his route to or from the Scottish Borders. In any case, Girtin does not appear to have made a finished studio watercolour from his sketch. Perhaps he was deterred by the fact that despite its fine site, Hulne Priory was not a typical picturesque monastic ruin, dominated, as it was, by a defensive tower complete with battlements and featuring a two-storied Gothic Revival summerhouse built as recently as 1778–79 as part of the improvements to the Alnwick estate undertaken by Robert Adam (1728–92) and Lancelot ‘Capability’ Brown (1716–83) for the 1st Duke of Northumberland (c.1714–86).
1799 - 1800
Alnwick Castle, from Brizlee
TG1092