1795 - 1796
Hawarden Castle
TG0243
1792 - 1793
Conwy Castle, Looking West
TG0107
1792 - 1793
The Gatehouse, Denbigh Castle
TG0133
(?) 1798
Hawarden Castle
TG1350
1795 - 1796
Hawarden Castle
TG0243
1795 - 1796
Hawarden Castle
TG0274
- Description
-
- Creator(s)
- Thomas Girtin (1775-1802) after (?) James Moore (1762-1799)
- Title
-
- Hawarden Castle
- Date
- 1795 - 1796
- Medium and Support
- Pen and ink on laid paper
- Dimensions
- 31 × 43.2 cm, 12 ¼ × 17 in
- Object Type
- Outline Drawing; Replica by Girtin
- Subject Terms
- Castle Ruins; North Wales
-
- Collection
- Versions
-
Hawarden Castle
(TG0243)
- Catalogue Number
- TG0274
- Description Source(s)
- Viewed in 2001
Provenance
Thomas Calvert Girtin (1801–74); then by descent to Thomas Girtin (1874–1960); Thomas Lowinsky (1892–1947), by 1938; ... Sotheby’s, 10 July 1986, lot 99, unsold
Place depicted
Other entries in First Steps as a Professional Artist:
James Moore and British Antiquities
James Moore, Thomas Girtin
An Ancient House, Possibly in Sussex
An Ancient House, Possibly in Sussex
Newport Museum and Art Gallery
Thomas Girtin, James Moore
An Interior View of the Ruined East End of Tynemouth Priory Church
An Interior View of the Ruined East End of Tynemouth Priory Church
Yale Center for British Art, New Haven
Edward Dayes, James Moore
Jedburgh Abbey, from the East
Jedburgh Abbey, from the East
Private Collection
Thomas Girtin, James Moore
Craigmillar Castle, near Edinburgh
Craigmillar Castle, near Edinburgh
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
The West Front of Exeter Cathedral, and St Mary Major
The West Front of Exeter Cathedral, and St Mary Major
The Mellon Bank Collection, Pittsburgh
Thomas Girtin, James Moore
Stonehenge during a Thunderstorm
Stonehenge during a Thunderstorm
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
The East End of Tynemouth Priory Church
The East End of Tynemouth Priory Church
Private Collection
Thomas Girtin, James Moore
Kidwelly Castle
Kidwelly Castle
Rhode Island School of Design Museum, Providence
Thomas Girtin, James Moore
Ludlow Castle: The Gatehouse
Ludlow Castle: The Gatehouse
Private Collection
Thomas Girtin, James Moore
Dumbarton Rock and the Castle, from the North West
Dumbarton Rock and the Castle, from the North West
Yale Center for British Art, New Haven
Thomas Girtin, James Moore
Jedburgh Abbey, from the East
Jedburgh Abbey, from the East
Yale Center for British Art, New Haven
Thomas Girtin, James Moore
Interior of the Albion Mills, Southwark, after the Fire
Interior of the Albion Mills, Southwark, after the Fire
Private Collection
Thomas Girtin, James Moore
Kinloss Abbey: The Abbot's House
Kinloss Abbey: The Abbot's House
National Gallery of Scotland, Edinburgh
Thomas Girtin, James Moore
Conwy Castle, Looking West
Conwy Castle, Looking West
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
Duff House, from the South
Duff House, from the South
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
An Unidentified Round Tower
An Unidentified Round Tower
The Huntington Library, Art Museum and Botanical Gardens, San Marino
Thomas Girtin, James Moore
Glasgow Cathedral, from the North East
Glasgow Cathedral, from the North East
Yale Center for British Art, New Haven
Thomas Girtin, James Moore
Part of the Ruins of Alton Castle
Part of the Ruins of Alton Castle
Ashmolean Museum, University of Oxford
Edward Dayes, James Moore
The West Front of Valle Crucis Abbey Church
The West Front of Valle Crucis Abbey Church
Private Collection
Thomas Girtin, James Moore
The Albion Mills, Southwark, after the Fire
The Albion Mills, Southwark, after the Fire
Newport Museum and Art Gallery
Thomas Girtin, James Moore
Bamburgh Castle, from the East
Bamburgh Castle, from the East
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
The Ruins of the East End of St Andrews Cathedral
The Ruins of the East End of St Andrews Cathedral
Birmingham Museums & Art Gallery
Thomas Girtin, James Moore
Warkworth Castle, from the River Coquet
Warkworth Castle, from the River Coquet
Touchstones Rochdale
Thomas Girtin, James Moore
Colchester Castle
Colchester Castle
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
The Great Keep, Kenilworth Castle
The Great Keep, Kenilworth Castle
Yale Center for British Art, New Haven
Thomas Girtin, James Moore
The Castle Rock, Edinburgh
The Castle Rock, Edinburgh
Fitzwilliam Museum, University of Cambridge
Thomas Girtin, James Moore
London: The Demolition of the Old Porch of the Guildhall
London: The Demolition of the Old Porch of the Guildhall
London Metropolitan Archives
Thomas Girtin, James Moore
The Gatehouse, Denbigh Castle
The Gatehouse, Denbigh Castle
Yale Center for British Art, New Haven
Thomas Girtin, James Moore
Kirkstall Abbey, from the South East
Kirkstall Abbey, from the South East
Private Collection
Thomas Girtin, James Moore
Buildwas Abbey
Buildwas Abbey
Rhode Island School of Design Museum, Providence
Thomas Girtin, James Moore
The West Front of Brechin Cathedral, with the Round Tower
The West Front of Brechin Cathedral, with the Round Tower
Private Collection
Thomas Girtin, James Moore
The Great Gate, St Augustine’s Abbey, Canterbury
The Great Gate, St Augustine’s Abbey, Canterbury
Philadelphia Museum of Art
Thomas Girtin, James Moore
Conwy Castle: The Bakehouse Tower
Conwy Castle: The Bakehouse Tower
Private Collection
Thomas Girtin, James Moore
Lindisfarne Priory Church, Looking West from the Choir
Lindisfarne Priory Church, Looking West from the Choir
Tate, London
Thomas Girtin, James Moore
Kirkstall Abbey, from the North West
Kirkstall Abbey, from the North West
Yale Center for British Art, New Haven
Thomas Girtin, James Moore
The Tithe Barn at Abbotsbury, with St Catherine's Chapel on the Hill
The Tithe Barn at Abbotsbury, with St Catherine's Chapel on the Hill
Yale Center for British Art, New Haven
Thomas Girtin, James Moore
Kirkstall Abbey, from the South East
Kirkstall Abbey, from the South East
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
Dunstaffnage Castle
Dunstaffnage Castle
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
Spynie Palace, near Elgin
Spynie Palace, near Elgin
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
Dunnottar Castle in a Thunderstorm
Dunnottar Castle in a Thunderstorm
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
Part of the Ruins of Croxden Abbey, from the East
Part of the Ruins of Croxden Abbey, from the East
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
The Great Keep, Kenilworth Castle, with Leicester's Gatehouse in the Distance
The Great Keep, Kenilworth Castle, with Leicester's Gatehouse in the Distance
Yale Center for British Art, New Haven
James Moore, Thomas Girtin
Battle Church, from the South East
Battle Church, from the South East
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
The East End of Valle Crucis Abbey Church
The East End of Valle Crucis Abbey Church
Indianapolis Museum of Art at Newfields
Thomas Girtin, James Moore
The Gatehouse, Denbigh Castle
The Gatehouse, Denbigh Castle
Private Collection
Thomas Girtin, James Moore
The Ruins of Lewes Castle, from the West
The Ruins of Lewes Castle, from the West
Private Collection
Thomas Girtin, James Moore
Ewell Church, with a Funeral Procession Approaching
Ewell Church, with a Funeral Procession Approaching
Queensland Art Gallery, Brisbane
Thomas Girtin
Rustic Figures in a Landscape, with Pigs
Rustic Figures in a Landscape, with Pigs
Metropolitan Museum of Art, New York
Thomas Girtin, James Moore
St Peter's Church, Bexhill, from the East
St Peter's Church, Bexhill, from the East
Private Collection
Thomas Girtin, James Moore
Warkworth Castle, from the River Coquet
Warkworth Castle, from the River Coquet
Ashmolean Museum, University of Oxford
Thomas Girtin
A Cow Grazing near a Pond, with a Church Tower Beyond
A Cow Grazing near a Pond, with a Church Tower Beyond
Private Collection
Thomas Girtin, James Moore
Duff House, from the River
Duff House, from the River
Ashmolean Museum, University of Oxford
Thomas Girtin
A Landscape with a Shepherd and Flock
A Landscape with a Shepherd and Flock
The Huntington Library, Art Museum and Botanical Gardens, San Marino
Thomas Girtin, James Moore
Melrose Abbey, from the South West
Melrose Abbey, from the South West
Private Collection
Thomas Girtin
A Cottage, Said to Be near Battle in Sussex
A Cottage, Said to Be near Battle in Sussex
Private Collection
Thomas Girtin, James Moore
Ely Cathedral, from the South East
Ely Cathedral, from the South East
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
The East End of Valle Crucis Abbey Church
The East End of Valle Crucis Abbey Church
Private Collection
Thomas Girtin, James Moore
The East End of Valle Crucis Abbey Church
The East End of Valle Crucis Abbey Church
Private Collection
Thomas Girtin, James Moore
Lindisfarne Priory Church, Looking West from the Choir
Lindisfarne Priory Church, Looking West from the Choir
Private Collection, Scotland
James Moore, Thomas Girtin
Pegwell Bay, near Ramsgate
Pegwell Bay, near Ramsgate
Yale Center for British Art, New Haven
Thomas Girtin, James Moore
Pevensey Castle: The North Tower with the Gatehouse in the Distance
Pevensey Castle: The North Tower with the Gatehouse in the Distance
Yale Center for British Art, New Haven
Thomas Girtin, Edward Dayes
The Spire of Salisbury Cathedral, from Chorister's Green
The Spire of Salisbury Cathedral, from Chorister's Green
Private Collection
Thomas Girtin, James Moore
The Landgate, Rye
The Landgate, Rye
Yale Center for British Art, New Haven
James Moore, Thomas Girtin
The Landgate, Rye
The Landgate, Rye
Ashmolean Museum, University of Oxford
Thomas Girtin
The Gatehouse, Saltwood Castle
The Gatehouse, Saltwood Castle
Yale Center for British Art, New Haven
James Moore, Thomas Girtin
The Gatehouse, Saltwood Castle
The Gatehouse, Saltwood Castle
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
The Strand Gate, Winchelsea
The Strand Gate, Winchelsea
Yale Center for British Art, New Haven
James Moore, Thomas Girtin
The West Tower, All Saints' Church, Hastings
The West Tower, All Saints' Church, Hastings
Ashmolean Museum, University of Oxford
James Moore, Thomas Girtin
Rochester Castle, from the South
Rochester Castle, from the South
Ashmolean Museum, University of Oxford
Thomas Girtin
The West Front of Byland Abbey
The West Front of Byland Abbey
Birmingham Museums & Art Gallery
James Moore, Thomas Girtin
All Saints' Church, Hastings, from the North East
All Saints' Church, Hastings, from the North East
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
An Ancient House, Possibly in Sussex
An Ancient House, Possibly in Sussex
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
Kenilworth Castle: The View from the South East
Kenilworth Castle: The View from the South East
Private Collection
Thomas Girtin, Joseph Mallord William Turner, James Moore
Kenilworth Castle: The View from the South East
Kenilworth Castle: The View from the South East
Private Collection
Thomas Girtin, Joseph Mallord William Turner, James Moore
Tolleshunt D’Arcy Church
Tolleshunt D’Arcy Church
Private Collection
Thomas Girtin, James Moore
St Peter's Church, Bexhill, from the South East
St Peter's Church, Bexhill, from the South East
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
The Ruined Gatehouse, Saltwood Castle, Seen from the North
The Ruined Gatehouse, Saltwood Castle, Seen from the North
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
Saltwood Castle: The Gatehouse
Saltwood Castle: The Gatehouse
Private Collection
Thomas Girtin
The Ruined Gatehouse, Pevensey Castle, from the East
The Ruined Gatehouse, Pevensey Castle, from the East
Ashmolean Museum, University of Oxford
James Moore, Thomas Girtin
The Ruined Gatehouse, Pevensey Castle
The Ruined Gatehouse, Pevensey Castle
Ashmolean Museum, University of Oxford
Thomas Girtin
The Gatehouse, Battle Abbey
The Gatehouse, Battle Abbey
Clark Art Institute, Williamstown
Thomas Girtin, Thomas Hearne
Carlisle Cathedral, from the South West
Carlisle Cathedral, from the South West
Yale Center for British Art, New Haven
Thomas Girtin, Joseph Mallord William Turner
The Gatehouse, Battle Abbey
The Gatehouse, Battle Abbey
Private Collection
James Moore, Thomas Girtin
St Mary the Virgin, Eastbourne
St Mary the Virgin, Eastbourne
Ashmolean Museum, University of Oxford
Thomas Girtin
An Unidentified Landscape with a Figure Seated on a Gate under a Tree
An Unidentified Landscape with a Figure Seated on a Gate under a Tree
Private Collection
Thomas Girtin, James Moore
The West Front of Crowland Abbey
The West Front of Crowland Abbey
Ashmolean Museum, University of Oxford
James Moore, Thomas Girtin
The West Front of Crowland Abbey
The West Front of Crowland Abbey
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
Pevensey Castle: View of the North and East Towers
Pevensey Castle: View of the North and East Towers
Private Collection
Thomas Girtin, James Moore
The Ruins of the Great Hall, Kenilworth Castle
The Ruins of the Great Hall, Kenilworth Castle
Ashmolean Museum, University of Oxford
James Moore, Thomas Girtin
All Saints' Church, Hastings, from the North West
All Saints' Church, Hastings, from the North West
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
The Refectory, St Martin’s Priory, Dover
The Refectory, St Martin’s Priory, Dover
Philadelphia Museum of Art
James Moore, Thomas Girtin
Saltwood Castle: The Gatehouse from a Farmyard
Saltwood Castle: The Gatehouse from a Farmyard
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
Spynie Palace: A Coastal View
Spynie Palace: A Coastal View
Yale Center for British Art, New Haven
James Moore, Thomas Girtin
St Clement's Church, with Hastings in the Distance
St Clement's Church, with Hastings in the Distance
Ashmolean Museum, University of Oxford
Thomas Girtin
The East End of the Church of St Thomas, Winchelsea
The East End of the Church of St Thomas, Winchelsea
Private Collection
James Moore, Thomas Girtin
The East End of the Church of St Thomas, Winchelsea
The East End of the Church of St Thomas, Winchelsea
Ashmolean Museum, University of Oxford
James Moore, Thomas Girtin
The West Tower, St Clement's Church, Hastings; Studies of a Horse in Harness and Numerous Architectural Details
The West Tower, St Clement's Church, Hastings; Studies of a Horse in Harness and Numerous Architectural Details
Ashmolean Museum, University of Oxford
James Moore, Thomas Girtin
Undercliff, near Hastings
Undercliff, near Hastings
Ashmolean Museum, University of Oxford
James Moore, Thomas Girtin
The Ypres Tower, Rye
The Ypres Tower, Rye
Ashmolean Museum, University of Oxford
James Moore, Thomas Girtin
An Unidentified Village with a Half-Timbered House
An Unidentified Village with a Half-Timbered House
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
Hastings: The View across the Beach to Castle Hill
Hastings: The View across the Beach to Castle Hill
Hastings Museum and Art Gallery
Thomas Girtin, James Moore
Hastings Castle and Priory Bridge
Hastings Castle and Priory Bridge
Hastings Museum and Art Gallery
Thomas Girtin, James Moore
Tolleshunt D’Arcy Church
Tolleshunt D’Arcy Church
National Gallery of Scotland, Edinburgh
James Moore, Thomas Girtin
Battle Abbey Gatehouse, from the South West
Battle Abbey Gatehouse, from the South West
Ashmolean Museum, University of Oxford
James Moore, Thomas Girtin
St Clement’s Church, Sandwich, from the North
St Clement’s Church, Sandwich, from the North
Ashmolean Museum, University of Oxford
James Moore, Thomas Girtin
St Peter's Church, Bexhill: The West Tower
St Peter's Church, Bexhill: The West Tower
Ashmolean Museum, University of Oxford
Thomas Girtin, James Moore
Glasgow Cathedral, from the South West
Glasgow Cathedral, from the South West
Bolton Museum and Art Gallery
James Moore, Thomas Girtin
The East End of Icklesham Church
The East End of Icklesham Church
Ashmolean Museum, University of Oxford
James Moore, Thomas Girtin
The Refectory, St Martin’s Priory, Dover
The Refectory, St Martin’s Priory, Dover
The Huntington Library, Art Museum and Botanical Gardens, San Marino
Thomas Girtin, James Moore
The Gatehouse of Beckingham Hall, Tolleshunt Major
The Gatehouse of Beckingham Hall, Tolleshunt Major
Yale Center for British Art, New Haven
Thomas Girtin, James Moore
Glamis Castle (Macbeth's Castle)
Glamis Castle (Macbeth's Castle)
Private Collection, Norfolk
Thomas Girtin
One of the Alard Monuments in the Church of St Thomas, Winchelsea
One of the Alard Monuments in the Church of St Thomas, Winchelsea
Ashmolean Museum, University of Oxford
James Moore, Thomas Girtin
One of the Alard Monuments in the Church of St Thomas, Winchelsea
One of the Alard Monuments in the Church of St Thomas, Winchelsea
Ashmolean Museum, University of Oxford
Thomas Girtin
Pegwell Bay, near Ramsgate
Pegwell Bay, near Ramsgate
Harvard Art Museums / Fogg Museum, Loan from George and Patti White
Thomas Girtin
A Thatched Barn with Farm Animals
A Thatched Barn with Farm Animals
Private Collection
Thomas Girtin, Joseph Mallord William Turner
A Timber-Frame House with a Hill Beyond
A Timber-Frame House with a Hill Beyond
Tate, London
Thomas Girtin
A Farmyard with Pigs Drinking at a Pond
A Farmyard with Pigs Drinking at a Pond
The Huntington Library, Art Museum and Botanical Gardens, San Marino
Thomas Girtin
A Barn with a Figure, Cattle and Poultry
A Barn with a Figure, Cattle and Poultry
Courtauld Gallery, London
Thomas Girtin
Malmesbury: The Market Cross
Malmesbury: The Market Cross
Athelstan Museum, Malmesbury
Thomas Girtin
An Unidentified Country Church and Churchyard
An Unidentified Country Church and Churchyard
Private Collection, Norfolk
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About this Work
At first sight this pen and ink drawing of the old ruined castle of Hawarden in Flintshire, North Wales, together with a near identical version from the same collection (TG0243), appears, initially at least, to have been made after a sketch by the amateur artist and antiquarian James Moore (1762–99) (see figure 1) that was realised as an aquatint in 1793 (see figure 2). Moore, Girtin’s first patron, toured North Wales in the summer of 1791 and his sketch of the castle keep on top of an impressive Norman mound, dated 22 August, contains many of the same elements as Girtin’s drawing. However, closer examination reveals differences in the disposition of the masonry in the foreground, and more significantly the viewpoint of Girtin’s view seems to have been shifted to the left. It is possible that the artist freely adapted his patron’s work in order to create a more interesting composition, but there is no evidence that either version of the drawing entered Moore’s collection. In any case the pen and ink studies are larger than the works Girtin typically produced for his patron and it is difficult to see how they can be related to the work he is documented as having undertaken for Moore between October 1792 and February 1793, which included a number of North Welsh scenes, such as Conwy Castle, Looking West (TG0107) and The Gatehouse, Denbigh Castle (TG0133). It is conceivable that Girtin visited Hawarden on his trip to North Wales in the summer of 1798 and that this drawing therefore was sketched on the spot, or at least begun there, and this is indeed what I suspect was the case with another view of the castle (TG1350). However, that drawing, whilst it adopts the same viewpoint as the Moore sketch, displays a knowledge of the architecture of the castle and is rendered with a convincing air that is lacking in these two works. Therefore, my tentative conclusion is that both Hawarden drawings (TG0243 and TG0274) were copied sometime around 1795–96 from an untraced alternative view by Moore and that the poor quality of the amateur’s sketch of a highly promising subject encouraged the artist to visit the site himself in 1798. As for why Girtin should produce two near-identical versions of the same drawing, I am frankly at a loss other than to point out that the artist made replicas of his own drawings on more than a dozen occasions. What little evidence we have on the matter suggests that this happened when he found a purchaser for a sketch and wished to keep a copy for his own reference, though that does not seem to have been the case here, and there is simply no way of knowing which was the first version either.