- Description
-
- Creator(s)
- Thomas Girtin (1775-1802) after (?) James Moore (1762-1799)
- Title
-
- Dover Castle: The Constable's Tower
- Date
- 1792 - 1793
- Subject Terms
- Castle Ruins; Dover and Kent
-
- Collection
- Catalogue Number
- TG0091
- Description Source(s)
- The original known only from the print
Place depicted
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Edward Dayes and the Industrious Apprentice
An Icelandic Woman in Her Riding Dress
National Museum of Iceland, Reykjavik
An Icelandic Woman with Her Young Daughter
National Museum of Iceland, Reykjavik
The Great Geysir, Iceland, as It Appeared during Its Eruption to Sir Joseph Banks in September 1772
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Mount Hekla, with Sir Joseph Banks and His Party Descending from the Volcano
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Lava as It Has Run Over the Ridge of a Hill, Iceland
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The House of Thorstein Jonsson at Hvaleyri, Iceland
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The Basalt Pillars near Laugarnes, Iceland
Private Collection
An Icelandic Woman in Her Bridal Dress
National Museum of Iceland, Reykjavik
Durham Cathedral, from the River Wear
The Hermitage Museum, St Petersburg
Eton College, from the River
Yale Center for British Art, New Haven
London: Interior of St Stephen Walbrook, Looking East
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Rochester, from the River Medway
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St Mary’s Church, Battersea
Blackburn Museum and Art Gallery
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The Monument to Anthony and Anne Forster, Cumnor Church
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The Interior of Buildwas Abbey Church
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An Exterior View of Henry VII’s Chapel, Westminster Abbey
The Huntington Library, Art Museum and Botanical Gardens, San Marino
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Untraced Works
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Untraced Works
The Interior of Westminster Abbey: The Nave Looking East
Untraced Works
The Queen’s Palace, or Buckingham House
Royal Collection Trust (Windsor)
The King’s Mews, Charing Cross
London Metropolitan Archives
The East Front of St Paul’s Church, Covent Garden
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Untraced Works
The Banqueting House, Whitehall
Victoria and Albert Museum, London
The Interior of St Paul’s Cathedral: The Nave Looking East
Untraced Works
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Untraced Works
The West Front of St Paul’s Cathedral
Ashmolean Museum, University of Oxford
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Untraced Works
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Untraced Works
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Yale Center for British Art, New Haven
A Noble Virgin of Bologna in 1581
Yale Center for British Art, New Haven
A Persian Lady in 1568
Yale Center for British Art, New Haven
An English Nobleman in 1559
Yale Center for British Art, New Haven
Henry VIII in 1520
Yale Center for British Art, New Haven
Marlow, from across the River Thames
Private Collection
Tynemouth Priory, from the Coast
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
The River Wensum at Norwich
Metropolitan Museum of Art, New York
Rochester Castle, from the River Medway
The Museum of Fine Arts, Houston
Tintern Abbey, from the River Wye
Courtauld Gallery, London
All Saints' Church, Fulham, from the Seven Bells, Putney
Private Collection
London from Highgate Hill
Yale Center for British Art, New Haven
'First Regiment of Foot Guards, 1660': Officer and Subaltern
British Museum, London
'First Regiment of Foot Guards, 1660': Sergeant and Private
British Museum, London
First Regiment of Foot Guards, 1660: Drummer and Private
Brown University Library, Providence, Anne S. K. Brown Military Collection
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British Museum, London
'Coldstream Regiment of Foot Guards, 1650': Sergeant and Private
British Museum, London
Coldstream Regiment of Foot Guards, 1650: Drummer and Corporal
Brown University Library, Providence, Anne S. K. Brown Military Collection
'Third Regiment of Foot Guards, 1660': Officer and Sergeant
British Museum, London
'Third Regiment of Foot Guards, 1660': Grenadier and Private
British Museum, London
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Brown University Library, Providence, Anne S. K. Brown Military Collection
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Ashmolean Museum, University of Oxford
Rochester, from the North
Yale Center for British Art, New Haven
The View from the Great Boathouse, Lake Windermere
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Westminster Abbey and Bridge, from Lambeth
Private Collection
The Dover Mail, Dover Castle in the Distance
Private Collection
Rochester Cathedral and Castle, from the North East
Eton College, Windsor
Worcester, from the River Severn
Indianapolis Museum of Art at Newfields
Lake Windermere and Belle Isle
Wordsworth Grasmere (Dove Cottage and Wordsworth Museum)
London Bridge, from the South Bank
Private Collection
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Private Collection
Dover Castle: The Constable's Tower
Untraced Works
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Birmingham Museums & Art Gallery
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Hereford Museum and Art Gallery
Chepstow Castle, on the River Wye
Victoria and Albert Museum, London
Warehouse and Shipping at Wapping
Leicester Museum & Art Gallery
A Distant View of Hereford Cathedral
Private Collection
The Gatehouse and Barbican, Warwick Castle
Fine Arts Museums of San Francisco
Chepstow Castle, from the River Wye
Ashmolean Museum, University of Oxford
The Interior of a Ruined Abbey Church
Private Collection
The Head of Ullswater, from Goborrow Park
Private Collection
Part of the Ruins of Roche Abbey
Private Collection
The Transept of St Saviour’s, Southwark
Yale Center for British Art, New Haven
Part of the Ruins of the Savoy Palace, Westminster Bridge Beyond
Yale Center for British Art, New Haven
Durham Cathedral, from the River Wear
Laing Art Gallery, Newcastle upon Tyne
All Saints' Church, Marlow
The Whitworth, The University of Manchester
Caesar’s Tower, Warwick Castle
Ashmolean Museum, University of Oxford
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Yale Center for British Art, New Haven
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Private Collection
Westminster, from the Ruins of the Savoy
National Gallery of Scotland, Edinburgh
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Private Collection
A Distant View of Marlow, from the River Thames
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Private Collection
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Private Collection
Buildings in the Process of Demolition, Said to Be the Ruins of the Savoy Palace
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An Exterior View of Part of the Ruins of the Savoy Hospital
Tate, London
An Interior View of the Ruins of the Savoy Hospital
Tate, London
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Tate, London
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About this Work
This view by Girtin of the Constable’s Tower at Dover Castle is known only from a later engraving used as the frontispiece to Thomas Walford’s The Scientific Tourist through England, Wales & Scotland (see the print after, above). All of the artist’s views of Dover, the castle and the port seem to have been made after other artist’s sketches and it is unlikely that Girtin ever visited the town. Although the exact prototype has not been traced, Girtin probably based his composition on a sketch by his master, Edward Dayes (1763–1804). A view of the Constable’s Tower by Dayes from a slightly different angle (see figure 1) is the sort of work that Girtin based many of his early compositions on, and if Girtin’s original watercolour were to resurface it would likely date from the period of the artist’s apprenticeship or soon after. Another distant view of Dover Castle by Girtin (TG0075) also seems to have been produced in Dayes’ studio after one of his compositions. A complicating factor has recently been added to the mix as the Dayes view was sold in 2012 as by Joseph Mallord William Turner (1775–1851), working from a sketch made in 1793 (Sotheby's, 25 January 2012, lot 131). However, I am not convinced by the attribution to Turner and I suspect that the view is by Dayes.
1791 - 1792
The Dover Mail, Dover Castle in the Distance
TG0075