- Description
-
- Creator(s)
- Thomas Girtin (1775-1802)
- Title
-
- A Shipping Study: Five Craft on a Calm Sea
- Date
- (?) 1800
- Medium and Support
- Graphite and watercolour on wove paper
- Dimensions
- 10.3 × 17.7 cm, 4 × 7 in
- Object Type
- Colour Sketch: Studio Work; Outline Drawing
- Subject Terms
- Coasts and Shipping
-
- Collection
- Catalogue Number
- TG1815
- Girtin & Loshak Number
- 428i as 'A brig and smaller craft on the calm sea'; '1801'
- Description Source(s)
- Viewed in 2001 and 2018
Provenance
Chambers Hall (1786–1855); presented to the Museum, 1855
Bibliography
Binyon, 1898–1907, no.25a as 'Coast Scene'
Other entries in Later Sketches:
Taken on the Spot and Worked in the Studio

Mountain Scenery, Said to Be near Beddgelert (page 15, reverse, of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

The Valley of the Glaslyn, near Beddgelert (page 15 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

Trees in a Glade Overlooking a Lake
Private Collection

Middleham Village, with the Castle Beyond
Victoria and Albert Museum, London

An Extensive Landscape with the Ruins of Mitford Castle
Yale Center for British Art, New Haven

Plumpton Rocks, near Knaresborough
Private Collection

A Parkland Landscape with Cattle and Sheep
Private Collection

John Raphael Smith: 'Waiting for the Mail Coach' (mounted on page 1 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

Chelsea Reach, Looking towards Battersea (page 11 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

The Stables, Plompton Park (page 17 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

Harewood House, from the South West (page 18 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

Grimbald Bridge, near Knaresborough (page 20 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

The Abbey Mill, near Knaresborough (page 25 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

A Farmhouse in Malhamdale, Known as 'Kirkby Priory, near Malham' (page 26 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

Sandsend (page 29 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

Grimbald Crag, near Knaresborough (page 30 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

A Crag on the River Nidd (page 31 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

Guisborough Priory: The Ruined East End (page 33 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

Stepping Stones on the River Wharfe
British Museum, London

An Interior View of the Choir of Bolton Priory
Yale Center for British Art, New Haven

Bolton Abbey, from the River Wharfe (page 37 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

Bolton Abbey: The East End of the Priory Church, from across the River Wharfe (page 38 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

The East End of Bolton Priory Church (pages 38–39 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

A Distant View of Middleham Castle, with the River Ure in the Foreground (page 41 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

Middleham Village, with the Castle Beyond (page 42 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

A Village at the Bend of a River, Probably in Yorkshire (page 44 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

Beached Vessels at Low Tide (page 46 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

Five Craft off the Coast on a Calm Sea (page 47 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

Shipping off the Coast on a Calm Sea (page 48 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

The Ruins of Old Mulgrave Castle (page 49 of the Whitworth Book of Drawings)
The Whitworth, The University of Manchester

Mulgrave Park and Castle, from near Epsyke Farm
British Museum, London

The River Nidd between Knaresborough and Wetherby
Rhode Island School of Design Museum, Providence

Kirkstall Abbey, with a Canal Barge
Yale Center for British Art, New Haven

The River Nidd, between Knaresborough and Wetherby
Laing Art Gallery, Newcastle-upon-Tyne

The Valley of the Tweed, with Melrose Abbey in the Distance
Private Collection

A Clump of Trees by the Waterside
Private Collection

A Torrent by a Clump of Trees
Harvard Art Museums / Fogg Museum, Loan from George and Patti White

A River Valley and a Distant Hill Seen through Trees
Clark Art Institute, Williamstown

A Shady Road Leading to Cottages
British Museum, London

A Church in a Village, Possibly at Radwinter
British Museum, London

A Building with a Tall Chimney, next to a Stream
British Museum, London

Landscape with a Farmhouse and Cottage
Private Collection

A Schooner near the Shore
Ashmolean Museum, University of Oxford

A Coast Scene with Two Beached Vessels
Ashmolean Museum, University of Oxford

A Shipping Study: Five Craft on a Calm Sea
British Museum, London
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About this Work
This is one of five studies of shipping all on paper measuring 4 ½ × 7 in (10.3 × 17.7 cm). Together with three larger drawings found in the Whitworth Book of Drawings (TG1622, TG1623 and TG1625), they form a distinctive group that all appear to have been produced at the same time. Thomas Girtin (1874–1960) and David Loshak suggested that this and the other sketches of boats in various configurations were ‘probably made in the neighbourhood of Whitby’, on the North Yorkshire coast, during Girtin’s ‘visit to Mulgrave Castle’, which they dated to 1801 (Girtin and Loshak, 1954, pp.192–93). Susan Morris, in contrast, thought that the shipping studies were produced on a hitherto unrecorded trip to ‘the West Country in 1800 or 1801’, citing an inscription on the back of Shipping off the Coast on a Calm Sea (TG1624), which she read as ‘Mount Edgecumbe’, referring to a location near Plymouth in Devon (Morris, 1986, p.21). However, I have found no convincing evidence to support the idea of a second West Country trip, and I am not sure about the reading of the inscription which may not even be by Girtin. In turn, though I do not agree with Girtin and Loshak’s date of 1801 for Girtin’s stay, the suggestion that most if not all of the studies were made on the North Yorkshire coast does seem plausible. In fact, Girtin showed no great interest in naval subjects, certainly in comparison with his contemporary Joseph Mallord William Turner (1775–1851), and, apart from during his stay at Mulgrave Castle, which surely took place in 1800, the artist probably only sketched coastal subjects on two occasions, during his trip to the West Country in 1797 and a year earlier on a visit to Northumbria, whilst all of these studies appear to date from a few years later.
Looking at the group of studies as a whole, one is struck by the artist’s indifference to the appearance of the sea, which is generally depicted as a bland, flat surface; indeed, so perfunctory are the washes of blue and grey here that I cannot help wonder about the intervention of another, later hand, perhaps adding colour to make a pencil sketch more attractive to prospective purchasers. Ironically, and no doubt unintentionally, the restricted palette creates a convincing impression of a featureless grey day when all is calm. Against this ground, the ships are frozen in time, so carefully calculated in their placement that they could plausibly have been copied from another source, whilst the one possible explanation for their static position, that they are at anchor, is negated by the fact that three at least are shown in full sail.
(?) 1800
Beached Vessels at Low Tide
TG1622
(?) 1800
Five Craft off the Coast on a Calm Sea
TG1623
(?) 1800
The Ruins of Old Mulgrave Castle
TG1625
(?) 1800
Shipping off the Coast on a Calm Sea
TG1624