- Description
-
- Creator(s)
- Thomas Girtin (1775-1802)
- Title
-
- A Gravel Pit at Bromley
- Date
- 1798 - 1799
- Medium and Support
- Watercolour on paper
- Dimensions
- 26.7 × 40.6 cm, 10 ½ × 16 in
- Inscription
‘Girtin’
- Object Type
- Studio Watercolour
- Subject Terms
- Dover and Kent; Trees and Woods
-
- Collection
- Catalogue Number
- TG1424
- Girtin & Loshak Number
- 274 as '1798'
- Description Source(s)
- Girtin and Loshak, 1954
Provenance
Thomas Calvert Girtin (1801–74); then by descent to George Wyndham Hog Girtin (1835–1911) (lent to London, 1875); by a settlement to his sister, Ida Johanna Hog Rogge, née Girtin (1834–1925), January 1880 as 'Sandpit at Bromley Kent'; sold by her to J. Palser & Sons, 1901; George Richards Burnett (1858–1929); his sale, Christie's, 23 March 1908, lot 209; bought by 'Osmaston', £22 10s; J. B. Morrell, York (Girtin and Loshak, 1954)
Exhibition History
London, 1875, no.85 as ’Gravel Pit, Bromley, Kent’
Place depicted
Other entries in London and the Home Counties, Together with Miscellaneous Studies and Views
Windsor Castle, from the River Thames
Harvard Art Museums / Fogg Museum
Great Bookham Church, from the East
Private Collection, Norfolk
Windsor Park and Castle, from Snow Hill
Anglesey Abbey, Cambridgeshire (National Trust)
The Gateway, St Albans Abbey
Ashmolean Museum, University of Oxford
St Albans Abbey: The West Porch
Yale Center for British Art, New Haven
St Albans Abbey: The West Porch
Yale Center for British Art, New Haven
St Albans Abbey, from the North West
National Gallery of Canada, Ottawa
An Interior View of St Albans Abbey, from the Crossing
Art Gallery of South Australia, Adelaide
The Interior of St Albans Abbey
Blackburn Museum and Art Gallery
Windsor Castle and the Great Park, from the South West
Private Collection, Norfolk
Windsor Great Park: Herne’s Oak with a Herd of Deer
Yale Center for British Art, New Haven
Stags Fighting amongst a Herd of Deer in Windsor Great Park, with the Castle in the Distance
Private Collection
A Herd of Deer in Richmond Park
Private Collection
A Panoramic View of the Thames from the Adelphi Terrace, Section One: Somerset House to Blackfriars Bridge
Private Collection
A Panoramic View of the Thames from the Adelphi Terrace, Section Two: The Surrey Bank
Private Collection
A Panoramic View of the Thames from the Adelphi Terrace, Section Three: Westminster Bridge to York Stairs
Private Collection
Westminster, from the West Corner of the Adelphi Terrace
Private Collection
The Thames with St Paul's and Blackfriars Bridge
The Morgan Library & Museum, New York
Shipping on the Thames, Looking down Limehouse Reach towards Greenwich, with the Church of St Alfege in the Distance
Private Collection
A Haystack on a Farm, on the Road to Harrow-on-the-Hill
Private Collection
A Panoramic Landscape, near Norwood
Private Collection
Westminster Abbey, Seen from Green Park and the Queen's Basin
National Gallery of Art, Washington
St Paul’s Cathedral, from St Martin’s-le-Grand
Yale Center for British Art, New Haven
St Paul's Cathedral, from St Martin’s-le-Grand
Untraced Works
St Paul’s Cathedral, from St Martin’s-le-Grand
Private Collection
St Paul’s Cathedral, from St Martin’s-le-Grand
Metropolitan Museum of Art, New York
A River Scene, with Boats
Victoria and Albert Museum, London
An Imaginary Coast Scene with the Horizontal Air Mill at Battersea
Private Collection
London: The Leathersellers’ Hall
British Museum, London
London: The Interior of the Ruins of the Leathersellers’ Hall
British Museum, London
Turver’s Farm, Radwinter
Yale Center for British Art, New Haven
A Farm with an Unidentified Windmill
Private Collection
Barns and a Pond, Said to Be near Bromley
Rhode Island School of Design Museum, Providence
Barns and a Pond, Said to Be near Bromley
Private Collection, Norfolk
Trees and Pond, Said to Be near Bromley
Yale Center for British Art, New Haven
A Sandpit, near Logs Hill, Widmore
Private Collection
A Sandpit, near Logs Hill, Widmore
Private Collection
The Church of St Mary the Virgin, Stone-next-Dartford
British Museum, London
A Farmhouse in a Woodland Setting, Said to Be in Devon
Yale Center for British Art, New Haven
Farm Buildings, Probably in Surrey
The Whitworth, The University of Manchester
Tintern Village, Seen across the Forge Pond, Formerly Known as ‘The Mill-Pond’
Private Collection
A Picturesque House Overlooking a River, with Distant Windmills
Sidney and Lois Eskenazi Museum of Art, Indiana University, Bloomington
The West End of an Unidentified Church
Private Collection
Effingham Churchyard, Formerly Known as 'A Country Churchyard'
Fitzwilliam Museum, University of Cambridge
An Unidentified Windmill, Probably in Lambeth
Sarah Campbell Blaffer Foundation, Houston
Unidentified Buildings, Herne Hill
The Huntington Library, Art Museum and Botanical Gardens, San Marino
Study of a Sailor on Board a Ship; A Fishing Boat
Private Collection
The Frozen Watermill, from William Cowper's The Task
The Huntington Library, Art Museum and Botanical Gardens, San Marino
An Unidentified Subject, Probably from James Macpherson’s Poems of Ossian
Tate, London
The Eruption of Mount Vesuvius
The Morgan Library & Museum, New York
The Archangel Gabriel Awaiting Night, from John Milton's Paradise Lost
Yale Center for British Art, New Haven
A Study of a Woman Reading; A Slight Study of a Seated Woman
Private Collection
Portrait Study of a Man, Said to Be the Artist George Barret the Younger
Private Collection
A Study of a Lion from the Tower of London
Private Collection
An Open Field with a Cart and Horses, Known as ‘The Carter’
British Museum, London
A Church Seen across Fields, with Another Sketch Depicting a Woman
The Huntington Library, Art Museum and Botanical Gardens, San Marino
A Landscape with Figures by Railings
Fine Arts Museums of San Francisco
Self-Portrait of the Artist at Work
British Museum, London
An Unidentified Landscape, with a Church amongst Trees
Yale Center for British Art, New Haven
A Cottage and a Windmill Surrounded by Trees
Private Collection
St Paul’s Cathedral, from the Thames
Private Collection
The Head of a Youth, Here Identified as Joseph Mallord William Turner
Ashmolean Museum, University of Oxford
Old London Bridge, with the Shot Tower in Construction, and St Olave's Church
Private Collection
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About this Work
This watercolour was included by Thomas Girtin (1874–1960) and David Loshak in their catalogue of the artist’s works, where they noted that it shows a ‘cart-track running down between straggling trees into the sandy foreground’ (Girtin and Loshak, 1954, p.171). The work does not appear to have been photographed, and, given that it has not been seen in public since a sale in 1908, it is not possible to comment on either the attribution to Girtin or the date of 1798 suggested by the earlier cataloguers. It is clear, however, that the drawing is related to a group of views made in the area of Bromley and Widmore, which includes other gravel pits and sandpits (TG1421 and TG1422), though the precise details of the relationships amongst this mix of on-the-spot studies and studio watercolours cannot be determined. Girtin and Loshak give a family provenance for the work, listing the artist’s son, Thomas Calvert Girtin (1801–74), as its first owner. This does not mean that the work necessarily came directly from the artist, however, as Thomas Calvert bought many of his works on the art market. It may be that he acquired this watercolour from, or following, the posthumous sale of the collection of William Wells (1768–1847) of Redleaf in Kent, which included ‘A gravel pit, near Bromley, in Kent’ (Exhibitions: Christie’s, 22 January 1857, lot 313).
1798 - 1799
A Sandpit, near Logs Hill, Widmore
TG1421
1798 - 1799
A Sandpit, near Logs Hill, Widmore
TG1422