- Description
-
- Creator(s)
- (?) Thomas Girtin (1775-1802)
- Title
-
- A Country Lane through Trees
- Date
- 1795 - 1796
- Medium and Support
- Graphite and watercolour on laid paper (card)
- Dimensions
- 7.9 × 12.4 cm, 3 ⅛ × 4 ⅞ in
- Inscription
‘Old Allingham sitted at his cottage door Fetcham’ on the back, by (?) Dr Thomas Monro; ‘Do making a walk’ on the back, by (?) Dr Thomas Monro
- Object Type
- Monro School Copy
- Subject Terms
- Unidentified Landscape
-
- Collection
- Catalogue Number
- TG0378
- Description Source(s)
- Photograph
Provenance
Squire Gallery, London, 1955 (Mercie Winifred Milling, later Mercie Spooner (1902–90)); Michael Ingram (1917–2005); Abbott and Holder, London, as ‘Monro School. Anon.’
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Kelso Abbey, from the North West
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The Keep, Portchester Castle, from the North East
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Part of the Ruins of Middleham Castle
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Thomas Girtin, Thomas Hearne
Part of the Ruins of Lewes Castle, from the West
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Kirkstall Abbey, from the North West
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Kirkstall Abbey, from the North West
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The Ruined Gateway of Mettingham Castle
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The Keep of Rochester Castle, Seen from outside the Walls
Tate, London
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Tintern Abbey, from the River Wye
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Tintern Abbey: The View from the Nave
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The Market at Aberystwyth
Victoria and Albert Museum, London
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Lancaster Castle, from the River Lune
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Lancaster Castle, from the River Lune
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Buttermere Bridge, from the Fish Inn
Tate, London
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The Medieval Kitchen, Stanton Harcourt
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Rochester Cathedral, from the North East, with the Castle Beyond
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Glasgow High Street: Looking towards the Cathedral
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A Distant View of Corfe Castle
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Chichester Cathedral, from the South West
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The Gatehouse of Amberley Castle
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A Lake and Mountains, Possibly in the Lake District
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A Lake and Mountains, Possibly in the Lake District
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An Unidentified View across a Lake, or along a Coast
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A Road by a Pond, with a Church in the Distance
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A Road by a Pond, with a Church in the Distance
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A Church Tower amongst Trees, with a Cart in the Foreground
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An Unidentified Landscape, with a Church amongst Trees
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Bridgnorth, on the River Severn
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Knaresborough, from the River Nidd
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About this Work
Thomas Girtin (1874–1960) included a photograph of this work amongst the records he kept of watercolours that appeared on the art market after the publication of his catalogue of Girtin’s career in 1954 (Girtin and Loshak, 1954), adding a note to the effect that it was ‘Done from nature’ (Girtin Archive, 40A). He was convinced that it had been made by Girtin in the company of Dr Thomas Monro (1759–1833), who, he suggested, may have been responsible for the sketch on the back of the drawing of an old man sitting at a cottage door and another of the same man walking, both of which are inscribed by Monro. According to the artist’s descendant, the pencil drawing had been coloured in green and blue, which had ‘faded uniformly yellow’. However, although the work is clearly on a card similar to those found in the group of compositions from Monro’s collection now in the Turner Bequest and elsewhere, the attribution to Girtin was not accepted when the drawing appeared on the art market in 2005, and the idea that it is an on-the-spot colour sketch that has faded is also no longer tenable. So many artists – amateur and professional, young and mature – worked at Monro’s house and made copies from the sketches in his possession that, whilst it is easy enough to refute the attribution of this work to Girtin, naming a convincing alternative author is altogether more difficult.