Joseph Mallord William Turner (1775 - 1851)
Joseph Mallord William Turner (1775–1851), Girtin’s great London contemporary, was born two months after him in April 1775 and just a few kilometres away, though they were to follow rather different paths into the profession. Whilst Girtin entered into an apprenticeship with Edward Dayes (1763–1804) in 1789, Turner began his association with the Royal Academy, entering the Schools in the same year, and their paths do not seem to have crossed until 1794. Accounts of the artists’ early lives suggesting that both studied perspective with Thomas Malton the Younger (1748–1804) or that they coloured prints for John Raphael Smith (1752–1812) side by side are unsubstantiated and reflect the imaginative approach to facts favoured by nineteenth-century artist biographers. Turner’s work with Girtin at the Adelphi home of their mutual patron Dr Thomas Monro (1759–1833) is well documented, however. The diarist Joseph Farington (1747–1821) noted in 1798 how ‘Turner & Girtin told us they had been employed by Dr. Monro 3 years to draw at his house in the evenings. They went at 6 and staid till Ten. Girtin drew in outlines and Turner washed in the effects. They were chiefly employed in copying the outlines or unfinished drawings of Cozens &c &c. of which Copies they made finished drawings. Dr. Monro allowed Turner 3s. 6d each night. – Girtin did not say what He had’ (Farington, Diary, 12 November 1798). The resulting four hundred or so copies or realisations after the outlines and tracings of John Robert Cozens (1752–97), John Henderson (1764–1843) and Dayes are predominantly in monochrome and are not spectacular works of art. However, they provided a useful source of income and collectively they amount to one of the most extensive collaborations between major artists of any period, and an experience that inevitably coloured both artists’ approach to landscape painting during their careers.
Not surprisingly, given Girtin and Turner’s shared geographical and class background – both sons of members of the urban artisanal classes – early biographers suggested that the two young artists studied from nature together, exploring the banks of their beloved river Thames. Again there is no evidence to substantiate this, nor indeed is there any striking proof that they ever sketched side by side, even within the picturesque ruins of the Adelphi. Inevitably, given that initially, at least, they targeted the same market for topographical views, the two artists did produce numerous views of the same subjects following similar tours of the nation’s picturesque regions, and on at least one occasion there is evidence that they conferred. As David Hill has shown, Turner’s 1797 tour of the north-eastern counties and the Scottish Borders was informed by Girtin’s 1796 trip to the region, and his drawings covered many of the same sites shown from similar viewpoints, including Kirkstall Abbey, from Kirkstall Hill (TG1635) and at least four views in York (such as TG1655) (Hill, 1996, pp.143–50).
Turner and Girtin may have taken different career paths, but for at least a couple of years around 1793–94 their watercolours were very close stylistically. Training at the Royal Academy at this date was initially restricted to drawing from plaster casts of antique sculpture and only later were students allowed to draw from live models. In search of instruction in the art of painting landscape in watercolours, therefore, the young Turner had no alternative but to turn to the same models studied by Girtin, namely his master, Edward Dayes, and Michael Rooker (1746–1801). The Dover Mail, Dover Castle in the Distance (TG0075) is just one of a number of works long attributed to Turner but now given to Girtin – though, as with a number of other examples, a final consensus about the authorship has not yet been reached. Questions over the attribution of the artists’ earliest works have no doubt been compounded by their collaborative work together at the home of Monro; however, although contemporary critics initially grouped the two artists together as the twin originators of a new approach to the landscape watercolour, this quickly gave way to a growing awareness of their individual qualities. This often has a partisan element, with one critic in 1798 noting that though ‘Mr. GIRTIN’S Drawings … appear to be formed on the style of TURNER … it is evident that the Artist is careless in the detail and finishing’, whilst another writer thought that his works, whilst ‘not so softened as Turner’s … display so much daring and vigorous execution, that a sedulous attention to the finishing would perhaps be injurious to the effect’ (Monthly Mirror, July 1798; St. James’s Chronicle, 20 – 23 May 1797). Similar thinking lay behind the comments of two of Girtin’s patrons, ‘Mr Lascelles’ (Edward Lascelles (1764–1814)) and ‘Lady Sutherland’ (Elizabeth Leveson-Gower, later Duchess of Sutherland (1765–1839)), who according to Farington were ‘disposed to set up Girtin against Turner – who they say effects his purpose by industry – the former more genius – Turner finishes too much’ (Farington, Diary, 9 February 1799). The idea that Girtin and Turner were not just opposites but active rivals culminated with the critical response to Girtin’s sole oil painting, the lost view of Bolton Bridge in Yorkshire (TG1687), which he exhibited at the Royal Academy in 1801. ‘There seems to be a sort of competition between this artist and Mr. Turner’, wrote the critic of the London Courier, but ‘in our opinion … Mr. Girtin seems to tread with a firm step in the path which leads to the higher excellencies of the art. He is not less bold in his portraits of nature, and he is more distinct than his ingenious rival’ (London Courier, 2 May 1801).
Sentiments such as this were no doubt behind the apocryphal statement attributed to Turner by his early biographer, Walter Thornbury (1828–76), to the effect that if ‘Tom Girtin had lived I should have starved’ (Thornbury, 1862, vol.1, p.393). However, although it is unlikely that this was anything more than an expression of what Thornbury thought Turner ought to have said, and despite the artists’ very different characters, there is no doubt that Turner held his collaborator in the highest esteem even if his claim to have prized Girtin’s ‘White House at Chelsea’ (Chelsea Reach, Looking towards Battersea (TG1740)), above even his own works, was again embroidered if not actually fabricated (The Examiner, 22 May 1875, p.22). Turner attended Girtin’s funeral, bought a proof set of the Paris aquatints, touched on and corrected the proofs of the mezzotints engraved after his watercolours (including Chelsea Reach, Looking towards Battersea (see the second print after TG1740)) and acquired more than 150 of the works the two artists collaborated on at the home of Monro, as well as a substantial number of Girtin’s pencil sketches and small watercolours on card. Moreover, in the sketches and watercolours that Turner produced later in his career, there are numerous echoes of Girtin’s work; examples include the views Turner took on the river Seine, such as St Germain en Laye (Tate, Turner Bequest, CCLIX 122) and a late sketch of a lake scene that he inscribed ‘Girtin White House’ (Tate, Turner Bequest, CCCXLII 66).
1800
Kirkstall Abbey, from Kirkstall Hill
TG1635
1796 - 1797
York: Pavement, Looking towards All Saints
TG1655
1791 - 1792
The Dover Mail, Dover Castle in the Distance
TG0075
(?) 1801
Bolton Bridge
TG1687
1800
Chelsea Reach, Looking towards Battersea (The White House, Chelsea)
TG1740
1800
Chelsea Reach, Looking towards Battersea (The White House, Chelsea)
TG1740
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Yale Center for British Art, New Haven
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Harvard Art Museums / Fogg Museum
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Joseph Mallord William Turner
Tivoli: 'The Temple of the Sibyl'
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Victoria and Albert Museum, London
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The Huntington Library, Art Museum and Botanical Gardens, San Marino
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Joseph Mallord William Turner
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National Gallery of Canada, Ottawa
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Joseph Mallord William Turner
Tivoli: The 'Villa of Maecenas' and Part of the Cascades, Seen from Below
Metropolitan Museum of Art, New York
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Joseph Mallord William Turner
Tivoli: The View from the Gardens of the Villa d'Este, Looking towards Montecelio
Tate, London
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Joseph Mallord William Turner
Tivoli: The Villa d'Este, Looking South West
Yale Center for British Art, New Haven
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Tivoli: The Gran Loggia of the Villa d'Este
Tate, London
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Joseph Mallord William Turner
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Private Collection
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Joseph Mallord William Turner
Tivoli, with the River Aniene Below
Private Collection
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Joseph Mallord William Turner
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Yale Center for British Art, New Haven
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Joseph Mallord William Turner
The Passionist Monastery on Monte Cavo
Tate, London
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Joseph Mallord William Turner
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Joseph Mallord William Turner
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Joseph Mallord William Turner
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Joseph Mallord William Turner
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Joseph Mallord William Turner
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Tate, London
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Victoria and Albert Museum, London
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Joseph Mallord William Turner
The Town of Nemi Overlooking the Lake
Tate, London
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Joseph Mallord William Turner
The Town of Nemi, from the Banks of the Lake
Leeds Art Gallery
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Joseph Mallord William Turner
Lake Nemi and the Town of Genzano
Walker Art Gallery, National Museums Liverpool
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Joseph Mallord William Turner
The Lake and Town of Nemi
Hereford Museum and Art Gallery
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Joseph Mallord William Turner
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Art Gallery of Ontario, Toronto
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Joseph Mallord William Turner
Lake Nemi
Private Collection
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Joseph Mallord William Turner
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Brighton Museum and Art Gallery
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Joseph Mallord William Turner
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British Museum, London
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Joseph Mallord William Turner
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Tate, London
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Joseph Mallord William Turner
Lake Bolsena
Tate, London
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Joseph Mallord William Turner
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Tate, London
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Joseph Mallord William Turner
A Distant View of Radicofani in Tuscany
Private Collection
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Joseph Mallord William Turner
Lake Trasimeno
Tate, London
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Joseph Mallord William Turner
Lake Trasimeno
Private Collection
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Joseph Mallord William Turner
An Unidentified Waterfall, Possibly in Switzerland, Known as 'The Velino Falls'
National Gallery of Ireland, Dublin
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Joseph Mallord William Turner
The Ascent to the Marmore Falls (The Cascade of Terni)
Private Collection
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Joseph Mallord William Turner
The Bridge of Augustus, near Narni
Private Collection
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Joseph Mallord William Turner
A Distant View of Civita Castellana
Tate, London
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Joseph Mallord William Turner
An Unidentified View, Possibly at Civita Castellana
Tate, London
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Joseph Mallord William Turner
On the River Tiber, at Acqua Acetosa
Tate, London
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Joseph Mallord William Turner
A View on the River Tiber, North of Rome
Tate, London
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Joseph Mallord William Turner
Terracina, on the Coast between Rome and Naples, with the Temple of Jupiter Anxur
Tate, London
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Joseph Mallord William Turner
Gaeta, Seen across the Gulf from Formia
Tate, London
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Joseph Mallord William Turner
Buildings on the Coast at Posillipo, near Naples
British Museum, London
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Joseph Mallord William Turner
Naples: Santa Maria del Parto, Mergellina
Tate, London
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Joseph Mallord William Turner
Naples: Looking across the Bay towards Vesuvius from Mergellina
Tate, London
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Joseph Mallord William Turner
Baia Castle
Tate, London
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Joseph Mallord William Turner
The Temple of Venus at Baia
Tate, London
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Joseph Mallord William Turner
The Temple of Venus at Baia
Private Collection
-
Joseph Mallord William Turner
The Temple of Venus at Baia
Blanton Museum of Art, The University of Texas at Austin
-
Joseph Mallord William Turner
The Bay of Baia, with Naples and Vesuvius in the Distance
Tate, London
-
Joseph Mallord William Turner
An Unidentified Fortress, Probably Baia Castle
Tate, London
-
Joseph Mallord William Turner
Naples: Castel Sant'Elmo and the Convent of San Martino
Tate, London
-
Joseph Mallord William Turner
Naples: View over the City from the Royal Palace at Capodimonte
Tate, London
-
Joseph Mallord William Turner
Vesuvius, from Torre Greco
National Gallery of Scotland, Edinburgh
-
Joseph Mallord William Turner
An Unidentified Fort on a Cliff by the Sea
Tate, London
-
Joseph Mallord William Turner
Capri: A View over the Eastern Promontory to the Bay of Salerno, with Steps Leading to the Castello Barbarossa
Tate, London
-
Joseph Mallord William Turner
A Group of Buildings on a Low Cliff, near Naples
Tate, London
-
Joseph Mallord William Turner
Lake Avernus
Private Collection
-
Joseph Mallord William Turner
Solfatara, near Naples
British Museum, London
-
Joseph Mallord William Turner
The Norman Tower at Maiori on the Coast near Salerno
Tate, London
-
Joseph Mallord William Turner
An Entrance to the Roman Amphitheatre at Capua
Ashmolean Museum, University of Oxford
-
Joseph Mallord William Turner
Vallombrosa Abbey
Tate, London
-
Joseph Mallord William Turner
A Mill and a Two-Arched Bridge on the Road between Florence and Rome
Tate, London
-
Joseph Mallord William Turner
A Five-Arched Bridge, on the Road between Florence and Rome
Tate, London
-
Joseph Mallord William Turner
Florence: The Arno, with the Ponte alla Carraia
Private Collection
-
Joseph Mallord William Turner
The Arno, Seen from the Pisa to Florence Road
Tate, London
-
Joseph Mallord William Turner
The Lighthouse at Livorno (Leghorn)
The Huntington Library, Art Museum and Botanical Gardens, San Marino
-
Joseph Mallord William Turner
On the Coast South of Genoa, near Lerici
Tate, London
-
Joseph Mallord William Turner
A Coastal View of Sestri Levante, near Genoa
Private Collection
-
Joseph Mallord William Turner
Vernazza, on the Coast near La Spezia
Private Collection
-
Joseph Mallord William Turner
The Promontory of Portofino
Tate, London
-
Joseph Mallord William Turner
An Unidentified Village on the Ligurian Coast, East of Genoa
Tate, London
-
Joseph Mallord William Turner
A View of Nice, with Mont Alban Beyond
Private Collection
-
Joseph Mallord William Turner
Verona, from the River Adige
Victoria and Albert Museum, London
-
Joseph Mallord William Turner
A Ship off a Mountainous Coast, Known as 'Monaco'
Private Collection
-
Joseph Mallord William Turner
Verona: The Church of San Giorgio in Braida on the River Adige
Private Collection
-
Joseph Mallord William Turner
Lake Garda, from near Peschiera
Tate, London
-
Joseph Mallord William Turner
An Unidentified Building with Mountains Beyond, Known as 'The Bishop’s Palace at Brescia'
Private Collection
-
Joseph Mallord William Turner
Lake Maggiore
Tate, London
-
Joseph Mallord William Turner
Bergamo, from the Banks of the River Serio
Private Collection
-
Joseph Mallord William Turner
A Distant View of Bergamo, from the River Serio
Ashmolean Museum, University of Oxford
-
Joseph Mallord William Turner
A Riverside Village, Possibly Gorle on the River Serio, near Bergamo
Private Collection
-
Joseph Mallord William Turner
A Distant View of the Alps, Possibly from Modena, with a Church amongst Trees
Tate, London
-
Joseph Mallord William Turner
Lake Walen, Looking North
Private Collection
-
Joseph Mallord William Turner
A Distant View of the Alps, Taken from the Plains North of Turin
Tate, London
-
Joseph Mallord William Turner
A Bridge near Castel del Bosco, on the Road between Pisa and Florence
Tate, London
-
Joseph Mallord William Turner
An Unidentified View in the French Alps
Tate, London
-
Joseph Mallord William Turner
Lake Mont Cenis
Tate, London
-
Joseph Mallord William Turner
Fort de l'Écluse on the River Rhône
Tate, London
-
Joseph Mallord William Turner
The Bridge at Bonneville in Savoy
Private Collection
-
Joseph Mallord William Turner
Entering the Tyrol: Unidentified Buildings amongst Wooded Hills
Tate, London
-
Joseph Mallord William Turner
An Unidentified Fortress: Entering the Tyrol Region
Private Collection
-
Joseph Mallord William Turner
A View on the River Inn, in the Tyrol
Tate, London
-
Joseph Mallord William Turner
Innsbruck: St Anna's Column on Maria-Theresien Street
Victoria and Albert Museum, London
-
Joseph Mallord William Turner
A Tree-Lined Valley, near Innsbruck
Private Collection
-
Joseph Mallord William Turner
A Church Tower in the Valley of the Isarco, near Sterzing, in the Tyrol
Yale Center for British Art, New Haven
-
Joseph Mallord William Turner
The Convent of San Silvestro, near Monte Compatri
Victoria and Albert Museum, London
-
Joseph Mallord William Turner
The Euganean Hills, Seen from the Walls of Padua
Tate, London
-
Joseph Mallord William Turner
The Abbey of Santa Giustina at Padua
Yale Center for British Art, New Haven
-
Joseph Mallord William Turner
The View from Mirabello, the Villa of Count Algarotti in the Euganean Hills
Private Collection
-
Joseph Mallord William Turner
A Convent on Monte della Madonna in the Euganean Hills
Tate, London
-
Joseph Mallord William Turner
Fano, on the Adriatic Coast
Private Collection
-
Joseph Mallord William Turner
Terracina: The View from the Inn, with the Temple of Jupiter Anxur
Tate, London
-
Joseph Mallord William Turner
Naples: The Villa Belvedere, Seen from Sir William Hamilton's Villa at Posillipo
Private Collection
-
Joseph Mallord William Turner
Naples: The View from Sir William Hamilton's Villa at Portici
Private Collection
-
Joseph Mallord William Turner
Portici: Mounts Somma and Vesuvius, from the Myrtle Plantation at Sir William Hamilton’s Villa
Tate, London
-
Joseph Mallord William Turner
Naples: Solimena’s Villa and Pine Trees
Private Collection
-
Joseph Mallord William Turner
Portici: The Fortress in the Royal Park, Looking towards Mounts Somma and Vesuvius
Tate, London
-
Joseph Mallord William Turner
Portici: The Imperial Minister's Villa, near the Harbour of Granatello
Private Collection
-
Joseph Mallord William Turner
Portici: The View from Sir William Hamilton's Villa, with Vesuvius in the Distance
Yale Center for British Art, New Haven
-
Joseph Mallord William Turner
Portici: The Royal Palace, from the Park
Tate, London
-
Joseph Mallord William Turner
The Coast at Portici, with the Villa d'Elboeuf in the Foreground and the Harbour of Granatello Beyond
Private Collection
-
Joseph Mallord William Turner
The Coast at Salerno, with Arechi Castle Overlooking the Town
Private Collection
-
Joseph Mallord William Turner
The View from Salerno, Looking towards Vietri sul Mare
Tate, London
-
Joseph Mallord William Turner
An Unidentified Villa in a Valley near Vietri sul Mare
Yale Center for British Art, New Haven
-
Joseph Mallord William Turner
Salerno: An Ancient Cypress in the Garden of the Franciscan Convent
Tate, London
-
Joseph Mallord William Turner
The Coast at Vietri sul Mare, from near Salerno
Victoria and Albert Museum, London
-
Joseph Mallord William Turner
The Torre Crestarella at Vietri sul Mare, with Salerno in the Distance
Private Collection
-
Joseph Mallord William Turner
The Cantilena Convent, near Vietri sul Mare
Tate, London
-
Joseph Mallord William Turner
The Cantilena Convent, near Vietri sul Mare
Private Collection
-
Joseph Mallord William Turner
The Convent of San Francesco at Cava de' Tirreni
The Huntington Library, Art Museum and Botanical Gardens, San Marino
-
Joseph Mallord William Turner
Naples: The Fifteenth-Century City Walls, with the Dome of Santa Caterina a Formiello
The Nelson-Atkins Museum of Art, Kansas City
-
Joseph Mallord William Turner
The View over the Bay of Baia to Ischia and Procida, from near the Scuola de Virgilio
British Museum, London
-
Joseph Mallord William Turner
View from the Road Leading to the Scuola di Virgilio, Showing Nisida, the Islands of Ischia and Procida, and the Promontory of Miseno
Private Collection, Norfolk
-
Joseph Mallord William Turner
The Bay of Porto Paone, a Flooded Crater in the Islet of Nisida
Private Collection
-
Joseph Mallord William Turner
Ancient Ruins on the Coast near the Point of Posillipo
Tate, London
-
Joseph Mallord William Turner
Naples: The View from an Enclosed Road at Posillipo
Tate, London
-
Joseph Mallord William Turner
Posillipo: The Palazzo di Roccella, with the Palazzo Donn’Anna Beyond
Tate, London
-
Joseph Mallord William Turner
Posillipo: The Palazzo di Roccella on the Shore
Private Collection
-
Joseph Mallord William Turner
The Amphitheatre at Capua
Tate, London
-
Joseph Mallord William Turner
A Ferry Crossing a River, on the Road between Eboli and Paestum
Tate, London
-
Joseph Mallord William Turner
Naples: Castel Sant'Elmo
Tate, London
-
Joseph Mallord William Turner
The Royal Park at Astroni
Private Collection
-
Joseph Mallord William Turner
Lake Agnano, Seen from Astroni
Private Collection
-
Joseph Mallord William Turner
Naples: An Unidentified Convent, with Vesuvius in the Distance
Tate, London
-
Joseph Mallord William Turner
Naples: A Range of Convents near Capodimonte, Including the Chinese College
The Whitworth, The University of Manchester
-
Joseph Mallord William Turner
The Vanvitelli Aqueduct, near Caserta
Tasmanian Museum and Art Gallery, Hobart
-
Joseph Mallord William Turner
The Royal Palace at Caserta, Seen from the Road to the Vanvitelli Aqueduct
Private Collection
-
Joseph Mallord William Turner
The Convent of Santa Lucia, near Caserta
The Huntington Library, Art Museum and Botanical Gardens, San Marino
-
Joseph Mallord William Turner
The Convent of Santa Lucia, near Caserta
Yale Center for British Art, New Haven
-
Joseph Mallord William Turner
Ancient Ruins near the River Garigliano, Gaeta in the Distance
Private Collection
-
Joseph Mallord William Turner
Florence: The Palazzo Vecchio, Seen from the Cascine Park
Tate, London
-
Joseph Mallord William Turner
Florence: The Convent of Monte Oliveto, from the Banks of the Arno
Horne Museum, Florence
-
Joseph Mallord William Turner
Florence: The Convent of Monte Oliveto, from the Banks of the Arno
Private Collection
-
Joseph Mallord William Turner
A Villa on the Banks of the River Arno, Known as the Villa Salviati
Yale Center for British Art, New Haven
-
Joseph Mallord William Turner
A Building amongst Trees, on the River Arno near Florence
Sphinx Fine Art, London
-
Joseph Mallord William Turner
A View on the River Arno, with a Tower on a Hill
Tate, London
-
Joseph Mallord William Turner
Florence: The Palazzo Vecchio from the Boboli Gardens, with Fiesole in the Distance
Harrow School, London
-
Joseph Mallord William Turner
Florence: The View from the Boboli Gardens across the Valley of the Arno
Private Collection
-
Joseph Mallord William Turner
An Unidentified Villa, between Florence and Bologna
Ashmolean Museum, University of Oxford
-
Joseph Mallord William Turner
A Wooded Shoreline on Lake Maggiore
Tate, London
-
Joseph Mallord William Turner
Angera: The Borromeo Castle Overlooking Lake Maggiore
Tate, London
-
Joseph Mallord William Turner
The Castle of Arona on Lake Maggiore
Private Collection
-
Joseph Mallord William Turner
Lake Maggiore, from the Shore
Private Collection
-
Joseph Mallord William Turner
Isola Bella on Lake Maggiore
Private Collection
-
Joseph Mallord William Turner
Lake Maggiore, from Isola Bella
Yale Center for British Art, New Haven
-
Joseph Mallord William Turner
A Distant View of the Grande Chartreuse
Private Collection
-
Joseph Mallord William Turner
A Castle beside a River, Possibly the Rocca Pia at Tivoli
Harewood House, Yorkshire
-
Joseph Mallord William Turner
The Arco Felice at Pozzuoli, the Ancient Entrance to Cumae
Private Collection
-
Joseph Mallord William Turner
A Waterfall amongst Woods on a Mountainside
Tate, London
-
Joseph Mallord William Turner
A Circular Temple on a Cliff Overlooking a Lake
Tate, London
-
Joseph Mallord William Turner
Unidentified Medieval Ruins, with Agricultural Buildings
Tate, London
-
Joseph Mallord William Turner
A View near Keswick, Probably Bassenthwaite Lake
Private Collection
-
Joseph Mallord William Turner
Skiddaw and Bassenthwaite Lake, from the Vale of Newlands
Private Collection
-
Joseph Mallord William Turner
Looking South into Borrowdale, from the Shore of Derwentwater
Private Collection
-
Joseph Mallord William Turner
Mountainous Landscape, Possibly in the Lake District
Walker Art Gallery, National Museums Liverpool
-
Joseph Mallord William Turner
Boon Crag Cottage, with Coniston Water Beyond
Private Collection
-
Joseph Mallord William Turner
A View in Cumbria, Probably Looking from Irton Fell towards Ravenglass
Clark Art Institute, Williamstown
-
Joseph Mallord William Turner
Borrowdale
Private Collection
-
Joseph Mallord William Turner
A View in Cumbria, Looking towards Irton and the Irish Sea, with the Isle of Man in the Distance
Tate, London
-
Joseph Mallord William Turner
The River Leven, Cumbria, Viewed from Penny Bridge
Tate, London
-
Joseph Mallord William Turner
St John's Vale, Cumbria
Private Collection
-
Joseph Mallord William Turner
The Lodore Falls
Yale Center for British Art, New Haven
-
Joseph Mallord William Turner
Langdale Pikes
Private Collection
-
Joseph Mallord William Turner
An Unidentified Bridge over a Stream, Possibly in North Wales
Private Collection
-
Joseph Mallord William Turner
Derwentwater, with Skiddaw in the Distance
Eton College, Windsor
-
Joseph Mallord William Turner
Beddgelert Bridge, North Wales
Private Collection
-
Joseph Mallord William Turner
A Mountainous Landscape with an Overshot Mill
Clark Art Institute, Williamstown
-
Joseph Mallord William Turner
A Mountainous River Landscape with a Bridge
Private Collection
-
Joseph Mallord William Turner
Cynwyd Mill, near Corwen, North Wales
Brandler Galleries, Brentwood
-
Joseph Mallord William Turner
Conwy: The Town Walls from the South East
Tate, London
-
Joseph Mallord William Turner
Raglan Castle: The Great Hall
Private Collection
-
Joseph Mallord William Turner
A Mountainous Landscape with an Unidentified Bridge, Possibly in North Wales
Ashmolean Museum, University of Oxford
-
Joseph Mallord William Turner
The Iron Bridge at Coalbrookdale
Private Collection
-
Joseph Mallord William Turner
An Estuary, Possibly Dartmouth
Private Collection
-
Joseph Mallord William Turner
The Lac de Joux
Private Collection
-
Joseph Mallord William Turner
Grasmere: Looking North West to Helm Crag
Private Collection
-
Joseph Mallord William Turner
An Unidentified Lake Scene, Possibly in Switzerland
Leeds Art Gallery
-
Joseph Mallord William Turner
The Head of Lake Windermere
Rhode Island School of Design Museum, Providence
-
Joseph Mallord William Turner
The Head of Derwentwater, with the Lodore Falls
Private Collection
-
Joseph Mallord William Turner
A Rocky Gorge, between Chambéry and Les Échelles
Private Collection
-
Joseph Mallord William Turner
A Convent Overlooking the Arno, near Castel del Bosco
Private Collection
-
Joseph Mallord William Turner
A River Scene, Possibly in the Roman Campagna
National Gallery of Ireland, Dublin
-
Joseph Mallord William Turner
Dover Harbour, with Shipping Being Overhauled
Tate, London
-
Joseph Mallord William Turner
A Two-Master in Dover Harbour, with the Castle Beyond
Tate, London
-
Joseph Mallord William Turner
Dover Harbour: A Ship Being Overhauled
Tate, London
-
Joseph Mallord William Turner
A Boat on the Shore, near Shakespeare Cliff, Dover
Tate, London
-
Joseph Mallord William Turner
Dover Harbour: Fishing Vessels, Their Sails Drying
Tate, London
-
Joseph Mallord William Turner
Shipping in Dover Harbour, with the Castle Beyond
Tate, London
-
Joseph Mallord William Turner
A Lake View, Possibly Ullswater
Private Collection
-
Joseph Mallord William Turner
A General View of Dover Harbour, from the East
Tate, London
-
Joseph Mallord William Turner
Dover Harbour: Small Boats by the Quay
Tate, London
-
Joseph Mallord William Turner
Boats in Dover Harbour
British Museum, London
-
Joseph Mallord William Turner
A Ship under Repair in Dover Harbour
National Gallery of Ireland, Dublin
-
Joseph Mallord William Turner
Figures on a Fishing Vessel in Dover Harbour
Private Collection
-
Joseph Mallord William Turner
A Fishing Vessel with Hastings Beyond
Birmingham Museums & Art Gallery
-
Joseph Mallord William Turner
Dover Castle from the Sea
Private Collection
-
Joseph Mallord William Turner
A Beached Vessel in the Inner Harbour at Dover
Private Collection
-
Joseph Mallord William Turner
Dover Harbour, with the Castle on the Hill
British Museum, London
-
Joseph Mallord William Turner
Dover Harbour
Private Collection
-
Joseph Mallord William Turner
Beached Vessels in Dover Harbour, the Castle in the Distance
Smith College Museum of Art, Northampton
-
Joseph Mallord William Turner
Vessels Anchored in Dover Harbour, with the Castle Beyond
National Gallery of Scotland, Edinburgh
-
Joseph Mallord William Turner
Warehouses with Shipping in Dover Harbour
Smith College Museum of Art, Northampton
-
Joseph Mallord William Turner
Vessels in the Harbour at Dover, with the Castle Beyond
Private Collection
-
Joseph Mallord William Turner
Dover Harbour, with the Cliffs Beyond
Tasmanian Museum and Art Gallery, Hobart
-
Joseph Mallord William Turner
Vessels Moored in Dover Harbour
Private Collection
-
Joseph Mallord William Turner
The Inner Harbour, Dover, with the Castle Beyond
Brighton Museum and Art Gallery
-
Joseph Mallord William Turner
A Ship Drawn Up on a Beach Being Careened
Private Collection
-
Joseph Mallord William Turner
Beached Fishing Vessels, Dover Harbour
National Gallery of Ireland, Dublin
-
Joseph Mallord William Turner
Beached Fishing Vessels in the Harbour at Dover
Private Collection
-
Joseph Mallord William Turner
Boats Anchored in Dover Harbour
Victoria and Albert Museum, London
-
Joseph Mallord William Turner
Boats Anchored in Dover Harbour
Private Collection
-
Joseph Mallord William Turner
Dover Harbour, with Fishing Boats at Low Tide
The High Museum of Art, Atlanta
-
Joseph Mallord William Turner
Dover: The Harbour with Vessels
Fitzwilliam Museum, University of Cambridge
-
Joseph Mallord William Turner
A Smack in Dover Harbour, Drying Sails, with the Old Church in the Distance
National Maritime Museum, Greenwich
-
Joseph Mallord William Turner
Dover Harbour: A Boat under Repair
Private Collection
-
Joseph Mallord William Turner
Fishing Boats at Low Tide, near Dover
Courtauld Gallery, London
-
Joseph Mallord William Turner
Dover: Two Boatmen Standing by the Prow of a Brig
Private Collection
-
Joseph Mallord William Turner
Dover Harbour
Private Collection
-
Joseph Mallord William Turner
A Fisherman's Cottage, Said to Be at Dover
Yale Center for British Art, New Haven
-
Joseph Mallord William Turner
A Boat-Builder’s Yard, Possibly on the River Medway
Fitzwilliam Museum, University of Cambridge
-
Joseph Mallord William Turner
A Boat-Builder’s Yard, Possibly on the Medway
Private Collection
-
Joseph Mallord William Turner
A Boat-Builder’s Yard, Possibly on the River Medway
Private Collection
-
Joseph Mallord William Turner
A Boat-Builder's Shed, Possibly on the River Medway
National Gallery of Scotland, Edinburgh
-
Joseph Mallord William Turner
A Boat-Builder’s Shed, Possibly on the River Medway, with a Fishing Boat with Drying Sails
Tate, London
-
Joseph Mallord William Turner
The Coast, near Dover
The Higgins, Bedford
-
Joseph Mallord William Turner
Folkestone Harbour
Julian Huxley-Parlour Fine Art, London
-
Joseph Mallord William Turner
Beachy Head, Looking towards Newhaven
National Gallery of Scotland, Edinburgh
-
Joseph Mallord William Turner
Beachy Head, Looking towards Newhaven
Ulster Museum, Belfast
-
Joseph Mallord William Turner
Shakespeare Cliff, Dover
National Gallery of Ireland, Dublin
-
Joseph Mallord William Turner
Buildings on a Wooden Quayside
Private Collection
-
Joseph Mallord William Turner
A Coast View with Chalk Cliffs, Probably from near Beachy Head
Ashmolean Museum, University of Oxford
-
Joseph Mallord William Turner
A Small Boat under Repair by a Jetty
Private Collection
-
Joseph Mallord William Turner
Dartford High Street
Private Collection
-
Joseph Mallord William Turner
Tonbridge Bridge and Castle
Fitzwilliam Museum, University of Cambridge
-
Joseph Mallord William Turner
Rye, from the River Tillingham
National Gallery of Scotland, Edinburgh
-
Joseph Mallord William Turner
Buildings on a Promontory on the Coast at Posillipo
Private Collection
-
Joseph Mallord William Turner
Dover: Fishing Boats at Low Tide
Private Collection
-
Joseph Mallord William Turner
Two Boatmen Caulking the Bows of a Beached Brig, Probably at Dover
Private Collection
-
Joseph Mallord William Turner
Hastings: A Beached Fishing Boat
Private Collection
-
Joseph Mallord William Turner
A Coastal Scene at Dover
Worthing Museum and Art Gallery
-
Joseph Mallord William Turner
An Alpine Scene, near Sallanches
Private Collection
-
Joseph Mallord William Turner
Mickleham Church
Tate, London
-
Joseph Mallord William Turner
St Mary’s Church, Monken Hadley
Tate, London